For me, the name Dante conjured up two images. The first was the epic depictions of Hell from Dante's Inferno, with people burning for their sins. The second image was a sexual depiction. I don't know where it came from, but as far back as I can remember, I had always associated the name Dante with a beautiful and sexy man. I'd imagined a dark-haired, dark-eyed, gorgeous lothario, the type who could capture a woman's heart with just one look. Dante was the Fabio of my generation, the heartthrob that got women's hearts beating fast, made us want this man to rip our clothes off and to throw us onto the bed. Little did I know that the Dante that walked into my life was very different from the one I'd imagined. Oh, he was dark-haired, dark-eyed, gorgeous, even a lothario ... just ... he wasn't a man. He was a fifteen-year-old boy who was going to send me to the Hell his namesake had written about. And I was his teacher.

The English language in the Renaissance was in many ways a collection of competing Englishes. Paula Blank investigates the representation of alternative vernaculars - the dialects of early modern English - in both linguistic and literary works of the period. Blank argues that Renaissance authors such as Spenser, Shakespeare and Jonson helped to construct the idea of a national language, variously known as 'true' English or 'pure' English or the 'King's English', by distinguishing its dialects - and sometimes by creating those dialects themselves. Broken English reveals how the Renaissance 'invention' of dialect forged modern alliances of language and cultural authority. This book will be of interest to scholars and students of Renaissance studies and Renaissance English literature. It will also make fascinating reading for anyone with an interest in the history of English language.

A leading American poet reclaims the realm of criticism in distinctive and impassioned readings of poems and other works of art.

Essays, performance scripts, and interviews by one of America's emergin art critics.

DBC Pierre's second novel charts the unlikely meeting between East and West that follows Ludmila Derev's appearance on a Russian brides website. Determined to save her family from starvation in the face of marauding Gnez troops, Ludmila's journey into the world and womanhood is an odyssey of sour wit, even sourer vodka, and a Soviet tractor probably running on goat's piss. Thousands of miles to the West, the Heath twins are separated after 33 years conjoined at the abdomen. Released for the first time from an institution rumoured to have been founded for an illegitimate child of Charles II, they are suddenly plunged into a round-the-clock world churning with opportunity, rowdy with the chatter of freedom, democracy, self-empowerment and sex. A wild and raucous picaresque dripping with flavours of British bacon and nasty Russian vodka, Ludmila's Broken English is a tale of tango-ing twins on a journey into the unknown. A ride so outrageously improbable it just may happen, DBC Pierre's second novel confirms his place in the ranks of today's most original storytellers.

When it feels like no one lets you live at your own volume You sing. Dynamic and eye-opening, this debut by a National Poetry Slam finalist critiques an America sleepwalking through its days and explores the contradictions of race and class in America. Bao Phi has been a National Poetry Slam finalist and appeared on HBO's Def Poetry. His poems and essays are widely published in numerous publications including 2006 Best American Poetry. Phi lives in Minneapolis, Minnesota, and works at the Loft Literary Center.