Selected by Joy Harjo as the winner of the Walt Whitman Award of the Academy of American Poets Emily Skaja’s debut collection is a fiery, hypnotic book that confronts the dark questions and menacing silences around gender, sexuality, and violence. Brute arises, brave and furious, from the dissolution of a relationship, showing how such endings necessitate self-discovery and reinvention. The speaker of these poems is a sorceress, a bride, a warrior, a lover, both object and agent, ricocheting among ways of knowing and being known. Each incarnation squares itself up against ideas of feminine virtue and sin, strength and vulnerability, love and rage, as it closes in on a hard-won freedom. Brute is absolutely sure of its capacity to insist not only on the truth of what it says but on the truth of its right to say it. “What am I supposed to say: I’m free?” the first poem asks. The rest of the poems emphatically discover new ways to answer. This is a timely winner of the Walt Whitman Award, and an introduction to an unforgettable voice.

Brute facts are facts that don't have explanations. They are instrumental in our attempts to give accounts of other facts or phenomena, and so they play a key role in many philosophers' views about the structure of the world. This volume explores neglected questions about the nature of brute facts and their explanatory role.

Brute leads a lonely life in a world where magic is commonplace. He is seven and a half feet of ugly, and of disreputable descent. No one, including Brute, expects him to be more than a laborer. But heroes come in all shapes and sizes, and when he is maimed while rescuing a prince, Brute's life changes abruptly. He is summoned to serve at the palace in Tellomer as a guard for a single prisoner. It sounds easy but turns out to be the challenge of his life. Rumors say the prisoner, Gray Leynham, is a witch and a traitor. What is certain is that he has spent years in misery: blind, chained, and rendered nearly mute by an extreme stutter. And he dreams of people's deaths--dreams that come true. As Brute becomes accustomed to palace life and gets to know Gray, he discovers his own worth, first as a friend and a man and then as a lover. But Brute also learns heroes sometimes face difficult choices and that doing what is right can bring danger of its own. Winner in the 2013 Rainbow Awards. First: Best Gay Fantasy Fourth (tie): Best Gay Novel

Now part of the eponymous HBO docuseries written and directed by Raoul Peck, “Exterminate All the Brutes” is a brilliant intellectual history of Europe’s genocidal colonization of Africa—and the terrible myths and lies that it spawned “A book of stunning range and near genius. . . . The catastrophic consequences of European imperialism are made palpable in the personal progress of the author, a late-twentieth-century pilgrim in Africa. Lindqvist’s astonishing connections across time and cultures, combined with a marvelous economy of prose, leave the reader appalled, reflective, and grateful.” —David Levering Lewis “Exterminate All the Brutes,” Sven Lindqvist’s widely acclaimed masterpiece, is a searching examination of Europe’s dark history in Africa and the origins of genocide. Using Joseph Conrad’s Heart of Darkness as his point of departure, the award-winning Swedish author takes us on a haunting tour through the colonial past, interwoven with a modern-day travelogue. Retracing the steps of European explorers, missionaries, politicians, and historians in Africa from the late eighteenth century onward, “Exterminate All the Brutes” exposes the roots of genocide in Africa through Lindqvist’s own journey through the Saharan desert. As he shows, fantasies not merely of white superiority but of actual extermination—“cleansing” the earth of the so-called lesser races—deeply informed the colonialism and racist ideology that ultimately culminated in Europe’s own Holocaust. Conquerors’ stories are the ones that inform the self-mythology of the West—whereas the lives and stories of those displaced, enslaved, or killed are too often ignored and forgotten. “Exterminate All the Brutes” forces a crucial reckoning with a past that still echoes in our collective psyche—a reckoning that compels us to acknowledge the exploitation and brutality at the heart of our modern, globalized society. As Adam Hochschild has written, “Lindqvist’s work leaves you changed.”

Sister Brute has no one to love until she makes a stone doll and finds an ugly dog.

Råvarer; Krigsindustri; Våbenindustri; Brændstof; Logistik; Forsyninger; Forsyningstjenesten; Krigsproduktion; Våbenproduktion; Fabrikker; Økonomi; Statistik; Våbenfremstilling; Flyvemaskinefabrikker; Allied Aircrafts; Allied Armed Forces; Fighters; Aksemagterne; Konvojer; Churchill; Østfronten: Stillehavskrigen; Hitler; Blokade; Olie; Radar; Shipping; Ships; Tanks; Udrustning; U-både; US Navy

As Vice President of the Riot MC Biloxi Chapter, Brute lives for his motorcycle club. Meeting Kenzie Whitehall challenges his dedication to his carefree lifestyle. Everything about her appeals to him, but he knows she’s looking for commitment. She’s forced to tell him she’s a single mom which should send Brute packing, but he can’t stay away. Meanwhile, Brute has a homicide detective breathing down his neck. The officer believes Brute has answers in an unsolved murder, and he isn’t above playing Kenzie against Brute to solve the case. When Kenzie’s ex-husband finds out she’s dating a biker, he threatens to drag her back to court regarding custody and child support payments. Kenzie refuses to give up her shot at happiness with Brute to appease her ex-husband. Even though he’s falling fast for Kenzie, Brute knows walking away from her is the best thing for her and her daughter. Leaving should be easy. But with three hearts on the line, will Brute find the strength to fight for love?