This book offers a closer examination of how Americans think and feel about their government. It deals with politics at the grass roots. The book addresses several of the most significant bases of social cleavage present in the US. It focuses on political decisionmakers and decisionmaking.

In 1986, 70 percent of the first-year class of Harvard Law School wanted to pursue careers in public-interest law. Ten years later, the same percentage of this class was pursuing careers in private corporate firms. How is it that these students began their careers interested in using law as a vehicle for social change, but ended up in those very law firms most resistant to change? How are law students able to reconcile liberal politics with careers in corporate law? Richard D. Kahlenberg's Broken Contract serves to warn prospective law students on the transformation that happens during the second and third years. His memoir explores the intense competitiveness and insidious pressure leading to jobs that are lucrative, prestigious, and challenging-but ultimately unsatisfying. Though Broken Contract doesn't seek to convince every law student to go into public service, Kahlenberg means to challenge and restructure our social institutions to make it easier to follow our impulses toward good instead of toward the goods.

When a college all American named Martin Kraidin saw a high school honey named Lynn Konick walk across the campus it was not just love at first sight it a was future so bright, so envied, it was set in the astrological stars. Marty was a promising dental student, both at the top of his class academically and head of his class in popularity as the student body president. Lynn, an attractive but shy high school gal who’d been sheltered by her very successful Main Line Philadelphia parents, blossomed in the wake of Marty’s drive and ambition. Theirs was to be the quintessential love story. But how could it have all gone so wrong? His young wife ripped from his arms and heart, a son he was never to see…plunging both into a two decade odyssey of ill-fated relationships, love turning to hate, an emotional void. Could it have all just been the lust of youth and not a love for the ages? In 1984 a letter arrived for Dr. Kraidin from a young Stephen Levinson. Stephen Levinson was the son Marty had never known and the link to the only love he had ever known. The letter was the key to a second chance—at life, at love. For theirs was a love that was meant to be. Nothing would now keep them apart or so they thought. This is the true story of two people who may have been able to defy the odds…but not the fates.

A less-expensive grayscale paperback version is available. Search for ISBN 9781680923018. Business Law I Essentials is a brief introductory textbook designed to meet the scope and sequence requirements of courses on Business Law or the Legal Environment of Business. The concepts are presented in a streamlined manner, and cover the key concepts necessary to establish a strong foundation in the subject. The textbook follows a traditional approach to the study of business law. Each chapter contains learning objectives, explanatory narrative and concepts, references for further reading, and end-of-chapter questions. Business Law I Essentials may need to be supplemented with additional content, cases, or related materials, and is offered as a foundational resource that focuses on the baseline concepts, issues, and approaches.

Zion Willingham continues her poignant discussion on the pain of broken pieces due to a fully developed doublemindedness. Wake up with Zion Willingham as she shines a light on broken pieces.

The common law action for breach of promise of marriage originated in the mid-seventeenth century, but it was not until the nineteenth century that it rose to prominence and became a regular feature in law courts and gossip columns. By 1940 the action was defunct, it was inconceivable for a respectable woman to bring such a case before the courts. What accounts for this dramatic rise and fall? This book ties the story of the action's prominence and decline between 1800 and 1940 to changes in the prevalent conception of woman, her ideal role in society, sexual relations, and the family. It argues that the idiosyncratic breach-of-promise suit and Victorian notions of ideal femininity were inextricably, and fatally, entwined. It presents the nineteenth-century breach-of-promise action as a codification of the Victorian ideal of true womanhood and explores the longer-term implications of this infusion of mythologized femininity for the law, in particular for the position of plaintiffs. Surveying three consecutive time periods - the early nineteenth century, the high Victorian and the post-Victorian periods - and adopting an interdisciplinary approach that combines the perspectives of legal history, social history, and literary analysis, it argues that the feminizing process, by shaping a cause of action in accordance with an ideal at odds with the very notion of women going to law, imported a fatal structural inconsistency that at first remained obscured, but ultimately vulgarized and undid the cause of action. Alongside more than two hundred and fifty real-life breach-of-promise cases, the book examines literary and cinematic renditions of the breach-of-promise theme, by artists ranging from Charles Dickens to P.G. Wodehouse, to expose the subtle yet unmistakable ways in which what happened (and what changed) in the breach-of-promise courtroom influenced the changing representation of the breach-of-promise plaintiff in nineteenth- and early twentieth-century literature and film.

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