" ... accompanies the exhibition of the same name organized by the Peabody Essex Museum, Salem, Massachusetts, in conjunction with the Mauritshuis, The Hague. The exhibition is on view from February 26 through June 19, 2011; and travels to the Fine Arts Museums of San Francisco, July 9 through October 2, 2011, and the Museum of Fine Arts, Houston, November 13, 2011 through February 12, 2012"--T.p. verso.

'A Flower Wedding: Described by Two Wallflowers' by Walter Crane is an exquisitely illustrated poem that transports readers to a joyous wedding celebration in 1905. Immerse yourself in the charming tale of Lad's Love and Miss Meadow Sweet as their love blossoms amidst a garden filled with a kaleidoscope of flowers. Crane's masterful artistry brings each page to life, with intricate illustrations capturing the essence of every bloom.

This book offers a broad overview of an important and ongoing transformation in relations between political parties and their closest supporters. It focuses on established parliamentary democracies, showing how the changing nature of party membership is affecting how political parties define themselves and the choices presented to voters.

'Those who were originally called radicals and afterwards reformers, are called Chartists', declared Thomas Duncombe before Parliament in 1842, a comment which can be adapted for a later period and as a description of this collection of papers: 'those who were originally called Chartists were afterwards called Liberal and Labour activists'. In other words, the central argument of this book is that there was a substantial continuity in popular radicalism throughout the nineteenth and into the twentieth century. The papers stress both the popular elements in Gladstonian Liberalism and the radical liberal elements in the early Labour party. The first part of the book focuses on the continuity of popular attitudes across the commonly-assumed mid-century divide, with studies of significant personalities and movements, as well as a local case study. The second part examines the strong links between Gladstonian Liberalism and the working classes, looking in particular at labour law, taxation, and the Irish crisis. The final part assesses the impact of radical traditions on early Labour politics, in Parliament, the unions, and local government. The same attitudes towards liberty, the rule of law, and local democracy are highlighted throughout, and new questions are therefore posed about the major transitions in the popular politics of the period.

First Published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.

This in depth look at one of the world's most storied private art collections celebrates five centuries of grand artistic patronage. The Princely Collections, Liechtenstein gained momentum during the early 17th century when Prince Karl I commissioned several works, including Adriaen de Fries's life-sized bronze of Christ in Distress. From that point on, the artistic holdings of the principality grew and were shaped by each successive monarch. Over the centuries, the collections expanded to include works by masters such as da Vinci, Botticelli, Rembrandt, Rubens, and van Dyck. They now comprise some 1,500 paintings and sculptures, dating from the early Renaissance to the 19th century. The collections also contain important works of graphic art, porcelain, tapestries, and furniture that once adorned the Liechtenstein castles and palaces. This sumptuously illustrated volume explores the historical evolution of the Princely Collections, tracing the works' acquisition as well as their occasional sale and relocation to museums around the world. Nearly one hundred of the collections' current and former highlights by approximately 60 artists are presented in this book, which allows readers to fully appreciate the breadth and depth of these storied private collections. Published with the American Federation of Arts

This book explores the new types of political organization that emerged in Western Europe and the United States during the nineteenth century, from popular meetings to single-issue organizations and political parties. The development of these has often been used to demonstrate a movement towards democratic representation or political institutionalization. This volume challenges the idea that the development of ‘democracy’ is a story of rise and progress at all. It is rather a story of continuous but never completely satisfying attempts of interpreting the rule of the people. Taking the perspective of nineteenth-century organizers as its point of departure, this study shows that contemporaries hardly distinguished between petitioning, meeting and association. The attraction of organizing was that it promised representation, accountability and popular participation. Only in the twentieth century did parties reliable partners for the state in averting revolution, managing the unpredictable effects of universal suffrage, and reforming society. This collection analyzes them in their earliest stage, as just one of several types of civil society organizations, that did not differ that much from each other. The promise of organization, and the experiments that resulted from it, deeply impacted modern politics.