This story, 'Come Lasses And Lads', was originally published in 1884 as one of Randolph Caldecott's sixteen 'Picture Books'. These were published in pairs each Christmas from 1877 until Caldecott's death in 1886. Randolph Caldecott (1846 – 1886) was one of the most important British illustrators of the Victorian period. He transformed the world of decorated children’s books, with his delicate yet considered drawings and imaginative subject choices. Caldecott selected all the stories and rhymes he illustrated (and occasionally wrote) and frequently added to the stories himself. His delightful style and humour can still be enjoyed by young and old alike. Pook Press celebrates the great ‘Golden Age of llustration‘ in children’s literature – a period of unparalleled excellence in book illustration. We publish rare and vintage classic illustrated books, in high-quality colour editions, so that the masterful artwork and story-telling can continue to delight both young and old.

An apple's wish to see the world is fulfilled when he goes flying with the weathervane cock.

Almost the only indisputable fact about Colonel Tom Parker is that he was the manager of the greatest performer in popular music: Elvis Presley. His real name wasn’t Tom Parker †“ indeed, he wasn’t an American at all, but a Dutch immigrant called Andreas van Kujik. And he certainly wasn’t a proper military colonel: he purchased his title from a man in Louisiana. But while the Colonel has long been acknowledged as something of a charlatan, this book is the first to reveal the extraordinary extent of the secrets he concealed, and the consequences for the career, and ultimately the life, of the star he managed. As Alanna Nash’ prodigious research has discovered, the Colonel left Holland most probably because, at the age of twenty, he bludgeoned a woman to death. Entering the US illegally, he then enlisted in the army as ‘Tom Parker’. But, with supreme irony for someone later styling himself as Colonel, Parker’s military career ended in desertion, and discharge after a psychiatrist had certified him as a psychopath. He then became a fairground barker, working sideshows with a zeal for small-scale huckstering and the casual scam that never left him. And by the height of Elvis’s success, Parker had become a pathological gambler who, at the same time as he was taking, amazingly, a full 50% of Presley’s earnings, frittered away all his wealth in the casinos of Las Vegas. As Nash shows, therefore, the often baffling trajectory of Elvis Presley’s career makes perfect sense once the secret imperatives of the Colonel’s life are known. Parker never booked Presley for a tour of Europe because of the dark secret that ensured he himself could never return there. Even at his most famous, Elvis was still being booked to play out-of-the-way towns in North Carolina †“ because the former fairground barker (who shamelessly negotiated as such even with top record company and film executives) knew them from his days on the circus circuit. And Elvis was trapped playing years of arduous seasons in Las Vegas †“ two shows nightly, seven days a week, until boredom and despair brought on the excessive drug use that killed him †“ because for Parker he was “an open chit†? whose huge earnings prevented his manager’s losses at the gambling tables being called in. Alanna Nash knew Parker towards the end of his life, and has now uncovered the whole story, improbable, shocking, and never less than compelling, of how this larger-than-life man made, and then unmade, popular music’s first and greatest superstar.

While on summer vacation, Babar's monkey friend, Zephir, goes fishing and accidentally catches a mermaid, then enlists her aid in saving Princess Isabelle, who has been kidnapped by a horned monster.