Bruce Nauman is widely acknowledged as a central figure in contemporary art, and the stringent questioning of values --both aesthetic and moral-- that has long sustained his project remains urgent today. For more than fifty years, Nauman has explored how mutable experiences of time, space, sound, movement, and language provide an insecure foundation for our understanding of our place in the world. This richly illustrated catalogue, which includes rare and previously unpublished images, offers a comprehensive view of the artist's work in all media --including drawings; early fiberglass sculptures; sound environments; architecturally scaled, participatory constructions; rhythmically blinking neons; and a recent 3-D video that harks back to one of Nauman's earliest performances. A wide range of authors --artists, curators, and historians of art, architecture, and film-- focus on topics that have been largely neglected, such as the architectural structures that posit real or imaginary spaces as models for ethical inquiry and mechanisms of control. Curator Kathy Halbreich's introductory essay explores Nauman's many acts of disappearance, withdrawal, and deflection as revelatory of his central formal and intellectual concerns. Eighteen further contributions tease out the various themes that run through this protean and elusive artist's work.

" The first authorized monograph on the world–famous sculptor, photographer, and video artist. In Bruce Nauman: The True Artist, Peter Plagens – a renowned writer, critic, and author who has known Nauman for more than forty years – delivers a personal and authoritative account tracing Nauman’s entire career, from his youth in Fort Wayne, Indiana, to his graduate work at the University of California, and through to the present day. Plagens first met Nauman in Pasadena, California, in 1970, where their studios were a block apart and they played basketball together every Sunday. Since then, Plagens has pursued a real understanding of his friend’s art. The book chronicles Nauman’s process, from the creation of works in his New Mexico studio to the organization, installation, and reception of his exhibitions. Throughout, Plagens is a savvy and engaging guide to the work, using his own attempts to puzzle out the meaning of the pieces, as well as the artist’s conversations about them, to offer readers a vivid and enlightening take on one of the key figures in contemporary art. "

The first book devoted solely to Bruce Nauman’s corridors and other architectural installations, Bruce Nauman: Spatial Encounters deftly explores the significance of these works in the development of his singular art practice, examining them in the context of the period and in relation to other artists like Dan Graham, Robert Morris, Paul Kos, and James Turrell. Designed for viewer participation, Bruce Nauman’s architectural installations often confound expectations and induce physical and psychological unease. The essays in this book consider these works, which begin in 1969 and continue into the 1970s and beyond, in terms of the physical, perceptual, and psychological pressures they exert on the participant. Three interlocking perspectives on the topic—Constance M. Lewallen’s historical overview, Dore Bowen’s case study of Nauman’s 1970 Corridor Installation with Mirror—San Jose Installation (Double Wedge Corridor with Mirror), and a supplementary essay by Ted Mann on Nauman’s drawings—provide a comprehensive and in-depth approach. The book coincides with the major retrospective exhibition Bruce Nauman: Disappearing Acts at the Schaulager Museum, Basel, Switzerland (March 17–August 26, 2018) and the Museum of Modern Art and MoMA PS1, New York (October 21, 2018–March 17, 2019).

Introduction / Carlos Basualdo -- Interview with Bruce Nauman / Carlos Basualdo -- Body at work / Erica F. Battle -- Walks in walks out : an appreciation / Caroline Bourgeois

The first catalogue to document and showcase Bruce Nauman's impressive installation, One Hundred Fish Fountain - 97 fish attached to a steel frame and connected to hoses and pumps to create the effect of the fish spewing out and sucking in water. Bruce Nauman has long been celebrated in the art world for his conceptual work in neon, film, performance and print-making and was selected as the American entry for the 2009 Venice Biennale.

Creamier: Contemporary Art in Culture, is the 5th addition to Phaidon?s world renowned Cream series. Every few years, Phaidon brings together 10 illustrious curators to choose 100 of the art world?s best and most important emerging contemporary artists, and what they discover becomes an invaluable resource in an ever-changing art world. As has proven to be the case with those featured in the previous four Cream books, these will be the 100 artists the world is talking about for years to come. Valued by art collectors and art lovers alike as a road map through the ever expanding international art scene of gallery shows, museum exhibitions, biennials, and fairs, the Cream series is a must-have for anyone interested in the art world?s latest news and is an excellent introduction to the dialogue among some of its best minds. The introduction features a conversation between the ten curators discussing one of the art world?s hottest topics ? the recession and how it has impacted the market and artist creativity. Bound on high quality paper, printed to resemble broadsheet newspaper format, Creamier is packed in a custom-made box. The irony of the very latest news contained in a traditional, some would argue vanishing, format is intriguing. Readers are left to question the fluidity of the art world where an artist?s work can be fresh and new for such a short time, but where it never becomes insignificant.