Breaking Boundaries in Ideologies: The Shifting World Between Left and Right In the first book of this series, "Breaking Boundaries in Literature: The Nobel Prize and Korea's Untold Stories", the left-wing bias in modern literature was critically examined, shedding light on the often ignored narratives of Korean experience. Now, in "Breaking Boundaries in Ideologies", we delve deeper into the ideological heart of the matter—exploring the shifting and volatile world between left and right, where the boundaries are not only blurred but threatened with collapse. What happens when the world as we know it is flipped on its head? What if the political ideologies we've spent centuries trying to reconcile—left and right—were forced into a volatile coexistence? In "Breaking Boundaries in Ideologies: The Shifting World Between Left and Right", the second book in this captivating series, we are plunged into a world where the principles of left and right clash, bend, and ultimately dissolve into a new reality. With fierce political power, philosophical revelations, and morally complex characters at its core, this is a story that will keep you questioning everything you thought you knew about governance, freedom, and justice. Imagine a South Korea where the left rises to power, but not in the way you might expect. Choi Jun, once a simple man of conviction, finds himself caught in a world where ideologies are no longer clear-cut. In a bizarre alternate history, the South is not just left-wing—it's a world where leftist ideals of equality and human rights rule the roost, but at the cost of a fragile peace. And, in turn, those ideals begin to give birth to contradictions that no one could predict. In this chaotic landscape, Choi must navigate a shifting world of political factions, military power, and a society teetering on the edge of revolution. Can a society built on contradiction survive? Will the tension between competing ideologies lead to self-destruction—or rebirth? In a narrative that is both intellectually exhilarating and emotionally gripping, "Breaking Boundaries in Ideologies" confronts the most challenging questions of our time. The left and right, often seen as two sides of the same coin, are brought into sharp focus—unveiling their shared flaws and examining the human cost of ideological purity. The book asks: Can one survive without the other? How long can a world teeter between extremes before it shatters? As Choi's journey takes him deeper into the political undercurrents that threaten to tear apart his world, he is forced to confront an unsettling truth: the very ideologies that promise a better future may also hold the key to his downfall. "Breaking Boundaries in Ideologies" is a brutal, yet fascinating examination of the tensions between progress and destruction, the individual and the collective, freedom and control. This is not just a novel; it is a mirror held up to the present. It's a reflection on the state of our own political divisions and an invitation to examine the principles that drive us. In a world where the lines between left and right blur and merge, "Breaking Boundaries" forces us to ask: what will emerge when the dust settles?

In the first book of this series, "Breaking Boundaries in Literature: The Nobel Prize and Korea's Untold Stories", the left-wing bias in modern literature was critically examined, shedding light on the often ignored narratives of Korean experience. Now, in "Breaking Boundaries in Ideologies", we delve deeper into the ideological heart of the matter—exploring the shifting and volatile world between left and right, where the boundaries are not only blurred but threatened with collapse. What happens when the world as we know it is flipped on its head? What if the political ideologies we've spent centuries trying to reconcile—left and right—were forced into a volatile coexistence? In "Breaking Boundaries in Ideologies: The Shifting World Between Left and Right", the second book in this captivating series, we are plunged into a world where the principles of left and right clash, bend, and ultimately dissolve into a new reality. With fierce political power, philosophical revelations, and morally complex characters at its core, this is a story that will keep you questioning everything you thought you knew about governance, freedom, and justice. Imagine a South Korea where the left rises to power, but not in the way you might expect. Choi Jun, once a simple man of conviction, finds himself caught in a world where ideologies are no longer clear-cut. In a bizarre alternate history, the South is not just left-wing—it's a world where leftist ideals of equality and human rights rule the roost, but at the cost of a fragile peace. And, in turn, those ideals begin to give birth to contradictions that no one could predict.

"Breaking Boundaries in Literature: The Nobel Prize and Korea's Untold Stories" is a journey that transcends the familiar boundaries of literary critique. In this bold narrative, I delve into the heart of a question that has long troubled me: why does a prestigious award like the Nobel Prize often recognize works that fail to capture the full spectrum of the human experience, let alone the complex cultural sentiments of nations like Korea? At first glance, it may seem as though this is a book about literary criticism—a questioning of how one-sided perspectives come to dominate global recognition. But at its core, this work is much more than a critique of literary bias. It is an exploration of the multiverse itself, a challenge to the idea that the Nobel Prize, or any human-made institution, can truly grasp the depth of experience that exists beyond anthropocentric narratives. In a world defined by quantum uncertainty and the principles of relativity, why do we still cling to the notion that a singular "truth" or "universal" story can represent all of us? I ask this as someone who has spent years observing the increasing polarization in literature—where binary thinking, political ideologies, and human-centered concerns dominate. But the natural world, the cosmos in which we exist, operates on principles far beyond our limited comprehension. Could it be that in seeking to capture a singular "universal human experience," we are ignoring the more profound and chaotic truths that surround us? As you read this book, I invite you to consider a new perspective: one where the significance of a literary work is not measured by its political or social resonance, but by its ability to reflect the chaos, the order, and the vastness of the natural world. The Nobel Prize, once a symbol of human accomplishment, may have lost its way by focusing too narrowly on human ideologies. In doing so, it misses the greater, more profound narrative that unfolds in the universe—one that includes but is not confined to the human condition. Ultimately, "Breaking Boundaries in Literature" asks more questions than it answers, and that is precisely the point. The story of Korea—its division, its pain, its resilience—is not one that can be told from a single perspective, nor can it be understood within the limits of binary thinking. It is, in fact, a story that belongs to the cosmos, to the chaotic interplay of forces that shape not just human lives, but the very fabric of reality itself.

This text presents evidence of the work and action of feminists in academia and shows that there is still much to be done before academia is a safe and welcoming environment for women. Women integrate their experience with theory to document and challenge the obstacles to equality and difference.

This book examines the controversial younger generation of poets who were 'born into' the established socialist state of the German Democratic Republic. Introducing an extraordinary decade of GDR poetry, it focuses on the ways in which this experience is translated into the metaphorical and linguistic structures of their texts, and the ways in which they set about breaking the literary and political boundaries which were imposed upon them, radicalizing notions of the subject, of history, of language, of the poetic enterprise itself. The volume also assesses what will remain - after the fall of the Wall, and the revelations of the 'Stasi' files - of this radical poetic project. This unique study examines the poetry of some fifty writers from both the official and the underground publishing scenes, offering them up as a case-study in the vexed negotiations between aesthetics, ethics, and politics, and as a contribution to the rewriting of German literary history after 1945.

This edited volume, including contributions from scholars with different areas of specialization, investigates a broad range of methodologies, ideologies and pedagogies focusing on the study of the art of Africa, using theoretical reflections and applications from primitivism to metamodernism. Chapters break the externally imposed boundaries of Africa-related works beyond the conventional fragments of traditional, contemporary and diaspora. The contributions are significantly broad in their methodologies, ideologies and pedagogical coverage; yet, they all address various aspects of African artistic creativity, demonstrating the possibilities for analytical experiments that art history presents to scholars of the discipline today. The Ìwà (character) of each approach is unique; nevertheless, each is useful toward a fuller understanding of African art studies as an independent aspect of art historical research that is a branch or bud of the larger family of art history. The volume respects, highlights and celebrates the distinctiveness of each methodical approach, recognizing its contribution to the overall character or Ìwà of African art studies. The book will be of interest to students in undergraduate or graduate, intermediate or advanced courses as well as scholars in art history and African studies.

Little has been published about African women artists to date. This is due to a general Western hegemony over the construction of histories and discourses, but also to discrimination against women across national borders. This publication attempts to fill some of the gaps and explore the patterns underlying these dynamics. It brings together research on the practices and lives of women from different African countries, from modernist artists to independence activists to contemporary voices. These proceedings emerge from the symposium "Reclaim: Narratives of African Women Artists," organised by AWARE: Archives of Women Artists, Research and Exhibitions in partnership with the Ecole du Louvre as part of the Africa2020 Season. They are a contribution to the revalorisation of the role of African women artists in cultural history, but also to broader reflections on the mechanisms of knowledge production both in Africa and in the West.