The bold graphic images made by artists affiliated with Vorticism, British Futurism, and the Grosvenor School of Modern Art capture the optimism and anxiety of early twentieth-century Britain. This richly illustrated volume features rare British prints from the Leslie and Johanna Garfield collection dating between 1913 and 1939—a period marked by two world wars, a global pandemic, the Great Depression, and the rise of Fascism and Communism, but also new technologies, women’s suffrage, and a growing focus on public access to art. Essays explore how artists turned to printmaking to alleviate trauma, memorialize their wartime experiences, and capture the aspirations and fears of the twenties and thirties. At the heart of the catalogue are the colorful linocuts made by artists associated with London’s celebrated Grosvenor School. The visually striking compositions by Sybil Andrews, Claude Flight, Cyril E. Power, and Lill Tschudi, among others, convey the vitality of quotidian life during the machine age.

Prints & printmaking.

Not only was Waterloo one of the most decisive battles ever fought, it was also a crucial event in European history, ending over 20 years of conflict and bringing to his knees one of Europe's most challenging figures - Napoleon Bonaparte. This book shows through contemporary prints how Bonaparte was seen from across the English Channel where hostile propaganda was tempered by admiration for his military and administrative talents.

Originally published: London: British Museum Press, c2010.

In the visual arts of the 15th to the early 19th centuries in Europe, animals were understood in relation to the human world. At the same time, increasing investigation of the natural world engaged artists in the problems of accurate representation: prints were particularly important in distributing information across a wide audience. This illustrated book explores perceptions of the natural world as seen through the eyes of imaginative artists.

Containing over one hundred images of towns in England, Wales and Scotland, this book draws on the extensive Gough collection in the Bodleian Library. Contemporary prints and drawings provide a powerful visual record of the development of the town in this period, and finely drawn prospects and maps reveal their early development.