A Century of Posters presents a pictorial record of the development of poster art and graphic design from 1880 to 1980. Comprising over 400 colour images, it features a wealth of well-known artists from Henri Toulouse-Lautrec to Jan Tschichold.

Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

An illuminating account of the design inspirations and technical transformations that have shaped the digital typefaces of the 21st century In this fascinating tour through typographic history, Paul Shaw provides a visually rich exploration of digital type revival. Many typefaces from the pre-digital past have been reinvented for use on computers and mobile devices, while other new font designs are revivals of letterforms, drawn from inscriptions, calligraphic manuals, posters, and book jackets. Revival Type deftly introduces these fonts, many of which are widely used, and engagingly tells their stories. Examples include translations of letterforms not previously used as type, direct revivals of metal and wood typefaces, and looser interpretations of older fonts. Among these are variations on classic designs by John Baskerville, Giambattista Bodoni, William Caslon, Firmin Didot, Claude Garamont, Robert Granjon, and Nicolas Jenson, as well as typefaces inspired by less familiar designers, including Richard Austin, Philippe Grandjean, and Eudald Pradell. Updates and revisions of 20th-century classics such as Palatino, Meridien, DIN, Metro, and Neue Haas Grotesk (Helvetica) are also discussed. Handsomely illustrated with annotated examples, archival material depicting classic designs, and full character sets of modern typefaces, Revival Type is an essential introduction for designers and design enthusiasts into the process of reinterpreting historical type.

This is a translation of Liuprand's "Relatio de Legatione Constantinopolitana."

To what internal and external circumstances did Covens & Mortier owe its great expansion? How did they sell their maps and atlases? In which cartographic areas did innovation take place? What was the firm's position from an international point of view? Thanks to the results of an intensive ten-year research into the publishing activities of Covens & Mortier, these questions can finally be answered. In this richly illustrated book, the definitive research results are presented. Furthermore, an extensive carto-bibliography with original and derivative maps, published by Covens & Mortier, has been added.Volume 8 in the series Utrecht Studies in the History of Cartography, this work comes with a bibliography, indices, and several appendices on CD-ROM, including a genealogy of the families Covens & Mortier, estate inventories, catalogues of maps and copperplates, and references to Covens & Mortier in contemporary periodicals and booksellers' books. Illustrated with nearly 500 full-color images.

The series tells the story of two families - Terra and Cambará -, and how they evolve through 200 years of history, from 1745 to 1945. Living in the state of Rio Grande do Sul, in southern Brazil, both families experience the transformations of the country.