The term 'Brutalism' is used to describe a form of architecture that appeared, mainly in Europe, from around 1945-75. Uncomprimisingly modern, this trend in architecture was both striking and arresting and, perhaps like no other style before or since, aroused extremes of emotion and debate. Some regarded Brutalist buildings as monstrous soulless structures of concrete, steel and glass, whereas others saw the genre as a logical progression, having its own grace and balance. In this revised second edition, Alexander Clement continues the debate of Brutalism in post-war Britain to the modern day, studying a number of key buildings and developments in the fields of civic, educational, commercial, leisure, private and ecclesiastical architecture. With new and improved illustrations, fresh case studies and profiles of the most influential architects, this new edition affords greater attention to iconic buildings and structures. Now that the age of Brutalism is a generation behind us, it is possible to view the movement with a degree of rational reappraisal, study how the style evolved and gauge its effect on Britain's urban landscape. This book will be of interest to architecture students, design students and anyone interested in post-war architecture. Fully illustrated with 160 colour and 4 black & white photographs.

Renowned biographer Anthony Seldon invites the reader into the day-to-day life of an internationally important diplomatic seat. A winning formula across the board, this book cannot fail to enthrall those interested in art, horticulture, interior design, architecture, history, diplomacy, politics, and "the special relationship", as we are given a sneak-peek into the day-to-day life, past and present, of the Residence.

This book extends the concept of British vernacular architecture beyond its traditional base of pre-modern domestic and industrial architecture to embrace other buildings such as places of worship, villas, hospitals, suburban semis and post-war mass housing. Engaging with wider issues of social and cultural history, this book is of use to anyone with an interest in architectural history. Presented in an essentially chronological sequence, from the medieval to the post-war, diverse fresh viewpoints in the chapters of this book reinforce understanding of how building design emerges not just from individual agency, that is architects, but also from the collective traditions of society.

During the Industrial Revolution, Britain was at the forefront of bridge innovation. Pioneering designers such as George and Robert Stephenson, Thomas Telford and Isambard Kingdom Brunel created Britain's rich bridge heritage that features many world firsts and we can learn much from their ground-breaking designs. Written by an experienced bridge architect, this book includes an introduction to bridge aesthetics; it gives an outline of British bridge development and advice on parapet treatment and bridge lighting. This book offers a comprehensive overview of how the best of British bridges marry aesthetic considerations with engineering ingenuity.

Very Short Introductions: Brilliant, Sharp, Inspiring British Architecture: A Very Short Introduction presents an original and engaging overview of the architecture of the British Isles, from medieval times to the present day. Avoiding the traditional approach of a chronological survey of architects and architectural style, each chapter presents a thematic exploration of key aspects of British architecture that endure across time and still have relevance today. Arnold uses illustrated chapters to aid appreciation of the artistic and cultural significance of British architecture and how it operates as a barometer of social trends. Arnold also highlights the ways in which architecture can project national and regional identities. British architecture tells of the intrinsic nature of Britishness and is an important means of understanding Britain's connection with the rest of the world. There is no doubt about the international significance of the work of recent and contemporary British architects. But Arnold also relates how a preoccupation with the past has been a constant theme in design thinking and practice. A thematic, historical understanding of British architecture in terms of its form and purpose explains much about the society and culture for which it was built. Architecture continues to shape patterns of living and social interaction and responds to new demands. Equally, debates about how best to express the nation through its architecture reveal much about Britain's perception of itself and how this is expressed at home and abroad. Finally, Arnold explores how subsequent generations can offer new interpretations and meanings that change our view of British architecture's legacy. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

This richly illustrated and valuable resource reaches back five centuries to document the evolution and ingenuity of house design in the British Isles. The architecture of Britain's houses displays a dizzying variety of styles and details. Brimming with 600 full-colour photographs, House annotates hundreds of examples from every conceivable angle: from gables and pediments to chimneys and roofs; from bow windows and casements to fanlights and door furniture. Armed with a career's worth of experience and research, Philippa Lewis takes readers up and down the country to feature examples of typically British building, including cottages, manor houses, castles, bungalows, and flats. She also looks at houses built from a wide variety of materials, including stone, glass, wood, brick, and even corrugated iron, in different settings such as rural, suburban, seaside, and urban. Lively texts help identify specific details and place them in their historical context, as well as offering compelling examples of how innovative conversions of structures such as watermills, gatehouses, and churches reflect and sustain their environment. Readers interested in architectural history and design, and anyone looking to understand the nooks and crannies of their own home, will find this unique guide the most eye-opening and comprehensive of its kind. AUTHOR: Philippa Lewis is the author of Everything You Can Do in the Garden without Actually Gardening and co-author of A Dictionary of Ornament. She lives in Somerset, England. 650 colour images REDUCED FROM $70.00