For review see: J. van Goor, in: Bijdragen en mededelingen betreffende de geschiedenis der Nederlanden, jrg. 110, afl. 1 (1995); p. 137-140.

During the Allied bombing of Germany, Hitler was more distressed by the loss of cultural treasures than by the leveling of homes. Remarkably, his propagandists broadcast this fact, convinced that it would reveal not his callousness but his sensitivity: the destruction had failed to crush his artist's spirit. It is impossible to begin to make sense of this thinking without understanding what Wolf Lepenies calls The Seduction of Culture in German History. This fascinating and unusual book tells the story of an arguably catastrophic German habit--that of valuing cultural achievement above all else and envisioning it as a noble substitute for politics. Lepenies examines how this tendency has affected German history from the late eighteenth century to today. He argues that the German preference for art over politics is essential to understanding the peculiar nature of Nazism, including its aesthetic appeal to many Germans (and others) and the fact that Hitler and many in his circle were failed artists and intellectuals who seem to have practiced their politics as a substitute form of art. In a series of historical, intellectual, literary, and artistic vignettes told in an essayistic style full of compelling aphorisms, this wide-ranging book pays special attention to Goethe and Thomas Mann, and also contains brilliant discussions of such diverse figures as Novalis, Walt Whitman, Leo Strauss, and Allan Bloom. The Seduction of Culture in German History is concerned not only with Germany, but with how the German obsession with culture, sense of cultural superiority, and scorn of politics have affected its relations with other countries, France and the United States in particular.

This extensive chronicle of Dutch and Flemish history, written by Jacob van Maerlant in the thirteenth century, is a masterpiece of medieval literature. Full of vivid descriptions and colorful characters, this book provides an unparalleled glimpse into the world of the Middle Ages. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

An apple's wish to see the world is fulfilled when he goes flying with the weathervane cock.

This story, 'Come Lasses And Lads', was originally published in 1884 as one of Randolph Caldecott's sixteen 'Picture Books'. These were published in pairs each Christmas from 1877 until Caldecott's death in 1886. Randolph Caldecott (1846 – 1886) was one of the most important British illustrators of the Victorian period. He transformed the world of decorated children’s books, with his delicate yet considered drawings and imaginative subject choices. Caldecott selected all the stories and rhymes he illustrated (and occasionally wrote) and frequently added to the stories himself. His delightful style and humour can still be enjoyed by young and old alike. Pook Press celebrates the great ‘Golden Age of llustration‘ in children’s literature – a period of unparalleled excellence in book illustration. We publish rare and vintage classic illustrated books, in high-quality colour editions, so that the masterful artwork and story-telling can continue to delight both young and old.