This volume discusses traditional and new resources for researching British literature of the Victorian and Edwardian ages and the ways in which those resources can be used in conjunction with one another.

This book examines the early publishing careers of three highly influential writers, Joseph Conrad, Arnold Bennett, and Arthur Conan Doyle.

Caudill, whose Darwin in the Press (Lawrence Erlbaum Assoc., 1989) covered similar ground, here adds little to the corpus of rich literature on Darwinian evolution; his discussions of the theory's misapplications have been covered thoroughly by other researchers. He focuses here on documentation from the popular press, which, he argues, has been overlooked. In doing so Caudill ignores much of the extensive research by contemporary scientists and historians of science. Caudill also often refers to articles without author attribution, using phrases such as "a German doctor" or "a Harvard professor." The reader must go to the notes to identify the author and to assess Caudill's comments and criticisms. In addition. the book lacks continuity and flow, reading like a series of essays strung together under a theme of "myths." Tighter editing would have improved continuity, addressed inconsistencies in using birth and death dates, and corrected the unforgivable misspelling of the name Wedgwood. Not recommended.?Joyce L. Ogburn, Old Dominion Univ., Norfolk, Va. Copyright 1997 Reed Business Information, Inc.

A large-scale reference work covering the journalism industry in 19th-Century Britain.

This book is a critical biography of Grant Allen, (1848-1899), the first for a century, based on all the surviving primary sources. Born in Kingston, Ontario, into a cultured and affluent family, Allen was educated in France and England. A mysterious marriage while he was an Oxford undergraduate wrecked his academic career and radicalized his views on sexual and marital questions, as did a three-year teaching stint in Jamaica. Despite his lifelong ill health and short life, Allen was a writer of extraordinary productivity and range. About half - more than 30 books and many hundreds of articles - reflects interests which ran from Darwinian biology to cultural travel guides. His prosperity, however, was underpinned by fiction; more than 30 novels, including The Woman Who Did , which has attracted much recent attention from feminist critics and historians. The Better End of Grub Street uses Allen's career to examine the role and status of the freelance author/journalist in the late-Victorian period. Allen's career delineates what it took to succeed in this notoriously tough profession.