New in Paperback! This book supplies a soprano with nearly everything she may need to perform the operatic arias discussed. The 28 arias included are chosen from among those that are more popular and most widely studied and performed. There are descriptions of stage settings, with costume sketches by famed theatrical designer Leo Van Witsen. The heart of each discussion is a detailed descriptions of the sections of the area. While the scenic design may change from one production to another, the suggestions given for dramatic motivations, character building, and stage movement can be readily adapted for use in any theatrical environment. Although it is not intended that these arias be acted out on the concert stage, much of the information—the dramatic analysis, discussions of vocal and musical aspects, matters of style and tradition, and translations of the texts—should be profitable for students of singing and stage direction, as well as professional opera singers, no matter how or where the arias are performed. Paperback edition available June 2001. Cloth edition previously published in 1990.

New in Paperback! This book supplies a soprano with nearly everything she may need to perform the operatic arias discussed. The 28 arias included are chosen from among those that are more popular and most widely studied and performed. There are descriptions of stage settings, with costume sketches by famed theatrical designer Leo Van Witsen. The heart of each discussion is a detailed descriptions of the sections of the area. While the scenic design may change from one production to another, the suggestions given for dramatic motivations, character building, and stage movement can be readily adapted for use in any theatrical environment. Although it is not intended that these arias be acted out on the concert stage, much of the information_the dramatic analysis, discussions of vocal and musical aspects, matters of style and tradition, and translations of the texts_should be profitable for students of singing and stage direction, as well as professional opera singers, no matter how or where the arias are performed. Paperback edition available June 2001. Cloth edition previously published in 1990.

Profusely illustrated. Reproductions of paintings and engravings in the period of a given opera's historical setting illuminate the author's interpretations.

Opera is the only guide to the research writings on all aspects of opera. This second edition presents 2,833 titles--over 2,000 more than the first edition--of books, parts of books, articles and dissertations with full bibliographic descriptions and critical annotations. Users will find the core literature on the operas of 320 individual composers and details of operatic life in 43 countries. All relevant works through to November 1999 have been considered, covering more than fifteen years of literature since the first edition was published.

"The Singer’s Companion" provides both beginning and advanced students of singing with a basic, reliable, and readable introduction to the many issues focusing on training and maintaining a healthy voice. It covers all the fundamental issues faced by vocalists in all styles of music, including how to find a good teacher, work with a score, audition, and perform. Stohrer has written an essential text for students of singing, offering up-to-date, accurate, and accessible information that will be invaluable to singers and their teachers.

Opera Coaching: Professional Techniques for the Répétiteur, Second Edition, is an update to the first practical guide for opera coaches when working with opera singers to help them meet the physical and vocal demands of a score in order to shape a performance. Opera coaching remains a mystery to many musicians. While an opera coach (or répétiteur) is principally tasked with ensuring singers sing the right notes and words, the coach’s purview extends well beyond pitches and pronunciation. The opera coach must have a full understanding of human physiognomy and the human voice, as well as a knowledge of the many languages used in Western vocal music and over four centuries of opera repertoire – all to recognize what must happen for success when a singer steps on stage. NEW to this second edition: New and updated chapters throughout, featuring new discussions on large ensembles, twenty-first-century demands, and more. Deeper investigation of the styles of and problems posed by particular operas. Revised chapter structure that allows for an expanded and progressive emphasis on technical work. Modern singers have bemoaned the scarcity of good vocal coaches and conductors – those who understand voices and repertoire alike. Opera Coaching: Professional Techniques for the Répétiteur, Second Edition, demystifies the role of the opera coach, outlining the obstacles facing both the opera singer and the coach who seeks to realize the performer’s full potential.

In Voice Secrets: 100 Performance Strategies for the Advanced Singer, Matthew Hoch and Linda Lister create order out of the chaotic world of singing. They examine all aspects of singing, including nontechnical matters, such as auditioning, performance anxiety, score preparation, practice performance tips, business etiquette, and many other important topics for the advanced singer. Voice Secrets provides singers with a quick and efficient path to significant improvement, both technically and musically. It is the perfect resource for advanced students of singing, professional performers, music educators, and avid amateur musicians. The Music Secrets for the Advanced Musician series is designed for instrumentalists, singers, conductors, composers, and other instructors and professionals seeking a quick set of pointers to improve their work as performers and producers of music. Easy to use and intended for the advanced musician, contributions to Music Secrets fill a niche for those who have moved beyond what beginners and intermediate practitioners need.