A linguistic study of New Zealand English, its vocabulary, pronunciation, grammar, and syntax, with sections on Maori speakers of English, weather forecasters' speech, and shifts in attitudes towards New Zealand speech. The 13 essays are illustrated with graphs and tables, and an extensive bibliography is included.

The most thorough study on the filmmakers who have defined New Zealand cinema from its origins to its current successes.

This book provides a strikingly original explanation of the Britain's treatment of sovereignty and native title in its Australasian colonies.

Peter Jackson is one of the most acclaimed and influential contemporary film-makers. This is the first book to combine the examination of Jackson's career with an in-depth critical analysis of his films, thus providing readers with the most comprehensive study of the New Zealand film-maker's body of work. The first section of the book concentrates on Jackson's biography, surveying the evolution of his career from the director of cult slapstick movies such as Meet the Feebles (1989) and Braindead (1992) to an entrepreneur responsible for the foundation of companies such as Wingnut Films and Weta Workshop, and finally to producer and director of mega blockbuster projects such as The Lord of the Rings (2001-2003) and The Hobbit (2012-2013). The book further examines Jackson's work at the level of production, reception and textuality, along with key collaborative relationships and significant themes associated with Jackson's films. The examination of Peter Jackson's work and career ties into significant academic debates, including the relationship between national cinema and global Hollywood; the global dispersal of film production; the relationship between film authorship and industrial modes of production; the impact of the creative industries on the construction of national identity; and new developments in film technology.

Between 1845 and 1872, various groups of Maori were involved in a series of wars of resistance against British settlers. The Maori had a fierce and long-established warrior tradition and subduing them took a lengthy British Army commitment, only surpassed in the Victorian period by that on the North-West Frontier of India. Warfare had been endemic in pre-colonial New Zealand and Maori groups maintained fortified villages or pas. The small early British coastal settlements were tolerated, and in the 1820s a chief named Hongi Hika travelled to Britain with a missionary and returned laden with gifts. He promptly exchanged these for muskets, and began an aggressive 15-year expansion. By the 1860s many Maori had acquired firearms and had perfected their bush-warfare tactics. In the last phase of the wars a religious movement, Pai Maarire ('Hau Hau'), inspired remarkable guerrilla leaders such as Te Kooti Arikirangi to renewed resistance. This final phase saw a reduction in British Army forces. European victory was not total, but led to a negotiated peace that preserved some of the Maori people's territories and freedoms.

This collection explores how the heritage industry and cultural policy have responded to questions of nation and national identity