British Film Music and Film Musicals

British Film Music and Film Musicals
Title British Film Music and Film Musicals PDF eBook
Author K. Donnelly
Publisher Springer
Pages 230
Release 2007-08-16
Genre Performing Arts
ISBN 0230597742

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In the first book-length consideration of the topic for sixty years, Kevin Donnelly examines the importance of music in British film, concentrating both on musical scores, such as William Walton's score for Henry V (1944) and Malcolm Arnold's music for The Bridge on the River Kwai (1957), and on the phenomenon of the British film musical.

British Film Music

British Film Music
Title British Film Music PDF eBook
Author Paul Mazey
Publisher Palgrave Macmillan
Pages 213
Release 2021-02-13
Genre Performing Arts
ISBN 9783030335526

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This book offers a fresh approach to British film music by tracing the influence of Britain’s musical heritage on the film scores of this era. From the celebration of landscape and community encompassed by pastoral music and folk song, and the connection of both with the English Musical Renaissance, to the mystical strains of choral sonorities and the stirring effects of the march, this study explores the significance of music in British film culture. With detailed analyses of the work of such key filmmakers as Michael Powell and Emeric Pressburger, Laurence Olivier and Carol Reed, and composers including Ralph Vaughan Williams, William Walton and Brian Easdale, this systematic and in-depth study explores the connotations these musical styles impart to the films and considers how each marks them with a particularly British inflection.

The Best Years of British Film Music, 1936-1958

The Best Years of British Film Music, 1936-1958
Title The Best Years of British Film Music, 1936-1958 PDF eBook
Author Jan G. Swynnoe
Publisher Boydell & Brewer
Pages 274
Release 2002
Genre Music
ISBN 9780851158624

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A study of the British contribution to film music, detailing the idiosyncracies of British film, and showing how the differences between it and Hollywood affected composers on both sides of the Atlantic. Jan Swynnoe's study is concerned with the special British contribution to film music, detailing how the idiosyncracies of British film, and of the British character, set it apart from its Hollywood counterpart. She shows how the differences between the two industries in all aspects of film making variously affected composers on both sides of the Atlantic. In the mid 1930s, when film composers in America were perfecting the formulae of the classical Hollywood score, film music in Britain scarcely existed; within a year or so, however, top British composers were scoring British films. How this transformation was brought about, and how established British concert composers, including Vaughan Williams and Arnold Bax, faced the challenge of the exacting and often bewildering art of scoring for feature film, is vividly described here, and the resulting scores compared with the work of seasoned Hollywood composers. JAN SWYNNOE researched the material on which her book is based over several years, at the same time pursuing her musical life as pianist, percussionist and composer.

British Film Music

British Film Music
Title British Film Music PDF eBook
Author Paul Mazey
Publisher Springer Nature
Pages 221
Release 2020-01-03
Genre Performing Arts
ISBN 303033550X

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This book offers a fresh approach to British film music by tracing the influence of Britain’s musical heritage on the film scores of this era. From the celebration of landscape and community encompassed by pastoral music and folk song, and the connection of both with the English Musical Renaissance, to the mystical strains of choral sonorities and the stirring effects of the march, this study explores the significance of music in British film culture. With detailed analyses of the work of such key filmmakers as Michael Powell and Emeric Pressburger, Laurence Olivier and Carol Reed, and composers including Ralph Vaughan Williams, William Walton and Brian Easdale, this systematic and in-depth study explores the connotations these musical styles impart to the films and considers how each marks them with a particularly British inflection.

Mobilizing Music in Wartime British Film

Mobilizing Music in Wartime British Film
Title Mobilizing Music in Wartime British Film PDF eBook
Author Heather Wiebe
Publisher Oxford University Press
Pages 209
Release 2024-10-11
Genre Performing Arts
ISBN 0197631711

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Mobilizing Music in Wartime British Film examines the preoccupation with art music and total war that animated British films of the 1940s.

Music Hall Mimesis in British Film, 1895-1960

Music Hall Mimesis in British Film, 1895-1960
Title Music Hall Mimesis in British Film, 1895-1960 PDF eBook
Author Paul Matthew St. Pierre
Publisher Associated University Presse
Pages 268
Release 2009
Genre Performing Arts
ISBN 9780838641910

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In Music Hall Mimesis in British Film, 1895-1960, Dr. St. Pierre examines strategies of representing British music hall performance (1854-1919) and the performance of the body in British cinema in the silent era (1895-1927) and the sound era (1927-60). The focus is on films of Fred and Joe Evans, Frank Randle, Will Hay, George Formby, Arthur Lucan and Kitty McShane, Cicely Courtneidge, Jessie Matthews, Norman Evans, Max Miller, Stanley Holloway, Jack Warner, Gracie Fields, and Charles Chaplin. Consideration is given to themes such as war propaganda and gender impersonation.

Film Music in the Sound Era

Film Music in the Sound Era
Title Film Music in the Sound Era PDF eBook
Author Jonathan Rhodes Lee
Publisher Routledge
Pages 1096
Release 2020-03-10
Genre Music
ISBN 1000091287

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Film Music in the Sound Era: A Research and Information Guide offers a comprehensive bibliography of scholarship on music in sound film (1927–2017). Thematically organized sections cover historical studies, studies of musicians and filmmakers, genre studies, theory and aesthetics, and other key aspects of film music studies. Broad coverage of works from around the globe, paired with robust indexes and thorough cross-referencing, make this research guide an invaluable tool for all scholars and students investigating the intersection of music and film. This guide is published in two volumes: Volume 1: Histories, Theories, and Genres covers overviews, historical surveys, theory and criticism, studies of film genres, and case studies of individual films. Volume 2: People, Cultures, and Contexts covers individual people, social and cultural studies, studies of musical genre, pedagogy, and the industry. A complete index is included in each volume.