Religion has played a very important role in India from remotest times. It has moulded the individual life and has greatly influenced the social and cultural life also. In fact in India religion has been an inseparable part of the life of an individual as also of the society as a whole. There is religion to believe that even in pre and Post-historical man pursued some religious practices or the other though it is difficult to find out their exact nature. Right from the Vedic day's religion has served as the foundation of social and cultural life of the Indian people1. The Chalukyas were a Scythian race, and derived their origin from one of the four classes of Buddhist followers called Chailaka'. They claimed their descent from Manu through Hariti, and were known as Agnikulas, from their devotion to the worship of fire. They were included in the thirty-six races of the Kshattriyas, and belonged to the lunar family.

Here is the first translation into English of the Basava Purana, a fascinating collection of tales that sums up and characterizes one of the most important and most radical religious groups of South India. The ideas of the Virasaivas, or militant Saivas, are represented in those tales by an intriguing mix of outrageous excess and traditional conservatism. Written in Telugu in the thirteenth century, the Basava Purana is an anthology of legends of Virasaivas saints and a hagiography of Basavesvara, the twelfth-century Virasaiva leader. This translation makes accessible a completely new perspective on this significant religious group. Although Telugu is one of the major cultural traditions of India, with a classical literature reaching back to the eleventh century, until now there has been no translation or exposition of any of the Telugu Virasaiva works in English. The introduction orients the reader to the text and helps in an understanding of the poet's point of view. The author of the Basava Purana, Palkuriki Somanatha, is revered as a saint by Virasaivas in Andhra and Karnataka. His books are regarded as sacred texts, and he is also considered to be a major poet in Telugu and Kannada. Originally published in 1990. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Documentation and Preservation of Folk Culture of Bidar District. The book is the result of much research on the topic; this book makes a valuable addition to the corpus of information on the great Folk art and artisans of Bidar and their contribution to Bidar district. It attempt to bring to light aspects of the folk literature, arts, artisans, songs, theatre, Medicine, religion ,beliefs as well as the historical context in which such writing emerged. This book has thus highlighted not just the folk culture of Bidar, but its significance in the society of the time and later, for the pointed out the Preservation policies for folk culture in Bidar. The book brought to light the range of Folklore of Bidar and translated many Kannada work into English for helpful to new researcher, scholars and writers. This book will helpful to write the subaltern and local history

Dr. Yazdani, who visited Bidar, which was the capital of Baihmani kings during a hundred years from about the middle of the fifteenth century, for the first time in 1915, drew up a comprehensive programme for the thorough repair and conservation of the monuments at Bidar, and the work has been carried out through the enlightened policy of the Nizam`s Government by whose authority the present magnificently illustrated record has been made available. It surveys the physical features, history and architecture of Bidar and detail of the numerous historical monuments, which include rare masterpieces of architecture and ornament in the palace buildings, temples, mosques, and tombs.

The Vacanas Or Free-Verse Lyrics Written By Four Major Saints Of The Great Bhakti Protest Movement Which Originated In The Tenth Century Ad. Composed In Kannada, A Dravidian Language Of South India, The Poems Are Lyrical Expressions Of Love For The God Siva. They Mirror The Urge To Bypass Tradition And Ritual, To Concentrate On The Subject Rather Than The Object Of Worship, And To Express Kinship With All Living Things In Moving Terms. Passionate, Personal, Fiercely Monotheistic, These Free Verses Possess An Appeal, Which Is Timeless And Universal.