Known as the working man's poet, the Boardwalk prophet, or simply, the Boss. If "love is a banquet at which we feed," Bruce Springsteen has provided much food for thought. In this collection of metaphysical probes, a gang of E-street philosophers will undress Bruce's deeper mysteries like irresistible Jersey girls. Can Springsteen settle the nature-nurture debate through his song "Born to Run"? What do the famous philosopher Ricuoer and Springsteen have in common in their depiction of time? These die-hard Springsteen fans, who just happen to be philosophers, compile an entertaining handbook to the field of Springsteen studies, covering topics like Springsteen's connection to Marx and the proletariat, Springsteen's concept of the soul, and his status as a poet.

In 2009, Bruce Springsteen and the E Street Band performed at the Super Bowl's half-time show. The experience was so exhilarating that Bruce decided to write about it. That's how this extraordinary autobiography began. Over the past seven years, Bruce Springsteen has privately devoted himself to writing the story of his life, bringing to these pages the same honesty, humour, and originality found in his songs. He describes growing up Catholic in Freehold, New Jersey, amid the poetry, danger, and darkness that fueled his imagination, leading up to the moment he refers to as "The Big Bang": seeing Elvis Presley's debut on The Ed Sullivan Show. He vividly recounts his relentless drive to become a musician, his early days as a bar band king in Asbury Park, and the rise of the E Street Band. With disarming candour, he also tells for the first time the story of the personal struggles that inspired his best work, and shows us why the song "Born to Run" reveals more than we previously realized.

This book offers an alternative way of taking up the American Philosophical tradition as a way of doing philosophy and a way of life. Douglas Anderson explores the relationship between American philosophy and other features of American culture, including where in that culture thinking that could be called philosophicalis to be found.

Bruce Springsteen might be the quintessential American rock musician but his songs have resonated with fans from all walks of life and from all over the world. This unique collection features reflections from a diverse array of writers who explain what Springsteen means to them and describe how they have been moved, shaped, and challenged by his music. Contributors to Long Walk Home include novelists like Richard Russo, rock critics like Greil Marcus and Gillian Gaar, and other noted Springsteen scholars and fans such as A. O. Scott, Peter Ames Carlin, and Paul Muldoon. They reveal how Springsteen’s albums served as the soundtrack to their lives while also exploring the meaning of his music and the lessons it offers its listeners. The stories in this collection range from the tale of how “Growin’ Up” helped a lonely Indian girl adjust to life in the American South to the saga of a group of young Australians who turned to Born to Run to cope with their country’s 1975 constitutional crisis. These essays examine the big questions at the heart of Springsteen’s music, demonstrating the ways his songs have resonated for millions of listeners for nearly five decades. Commemorating the Boss’s seventieth birthday, Long Walk Home explores Springsteen’s legacy and provides a stirring set of testimonials that illustrate why his music matters.

A collection of Barry Schneier's photography from Bruce Springsteen's historic May 9, 1974 performance at the Harvard Square Theatre in Cambridge, MA, the very night he was deemed "rock and roll future" by rock critic (and future Springsteen manager) Jon Landau.

American Lonesome: The Work of Bruce Springsteen begins with a visit to the Jersey Shore and ends with a meditation on the international legacy of Springsteen’s writing, music, and performances. Gavin Cologne-Brookes’s innovative study of this popular musician and his position in American culture blends scholarship with personal reflection, providing both an academic examination of Springsteen’s work and a moving account of how it offers a way out of emotional solitude and the potential lonesomeness of modern life. Cologne-Brookes proposes that the American philosophical tradition of pragmatism, which assesses the value of ideas and arguments based on their practical applications, provides a lens for understanding the diversity of perspectives and emotions encountered in Springsteen’s songs and performances. Drawing on pragmatist philosophy from William James to Richard Rorty, Cologne-Brookes examines Springsteen’s formative environment and outsider psychology, arguing that the artist’s confessed tendency toward a self-reliant isolation creates a tension in his work between lonesomeness and community. He considers Springsteen’s portrayals of solitude in relation to classic and contemporary American writers, from Frederick Douglass, Nathaniel Hawthorne, and Emily Dickinson to Richard Wright, Flannery O’Connor, and Joyce Carol Oates. As part of this critique, he discusses the difference between escapist and pragmatic romanticism, the notion of multiple selves as played out both in Springsteen’s work and in our perception of him, and the impact of performances both recorded and live. By drawing on his own experiences seeing Springsteen perform—including on tours showcasing the album The River in 1981 and 2016—Cologne-Brookes creates a book about the intimate relationship between art and everyday life. Blending research, cultural knowledge, and creative thinking, American Lonesome dissolves any imagined barriers between the study of a songwriter, literary criticism, and personal testimony.

In the Name of the Mother examines the cultural relationship between African American intellectuals and Italian American writers and artists, and how it relates to American blackness in the twentieth century. Samuele Pardini links African American literature to the Mediterranean tradition of the Italian immigrants and examines both against the white intellectual discourse that defines modernism in the West. This previously unexamined encounter offers a hybrid, transnational model of modernity capable of producing democratic forms of aesthetics, social consciousness, and political economy. This volume emphasizes the racial "in-betweenness" of Italian Americans rearticulated as "invisible blackness," a view that enlarges and complicates the color-based dimensions of American racial discourse. This strikingly original work will interest a wide spectrum of scholars in American Studies and the humanities.