Discussing more than 120 full-length plays, this volume provides an overview of the most important and memorable theatrical works of crime and detection produced between 1950 and 1975.

In this volume, Amnon Kabatchnik provides an overview of more than 150 important and memorable theatrical works of crime and detection between 1925 and 1950. Each entry includes a plot synopsis, production data, and the opinions of well known and respected critics and scholars.

There are numerous publications about the horror genre in film and television, but none that provide information about horror on a legitimate stage until now. This book highlights the most terrifying moments in theater history, from classical plays like Aeschylus' Prometheus Bound and Euripides' Medea to the violence of the Grand Guignol company productions in 18th-century France, and present-day productions like Stephen Sondheim's musical Sweeney Todd, Stephen King's Carrie and dark 21st-century plays by Clive Barker and Conor McPherson. The book compiles the history and behind-the-scenes tales surrounding stage productions about monsters, hauntings and horrors both historical and imagined. Included are the nightmarish adaptations of popular writings from Edgar Allan Poe, Oscar Wilde, H.G. Wells, Henry James, Arthur Conan Doyle, and others, as well as plays starring popular characters like Frankenstein, Dr. Jekyll and Mr. Hyde, the Invisible Man, the Phantom of the Opera, and the Woman in Black. More than 500 plays are documented, accompanied by dozens of photographs. Entries include plot synopses, existing production data, and evaluations by critics and scholars.

One of the world's most well known fictional characters, Sherlock Holmes first appeared in print in 1887. The detective was featured in four novels and 56 short stories written by his creator, Sir Arthur Conan Doyle. Within a decade of his creation Sherlock Holmes made his theatrical debut, first in a couple of obscure productions and soon in the celebrated play adapted by and starring William Gillette. Through the 20th century and beyond, the fictional detective featured in dozens of plays, not to mention radio programs, films, and television shows. In Sherlock Holmes on Stage, Amnon Kabatchnik cites the many theatrical appearances of the great detective since his debut in a one-act musical satire in November 1893. Divided into three sections, this book focuses on plays written or cowritten by Conan Doyle, one-act productions, and plays written by other authors—either adaptations of the novels and stories or original works. Within these sections, each entry is arranged in chronological order and provides a plot synopsis, production details, and other unique features. Some entries identify principal actors and provide biographical sketches of the playwrights, as well as those actors who made a lasting impression as the fictional sleuth. The book also includes several appendixes that focus on special productions, plays that feature variations of the Holmes character, and a list of acting editions.

Malibu is the perfect playground for a new crew of seasonaires in the thrilling follow-up to last summer's must-read debut. Every summer is curated as a dream for six twenty-something seasonaires handpicked by Lydon Wyld, the chic founder of her namesake clothing line. This summer takes these influential brand ambassadors to the West Coast. Mia, a resourceful young designer, is chosen to lead the pack—roped back into a second season by a deal she can't refuse, and the hope to leave behind her grief over her mother's death for the California sun. Mia is thankful that she won't have to live with Presley, a former seasonaire who is now handling Lyndon Wyld's public relations after making a meal out of the tragedy that struck in Nantucket the summer before. In Malibu, she will share a stunning modern manse with Eve, an outspoken activist; Alex, a gorgeous boundary pusher; Chase, a warm-hearted surfer; Oliver, a preppy charmer; and enigmatic Brandon, the son of Lyndon's business partner. Brandon is also the producer of the brand's new digital channel, which will up the stakes for the seasonaire's exposure. Their antics are juicy entertainment for their throngs of fans and followers. But trouble from Mia's past comes back to haunt her, threatening not just her future, but the fate of the other seasonaires. And when the line between what's real and what's staged gets blurred, the results could be deadly.