Provides the first full study of the predecessor church of St Peter's Basilica in Rome, from late antique construction to Renaissance destruction.

Through close textual and contextual analysis of British films spanning a century, this book explores how pupils, teachers and secondary education in general have been represented on the British screen. The author addresses a number of topics including the nature of public (fee-paying) and state schooling; the values of special, single-sex and co-education; the role of male and female teachers; and the nature of childhood and adolescence itself. From the silents of Hitchcock to the sorcery of Harry Potter, British cinema’s continued explorations of school life highlights its importance in the nation’s everyday experience and imaginary landscape. Beyond this, the school film, varying in scope from low-budget exploitation to Hollywood-financed blockbusters, serves both as a prism through which one can trace major shifts in the British film industry and as a barometer of the social and cultural concerns of the cinema-going public. This applies especially for gender, race and, in all senses, class.

The British School of Osteopathy is the oldest and largest teaching institution of osteopathy in the UK. To mark the one hundred years of its history, the book traces its chequered history and the characters involved from when it was simply providing vocational training and awarding its own diploma to it becoming a mature, higher education institution with Taught Degree Awarding Powers. It is a story of incredible achievement despite sometimes almost insurmountable obstacles to its progress.

The British School of Sculpture, c. 1760?1832 represents the first edited collection exploring one of the most significant moments in British art history, returning to centre stage a wide range of sculpture considered for the first time by some of the most important scholars in the field. Following a historical and historiographical introduction by the editors, situating British sculpture in relation to key events and developments in the period, and the broader scholarship on British art more generally in the period and beyond, the book contains nine wide-ranging case studies that consider the place of antique and modern sculpture in British country houses in the period, monuments to heroes of commerce and the Napoleonic Wars, the key debates fought around ideal sculpture at the Royal Academy, the reception of British sculpture across Europe, the reception of Hindu sculpture deriving from India in Britain, and the relationship of sculpture to emerging industrial markets, both at home and abroad. Challenging characterisations of the period as 'neoclassical', the volume reveals British sculpture to be a much more eclectic and various field of endeavour, both in service of the state and challenging it, and open to sources ranging from the newly arrived Parthenon Frieze to contemporary print culture.

"Follows the spies-in-training on a hunt to find the leader of the evil organization SPYDER and take them down once and for all"--

On its first publication in 1973 Adam Kuper's entertaining history of half a century of British social anthropology provoked strong reactions. But his often irreverent account soon established itself as one of the introductions to anthropology. Since the second revised edition was published in 1983, important developments have occurred within British and European anthropology. This third, enlarged and updated edition responds to these fresh currents. Adam Kuper takes the story up to the present day, and a new final chapter traces the emergence of a modern European social anthropology in contrast with developments in American cultural anthropology over the last two decades. Anthropology and Anthropologists provides a critical historical account of modern British social anthropology: it describes the careers of the major theorists, their ideas and their contributions in the context of the intellectual and institutional environments in which they worked.