"The goal of this analysis is to enable a reasonable assessment of the most promising future scenarios that would support returning the Gulf of Mexico to its richly-productive natural state. We provide an examination of the best information available on the Gulf of Mexico with respect to the extensive growth of the oil and gas industry and emerging policies for the decommissioning of spent offshore oil and gas structures. We integrate decision-making regarding the oil industry and its spent oil and gas structures with the greater national goal of restoring Gulf of Mexico ecosystems. It is hoped that findings from this study will contribute to an objective understanding of the role that discarded oil and gas infrastructure may play in impeding the restoration of the Gulf of Mexico to full ecosystem health and productivity"--Executive summary.

Winner of the 2018 Pulitzer Prize for History Winner of the 2017 Kirkus Prize for Nonfiction A National Book Critics Circle Award for Nonfiction Finalist A New York Times Notable Book of 2017 One of the Washington Post's Best Books of the Year In this “cri de coeur about the Gulf’s environmental ruin” (New York Times), “Davis has written a beautiful homage to a neglected sea” (front page, New York Times Book Review). Hailed as a “nonfiction epic . . . in the tradition of Jared Diamond’s best-seller Collapse, and Simon Winchester’s Atlantic” (Dallas Morning News), Jack E. Davis’s The Gulf is “by turns informative, lyrical, inspiring and chilling for anyone who cares about the future of ‘America’s Sea’ ” (Wall Street Journal). Illuminating America’s political and economic relationship with the environment from the age of the conquistadors to the present, Davis demonstrates how the Gulf’s fruitful ecosystems and exceptional beauty empowered a growing nation. Filled with vivid, untold stories from the sportfish that launched Gulfside vacationing to Hollywood’s role in the country’s first offshore oil wells, this “vast and welltold story shows how we made the Gulf . . . [into] a ‘national sacrifice zone’ ” (Bill McKibben). The first and only study of its kind, The Gulf offers “a unique and illuminating history of the American Southern coast and sea as it should be written” (Edward O. Wilson).

"Andy Rowell, James Marriott and Lorne Stockman here set out how western companies have cooperated with local elites in West Africa to maintain control, and they trace a long and ongoing history of colonial and neo-colonial exploitation. Far from the ringing declarations of the G8 Summit, the authors reveal how America and Britain are planning a new century of plunder in Africa."--BOOK JACKET.

In the increasingly complex and combative arena of copyright in the digital age, record companies sue college students over peer-to-peer music sharing, YouTube removes home movies because of a song playing in the background, and filmmakers are denied a distribution deal when some permissions “i” proves undottable. Patricia Aufderheide and Peter Jaszi chart a clear path through the confusion by urging a robust embrace of a principle long-embedded in copyright law, but too often poorly understood—fair use. By challenging the widely held notion that current copyright law has become unworkable and obsolete in the era of digital technologies, Reclaiming Fair Use promises to reshape the debate in both scholarly circles and the creative community. This indispensable guide distills the authors’ years of experience advising documentary filmmakers, English teachers, performing arts scholars, and other creative professionals into no-nonsense advice and practical examples for content producers. Reclaiming Fair Use begins by surveying the landscape of contemporary copyright law—and the dampening effect it can have on creativity—before laying out how the fair-use principle can be employed to avoid copyright violation. Finally, Aufderheide and Jaszi summarize their work with artists and professional groups to develop best practice documents for fair use and discuss fair use in an international context. Appendixes address common myths about fair use and provide a template for creating the reader’s own best practices. Reclaiming Fair Use will be essential reading for anyone concerned with the law, creativity, and the ever-broadening realm of new media.

A hilarious send-up of writing workshops, for-profit education, and the gulf between believers and nonbelievers Marianne is in a slump: barely able to support herself by teaching, not making progress on her poetry, about to lose her Brooklyn apartment. When her novelist ex-fiancé, Eric, and his venture capitalist brother, Mark, offer her a job directing a low-residency school for Christian writers at a motel they’ve inherited on Florida’s Gulf Coast, she can’t come up with a reason to say no. The Genesis Inspirational Writing Ranch is born, and liberal, atheist Marianne is soon knee-deep in applications from writers whose political and religious beliefs she has always opposed but whose money she’s glad to take. Janine is a schoolteacher whose heartfelt poems explore the final days of Terri Schiavo’s life. Davonte is a former R&B superstar who hopes to reboot his career with a bestselling tale of excess and redemption. Lorraine and Tom, eccentric writers in need of paying jobs, join the Ranch as instructors. Mark finds an investor in God’s Word God’s World, a business that develops for-profit schools for the Christian market, but the conditions that come along with their support become increasingly problematic, especially as Marianne grows closer to the students. As unsavory allegations mount, a hurricane bears down on the Ranch, and Marianne is faced with the consequences of her decisions. With sharp humor and deep empathy, The Gulf is a memorable debut novel in which Belle Boggs plumbs the troubled waters dividing America.

[If only] Bran would stop acting weird....Probably he had a perfectly reasonable explanation for everything. I just couldn't imagine what it would be. When Britt's older brother, Bran, lands a summer job house-sitting for the Marquises, an elderly couple, it seems like a great opportunity. Britt and Bran have moved to Florida so their mother can finish college, and the house-sitting income will allow their mom to quit her job and take classes full-time. Having never lived in a real house before, Britt is thrilled. There's only one problem: Britt starts to suspect her family isn't supposed to be there. She's been noticing that Bran is acting weird and defensive -- he hides the Marquises' mail, won't let anyone touch the thermostat, and discourages Britt from meeting any of the neighbors. Determined to get to the bottom of things, Britt starts investigating and makes a startling discovery -- the Marquises aren't who Bran has led her and their mom to believe. So whose house are they staying in, and why has Bran brought them there? With unexpected twists and turns, award winner Margaret Peterson Haddix has again crafted a thriller that will grip readers until its stunning conclusion.

The British colony of West Florida—which once stretched from the mighty Mississippi to the shallow bends of the Apalachicola and portions of what are now the states of Florida, Alabama, Mississippi, and Louisiana—is the forgotten fourteenth colony of America's Revolutionary era. The colony's eventful years as a part of the British Empire form an important and compelling interlude in Gulf Coast history that has for too long been overlooked. For a host of reasons, including the fact that West Florida did not rebel against the British Government, the colony has long been dismissed as a loyal but inconsequential fringe outpost, if considered at all. But the colony's history showcases a tumultuous political scene featuring a halting attempt at instituting representative government; a host of bold and colorful characters; a compelling saga of struggle and perseverance in the pursuit of financial stability; and a dramatic series of battles on land and water which brought about the end of its days under the Union Jack. In Fourteenth Colony, historian Mike Bunn offers the first comprehensive history of the colony, introducing readers to the Gulf Coast's remarkable British period and putting West Florida back in its rightful place on the map of Colonial America.