Is any disaster really forgotten? It is never forgotten by the survivors who lived through the trauma. It is never forgotten by the emergency services who tried to save the day. It is never forgotten by the relatives of those who never came home. Britain's Lost Tragedies Uncovered is a look at the tragedies and disasters that may not have stayed in public memory, but are no less terrible than their more famous counterparts. From a late-nineteenth-century family massacre in London to two separate fatal crashes at Dibbles Bridge in Yorkshire, and the worst-ever aviation show crash in post-war Farnborough to the horrifying Barnsley Public Hall disaster – here are twenty-three accounts of true devastation and stunning bravery. They are tales that deserve to be remembered.

When you think of something being lost at sea, you imagine a ship sinking gracefully, the survivors being rescued or a tragedy being caught on camera. But what if a ship is lost at sea without trace? What if an aircraft takes off on a routine flight and is never seen again? This book details over fifty of the most mysterious vanishings, ships that have made headlines but have never been found, both famous and forgotten cases that have left an outward ripple of tragedy and mystique. Most people have heard of the Mary Celeste crew vanishing, but how many knew that this was not the last case of an entire crew going missing? What about the three Scottish lighthouse keepers who were never seen again? Or the world famous aviation pioneers who took flight to never return? This book will tell you that MH370 was not the first airliner to disappear over the sea, nor was the Bermuda Triangle actually the cause of so many disappearing ships. How could six airplanes disappear in one day? Why did a ship with over 300 people on board not send a single distress call? Which ships vanished and then later messages in a bottle suddenly turn up, not just once but two separate shipwrecks? Lost at Sea in Mysterious Circumstances will cover all these and more as we reveal the stories of some of the most fascinating incidents above and below the waves.

Crecy, Agincourt, Blenheim, Trafalgar, Waterloo, El Alamein – the names trip off the tongue and resound through our history. Great British military victories, often won against the odds. But what of the defeats and disasters – from our conquest by Roman armies to the fall of Singapore in 1942, described by Churchill as the ‘worst disaster’ in our military history. This is the story of those disasters, and the ones in between. From famous battles like Hastings and Yorktown, to those that are less well-known but had far-reaching consequences, such as Castillon. Others, like the Battle of the Medway in 1667, which were deeply shameful – ‘a dishonour never to be wiped off’ – but had relatively little long term impact. Sometimes, a brilliant retreat helped prevent an even greater calamity, as at Gallipoli and Dunkirk. It is an epic story following British armies and navies across the world to France, Africa, North and South America and the Far East. It is a tale of bungling, miscalculation, unpreparedness and heroism.

Based on previously unavailable archival documents and oral accounts from people who were there, Petacco reveals the events and exposes the Italian government's mishandling - and then official silence on - the situation.

This lavishly illustrated book offers the first full, interdisciplinary investigation of the historical evidence for the presence of ancient Greek tragedy in the post-Restoration British theatre, where it reached a much wider audience - including women - than had access to the original texts. Archival research has excavated substantial amounts of new material, both visual and literary, which is presented in chronological order. But the fundamental aim is to explain why Greek tragedy, which played an elite role in the curricula of largely conservative schools and universities, was magnetically attractive to political radicals, progressive theatre professionals, and to the aesthetic avant-garde. All Greek has been translated, and the book will be essential reading for anyone interested in Greek tragedy, the reception of ancient Greece and Rome, theatre history, British social history, English studies, or comparative literature.