The last century witnessed a gradual but profound transformation of the West's religious landscape. In today's context of diversity, people are often influenced by, and sometimes even claim to belong to, more than one religious tradition. Buddhism and Christianity is a particularly prevalent and fascinating combination. This book is the first detailed exploration of Buddhist Christian dual belonging, engaging - from both Buddhist and Christian perspectives - the questions that arise, and drawing on extensive interviews with well-known individuals in the vanguard of this important and growing phenomenon. The book looks at whether it is possible to be authentically Buddhist and authentically Christian given the differences in beliefs and practices. It asks whether Buddhist Christians are irrational, religiously schizophrenic or spiritually superficial; or whether the thought and practice of Buddhism and Christianity can be reconciled in a way that makes possible deep commitment to both. Finally, the book considers whether the influence of Buddhist Christians on each of these traditions is something to be regretted or celebrated.

Some twenty-five centuries after the Buddha started teaching, his message continues to inspire people across the globe, including those living in predominantly secular societies. What does it mean to adapt religious practices to secular contexts? Stephen Batchelor, an internationally known author and teacher, is committed to a secularized version of the Buddha’s teachings. The time has come, he feels, to articulate a coherent ethical, contemplative, and philosophical vision of Buddhism for our age. After Buddhism, the culmination of four decades of study and practice in the Tibetan, Zen, and Theravada traditions, is his attempt to set the record straight about who the Buddha was and what he was trying to teach. Combining critical readings of the earliest canonical texts with narrative accounts of five members of the Buddha’s inner circle, Batchelor depicts the Buddha as a pragmatic ethicist rather than a dogmatic metaphysician. He envisions Buddhism as a constantly evolving culture of awakening whose long survival is due to its capacity to reinvent itself and interact creatively with each society it encounters. This original and provocative book presents a new framework for understanding the remarkable spread of Buddhism in today’s globalized world. It also reminds us of what was so startling about the Buddha’s vision of human flourishing.

Description: Dr. Conze, widely known as a leading Buddhist scholar through his many publications (among them Buddhism: Its Essence and Development, which has become a classic), has published during the thirty years of his working life a great number of important articles which are scattered over many periodicals difficult or almost impossible to obtain. To meet a growing demand for the most important of these articles to be re-published we are presenting this volume which contains both translations and original essays: the indispensable report on Recent Progress in Buddhist Studies; the survey of Mahayana Buddhism which is still the only account based on the actual sources; the comparisons of Buddhist and European philosophy; the essay on Buddhist Saviours. The remaining articles deal with the Prajnaparamita on which the author is the leading authority in the west. The translations included will be specially welcome because reliable English translations of Buddhist texts are still rare. Thus this volume will be invaluable and indispensable for all students of religion and philosophy.

Both a demonstration of and critical self-reflection on method, this book explores how methodologies shape our understanding of the diversity of Buddhist traditions in the past and the present. International contributors from the West and Asia explore case studies and reflect on methods in the study of Buddhism, united in their debt to Richard K. Payne, the influential Buddhist studies scholar. Methods in Buddhist Studies features new translations of Buddhist works as well as ethnographic studies on contemporary Buddhism in the United States and China. Topics discussed include Buddhist practices in relation to food, material culture, and imperial rituals; the development of modern Buddhist universities; the construction of the canon from the perspective of history, textual analysis, and ritual studies; and the ethical obligations of scholars toward the subject of Buddhism itself. Chapters are drawn from Payne's students and his colleagues, demonstrating the breadth of his intellectual interests. Payne's scholarship has left a remarkable impact on the field, making this volume essential reading for students and scholars of contemporary Buddhism and Buddhist studies.

Argues that the Buddha was one of the most brilliant and original thinkers of all time. This book intends to serve as an introduction to the Buddha's thought, and hence even to Buddhism itself. It also argues that we can know far more about the Buddha than it is fashionable among scholars to admit.

Scholars of Buddhism, themselves Buddhist, here seek to apply the critical tools of the academy to reassess the truth and transformative value of their tradition in its relevance to the contemporary world.

Intended to inspire the devout and provide a focus for religious practice, Buddhist artworks stand at the center of a great religious tradition that swept across Asia during the first millennia. How to Read Buddhist Art assembles fifty-four masterpieces from The Met collection to explore how images of the Buddha crossed linguistic and cultural barriers, and how they took on different (yet remarkably consistent) characteristics in India, Pakistan, Afghanistan, the Himalayas, China, Korea, Japan, Sri Lanka, Thailand, Cambodia, and Indonesia. Works highlighted in this rich, concise overview include reliquaries, images of the Buddha that attempt to capture his transcendence, diverse bodhisattvas who protect and help the devout on their personal path, and representations of important teachers. The book offers the essential iconographic frameworks needed to understand Buddhist art and practice, helping the reader to appreciate how artists gave form to subtle aspects of the teachings, especially in the sublime expression of the Buddha himself.