"This very thorough catalogue, with excellent footnotes and bibliography, firmly places the subject in its broadest context." --Apollo Covers approximately 95 pieces, representing Chelsea, Bow, Derby, Worcester, Chamberlain-Worcester, Caughley, Longton Hall, Spode, and Hilditch and Sons.

This book broadens the discussion of pottery and china in the Victorian era by situating them in the national, imperial, design reform, and domestic debates between 1840 and 1890. Largely ignored in recent scholarship, Ceramics in the Victorian Era: Meanings and Metaphors in Painting and Literature argues that the signification of a pot, a jug, or a tableware pattern can be more fully discerned in written and painted representations. Across five case studies, the book explores a rhetoric and set of conventions that developed within the representation of ceramics, emerging in the late-18th century, and continuing in the Victorian period. Each case study begins with a textual passage exemplifying the outlined theme and closes with an object analysis to demonstrate how the fusing of text, image, and object are critical to attaining the period eye in order to better understand the metaphorical meanings of ceramics. Essential reading not only for ceramics scholars, but also those of material culture, the book mines the rich and diverse archive of Victorian painting and literature, from the avant-garde to the sentimental, from the well-known to the more obscure, to shed light on the at once complex and simple implications of ceramics' agencies at this time.

This book contains 2,500 bibliographical entries covering most aspects of the history of Victorian England.

In 1966 Jim Allen undertook the first professional excavation of a European site in Australia. The 1840s military settlement of Victoria was established at Port Essington, the northernmost part of the Northern Territory and was the end point of Ludwig Leichhardt's epic journey in 1844-45. This settlement was the longest lived of three failed attempts by the British to establish a settlement on the northern coast of Australia before 1850. Its history reflects many of the dominant themes of wider colonial history - isolation, tropical disease, poorly equipped and inexperienced colonists, inept government bureaucracies and relations with the Indigenous population. By looking at both the material evidence produced by archaeological excavation and the written sources, Allen sought to integrate both sorts of evidence to produce an eclectic history that was neither social nor political nor economic in its primary emphasis, but combined all three. When his research was presented as a doctoral dissertation at the Australian National University in 1969 its main theoretical thrust concerned the problems of this data integration and this remains a central issue in the discipline of historical archaeology in Australasia. Some 40 years on, ASHA's decision to launch its new monograph series by publishing this work has several purposes. At one level this monograph is of historical importance in establishing where the discipline began in this country. It explains both the theoretical and methodological problems Allen faced and how he sought to overcome them. At another level it provides the data from an important excavation that has not been previously published. On a third level it provides a particular sort of historical account of a small but important chapter of Australia's European beginnings that could not have been written without the dual sources of written documents and archaeology. Together they reflect a poignant episode in our past. In the decade following this work Port Essington became the subject of a four part ABC-TV drama, a musical composition by Peter Sculthorpe and paintings by Russell Drysdale. Port Essington will appeal as a reference book to both students and practitioners of historical archaeology and to people interested in Australian colonial history. After Port Essington, Jim Allen established an academic career in prehistoric archaeology in Australia and the Pacific. He is currently Emeritus Professor in the School of Historical and European Studies in La Trobe University.