This book argues that the history of colonial empires has been shaped to a considerable extent by negative emotions such as anxiety, fear and embarrassment as well as by the regular occurrence of panics. The case studies it assembles examine the various ways in which panics and anxieties were generated in imperial situations and how they shook up the dynamics between seemingly all-powerful colonizers and the apparently defenceless colonized. Drawing from examples of the British, Dutch and German colonial experience, the volume sketches out some of the main areas (such as disease, native ‘savagery’ or sexual transgression) that generated panics or created anxieties in colonial settings and analyses the most common varieties of practical, discursive and epistemic strategies adopted by the colonisers to curb the perceived threats.

Pieter Bruegel the Elder (1525/30-1569) was a remarkable draftsman and designer of prints as well as a great painter. His independent drawings and designs for engravings and etchings, which were carried out by the leading printmakers of his day, have fascinated scholars and the general public alike since they were created. They have recently been the subject of research that has given rise to a reevaluation of the parameters of Bruegel's oeuvre. The new scholarship has been brought to bear in the texts of the present volume, which accompanies a major exhibition of 140 of Bruegel's prints and drawings to be shown at the Museum Boijmans Van Beuningen, Rotterdam, from May to August 2001 and at The Metropolitan Museum of Art, New York, from September to December 2001. An international group of experts discusses the new Bruegel who has emerged from recent studies, in essays on the artist's life, his contributions as a draftsman and as a printmaker, the survival of his art, and his relationship to the humanism of his day. They also illuminate his genius in entries on all the works in the exhibition. Every work is illustrated and rich comparative illustrations are included. Provenances an

A curator of Dutch drawings at the Albertina surveys the work of Rembrandt, Jacob van Ruisdael, Meindert Hobbema, Philips Koninck, and others, presenting the various forms of art that dominated the scene in seventeenth-century Holland. 112 colour illustrations

This superb book presents 100 notable examples from the Harvard Art Museums’ distinguished collection of Dutch, Flemish, and Netherlandish drawings from the 16th to 18th century. Featuring such masters as Pieter Bruegel the Elder, Peter Paul Rubens, and Rembrandt van Rijn, the volume showcases beautiful color illustrations accompanied by insightful commentary on prevalent styles and techniques. Genres that define this artistic period—landscape, scenes of everyday life, portraiture, and still life—are explored in detail. The book also presents the results of new conservation and technical study, including infrared analysis and scientific examinations of drawing materials. This revelatory new research has allowed previously illegible underdrawings and inscriptions in many of the artworks to surface for the first time, shedding light on longstanding mysteries of production and provenance.

'A Flower Wedding: Described by Two Wallflowers' by Walter Crane is an exquisitely illustrated poem that transports readers to a joyous wedding celebration in 1905. Immerse yourself in the charming tale of Lad's Love and Miss Meadow Sweet as their love blossoms amidst a garden filled with a kaleidoscope of flowers. Crane's masterful artistry brings each page to life, with intricate illustrations capturing the essence of every bloom.