The deluxe edition of Brigid Berlin: Polaroids is limited to 100 signed and numbered copies only, and is presented in a bespoke slipcase. It includes an archival pigment print of Andy Warhol, stamped, hand-initialed and numbered on the verso by Brigid Berlin, exclusive to this edition. The book is numbered and signed by Berlin. Brigid Berlin (born 1939) was one of the most prominent and colorful members of Andy Warhol's Factory in the 1960s and '70s. Her legendary personal collection of Polaroids is collected here for the first time and offers an intimate, beautiful, artistic, outrageous insight into this iconic period. This wild photographic odyssey features a foreword by cult filmmaker John Waters, who writes: "Brigid was always my favorite underground movie star; big, often naked, and ornery as hell.... The Polaroids here show just how wide Brigid's world was; her access was amazing. She was never a groupie, always an insider."

In the 1960s, Andy Warhol’s paintings redefined modern art. His films provoked heated controversy, and his Factory was a hangout for the avant-garde. In the 1970s, after Valerie Solanas’s attempt on his life, Warhol become more entrepreneurial, aligning himself with the rich and famous. Bob Colacello, the editor of Warhol’s Interview magazine, spent that decade by Andy’s side as employee, collaborator, wingman, and confidante. In these pages, Colacello takes us there with Andy: into the Factory office, into Studio 54, into wild celebrity-studded parties, and into the early-morning phone calls where the mysterious artist was at his most honest and vulnerable. Colacello gives us, as no one else can, a riveting portrait of this extraordinary man: brilliant, controlling, shy, insecure, and immeasurably influential. When Holy Terror was first published in 1990, it was hailed as the best of the Warhol accounts. Now, some two decades later, this portrayal retains its hold on readers—as does Andy’s timeless power to fascinate, galvanize, and move us.

Dedicated to Andy Warhol?s portraits of women from the early 1960s through the 1980s, 'Warhol Women' considers the artist?s feminine subjects as a means to examining his prescient understanding of the myths and ideals inherent to constructions of gender, aesthetics, and power. Fully illustrated and featuring five trifolds and a tipped-on cover, the catalogue includes Brett Gorvy?s interview with Corice Arman, wherein she discusses her experiences sitting for two portraits by Warhol; poetry by Warhol Superstar John Giorno; and a comprehensive selection of the source images and Polaroids Warhol used to create each portrait. In a series of newly commissioned essays, Blake Gopnik discusses the women essential to Warhol's development as an artist, Lynne Tillman examines his complicated relationship with his doting mother, and Alison M. Gingeras writes on women that held diverse and vital roles throughout Warhol's career, from Ethel Scull and Edie Sedgwick, to Brigid Berlin, Pat Hackett, and more.

This limited edition deluxe version of Billy Name: The Silver Age is limited to 100 signed and numbered copies. It is a must-have luxury collector's item, presented in a bespoke clamshell box. It includes a limited edition, numbered silver gelatin photograph, signed by Billy Name, exclusive to this edition. The book is numbered and signed by Billy Name and the other contributors.

Essays on a range of photographic topics by the recently appointed Joel and Anne Ehrenkranz Chief Curator of Photography at MoMA Since 1839... offers a selection of essays by the renowned photography historian Clément Chéroux. Appointed Joel and Anne Ehrenkranz Chief Curator of Photography at the Museum of Modern Art (MoMA) in New York in 2020, Chéroux takes on a variety of topics, from the history of vernacular photography to the influence of documentary photography on Surrealism. These texts, newly translated into English and published together in one volume for the first time, reflect the breadth of Chéroux’s thinking, the rigor of his approach, and his endless curiosity about photographs. In this strikingly designed and generously illustrated volume, Chéroux presents unique case studies and untold stories. He discusses ways of sharing images, from the nineteenth century to the digital age; considers the utopian ideals of early photography; and analyzes the duality of amateur photography. Among other things, he describes the appeal of photographs snapped from a speeding train and explains historical value of first-generation prints of photographs. Through an analysis of key photographs taken on 9/11, Chéroux shows that the same six images were seen again and again in the press. Widely ranging, erudite, and engaging, these essays present Chéroux's innovative investigations of the histories of photography.

In the last decade before his death in 1987, Warhol continued to produce mesmerising works at an astounding pace. Influenced by the most prominent artists of the 1980s, including Basquiat, Haring, Schnabel and Clemente, Warhol experimented with a combination of painting and silk-screening to develop an extraordinary vocabulary of images that traversed a variety of genres. The result is a remarkable output, collected here in this companion to a touring exhibition. This catalogue delves into the range of works Warhol was creating during his last years, including his abstract paintings, collaborations, portraits and his final self-portraits. Essays round out this compelling look at an artist whose most fecund period may have been in his last years. AUTHOR: Joseph D. Ketner holds the Lois and Henry Foster Chair of Contemporary Art at Emerson College in Boston, Massachusetts. He was formerly director of the Rose Art Museum at Brandeis University and chief curator at the Milwaukee Art Museum. ILLUSTRATIONS 150 colour & 50 x b/w

Andy Warhol's The Chelsea Girls had its premiere at the Film-Maker's Cinémathèque on 15 September 1966. It sold out a 200-seat theatre and went on to become the first film to move from the underground to commercial cinema. Since 1972, when Warhol pulled all of his films out of distribution, the public has had extremely limited access to The Chelsea Girls , outside of museum screenings. In honour of the 20th Anniversary of The Andy Warhol Museum and what would have been Warhol's 85th birthday, hundreds of Warhol's films - some never seen before - have been converted to a digital format with the partnership of The Andy Warhol Museum, The Museum of Modern Art, New York, and the Moving Picture Company (MPC), a Technicolor Company. This book is an in-depth look at Warhol's most famous film. It includes all newly digitized film stills, never-before-published transcripts, unpublished archival materials, and expanded information about each of the individual films that comprise the three- plus hour film. As the film alternates sound between the left and right screens, the book reproduces the transcript in complete form as one hears it, with imagery from the corresponding reels. There is also a full transcription of the unheard reels in the back of the book. This is a substantial contribution to the scholarship on Warhol's complex and most commercial film.