Buddhism in Central Asia is a saga of peaceful pursuit by Buddhist scholars from Kashmir and Kabul to propagate the message of the Buddha. This vast region between the Tien-Shan and the Kunlun ranges was the centre of activities of these Buddhist savants. Here people of different races and professions, speaking many languages, were finally blended into a cosmopolitan culture. This created an intellectual climate of high order. In this context, the famous silk trade route was helpful in adding to the material prosperity of the people in this region. The present study, therefore, is not one of Buddhism in isolation. It equally provides an account of the political forces confronting each other during the course of history of this region for well over a thousand years. For centuries the drifting desert sand of Central Asia enveloped this civilization and the religion connected with it. The late-nineteenth and early-twentieth century explorers and archaeologists successfully uncovered it at different centres along the old Silk Route. This has been helpful for a comprehensive study of Buddhism with its literature and art. The finds of hundreds of inscriptions have added to the cultural dimensions of the study.

Presents a history of early Buddhism based solely on dateable artefacts and archaeology rather than received tradition, much of which data is provided by studying Pyrrho's history

This study examines the small figures, mostly Buddhas, depicted in the aureole of Buddha images. This motif has appeared in various places in Central Asia and East Asia throughout the centuries. By contextualizing these images in local history and local Buddhism, this book sheds light on issues in Buddhist history and cultural transmission.

Volume two of Marylin Rhie’s widely acclaimed and formative multi-volume work presents a comprehensive, scholarly and detailed study of the Buddhist art of China and Central Asia from 316-439 A.D. during the formative early periods of Buddhism in the Eastern Chin and Sixteen Kingdoms Period. Using texts translated from the Chinese together with stylistic and technical analyses, the chronology and sources of the art are more clearly defined than in previous studies for the regions of South and North China (other than Kansu) and the important sites of Tumshuk, Kucha and Karashahr on the Northern Silk Route in eastern Central Asia. Furthermore, by incorporating extensive religious and historical materials, this work not only contributes to clarifying the regional characteristics of the art, but also offers new insights into the broader, interregional relationships of this politically fragmented period.

Intrepid author, traveller and researcher, Sunita Dwivedi set out on an exhaustive journey through Central Asia in search of ancient statutes of Buddha. Retracing the paths forged by great Buddhist monks over the centuries, she negotiated scorching deserts, lush meadows, dry steppe lands, snow-capped mountains and gushing river valleys to chronicle the life and times of the many Budh viharas in which these statues had been instated. Drawing upon her extensive sojourns, Sunita recreates in this volume the bygone eras in which these shrines were once great centres of learning and devotion. And, juxtaposing past grandeur with the dereliction of the present, Sunita brings back to vivid life the holy path of dharma these viharas once espoused.

The volume analyses the encounter between Buddhist and Muslim communities in South and Central Asia during the medieval period. The articles by historians, epigraphists, philologists, art historians and archaeologists provoke a fresh look at relevan