International publishing in the Netherlands had a glorious tradition in the seventeenth and eighteenth centuries. A remarkable revival took place after 1933, when several Dutch publishers began to issue books written by exiles of the Nazi regime in the German language. The decline of German scholarly and scientific publishing during the same time inspired a number of other Dutch publishers to expand their programs or start new ones. As the English language became more prominent internationally, enterprising Dutch publishers began to explore these markets as well. After the Germans invaded the Netherlands, a number of printers began to produce finely printed books and pamphlets in many languages clandestinely, as an act of defiance or to raise money for underground causes. This book documents these trends and events in the form of a series of bio-bibliographical portraits of the major participating publishers.

Superlatives flounder in the face of Joan Blaeu's Atlas Maior, one of the most extravagant feats in the history of mapmaking. This stunning edition is based on the Austrian National Library's complete colored and gold-heightened copy and reprints its 594 maps covering all then-known continents to the highest reproduction standard, rendering...

This volume illuminates how philology and its focus on the critical examination of classical texts began an accelerated process of specialization in Dutch scholarship of the 1800s.

Sanna and her ravishing friend Gerti would rather speak of love than politics, but in 1930s Frankfurt, politics cannot be escaped--even in the lady's bathroom. Crossing town one evening to meet up with Gerti's Jewish lover, a blockade cuts off the girls' path--it is the Fürher in a motorcade procession, and the crowd goes mad striving to catch a glimpse of Hitler's raised "empty hand." Then the parade is over, and in the long hours after midnight Sanna and Gerti will face betrayal, death, and the heartbreaking reality of being young in an era devoid of innocence or romance. In 1937, German author Irmgard Keun had only recently fled Nazi Germany with her lover Joseph Roth when she wrote this slim, exquisite, and devastating book. It captures the unbearable tension, contradictions, and hysteria of pre-war Germany like no other novel. Yet even as it exposes human folly, the book exudes a hopeful humanism. It is full of humor and light, even as it describes the first moments of a nightmare. After Midnight is a masterpiece that deserves to be read and remembered anew.