(Faber Piano Adventures ). Enjoy 10 outstanding arrangements of popular hits by today's leading artists such as Ed Sheeran, Meghan Trainor, Imagine Dragons, and more. In keeping with the "ChordTime" concept, this collection motivates the Level 2B student to learn the building block harmonies of current pop music: the I, IV, V, and vi chords. Songs include: Brave (Sara Bareilles) * High Hopes (Panic! At the Disco) * Like I'm Gonna Lose You (Meghan Trainor feat. John Legend) * Meant to Be (Bebe Rexha feat. Florida Georgia Line) * The Middle (Zedd, Maren Morris & Grey) * Perfect (Ed Sheeran) * Rather Be (Clean Bandit feat. Jess Glynne) * This Is Me (from The Greatest Showman ) * Thunder (Imagine Dragons) * Try Everything (Shakira, from Zootopia ).

This is an exhaustive reference work of sheet music published in the United States from the late 18th century to the year after adoption of the 19th amendment to the Constitution granting women the right to vote. In chronological order, the entries present bibliographic data (words by, music by, published in, published by, copyright, size, cover, inside, key, location) on each piece of music, a photographic depiction of the cover or first page (where available), and the complete lyrics for each piece. Included are early music of a rebellious nature, music surrounding the early woman's rights conventions, and pro and anti woman's rights and suffrage pieces from 1795 on; a limited number of entries on non-U.S. sheet music are presented also. General music about women, sentimental and love songs, and songs related to traditional roles and stereotypes have not been included.

During the American Civil War, songs united and inspired people on both sides. The North had a well-established music publishing industry when the war broke out, but the South had no such industry. The importance of music as an expression of the South's beliefs was obvious; as one music publisher said, "The South must not only fight her own battles but sing her own songs and dance to music composed by her own children." Southern entrepreneurs quickly rose to the challenge. This reference book is distinguished by three major differences from previously published works. First, it lists sheet music that is no longer extant (and listed nowhere else). Second, it gives complete lyrics for all extant songs, a rich source for researchers. And third, a brief historical background has been provided for many of the songs. Each entry provides as much of the following as possible (staying faithful to the typography of each title page): the title as published, names of all lyricists, composers and publishers; dates of publication; cities of publication; and if applicable, the names of catalogs or magazines in which the song appeared. Music published in Southern cities under Federal occupation is excluded.

Political historians have traditionally interpreted the people and events of each presidential era by studying books, periodicals, letters, diaries and speeches. One source of printed material that has not received much scholarly attention is published music, much of which has been all but lost in the archives of libraries and museums. The traditional librarianly cataloguing of music has ignored important aspects such as lyrical content and cover art, making it impossible to comprehensively locate and study items by subject matter. Presidential Sheet Music presents an exhaustive listing of presidential-related music in all printed forms, and provides information on each piece. Thus may we expand our understanding of political communication and discourse throughout American history. A sizable Introduction discusses matters from the publication in 1768 of The Liberty Song (which formally made music an instrument of political expression in America) to the few 1980s and 1990s presidential songs and marches. There are also helpful appendices which list music by titles, composers, publishers, and candidates.

This work, a companion to the author's Broadway Sheet Music: A Comprehensive Listing of Published Music from Broadway and Other Stage Shows, 1918 through 1993 (McFarland 1996), provides information about all sheet music published (1843-1918) from all Broadway productions--plus music from local shows, minstrel shows, night club acts, vaudeville acts, touring companies, and shows on the road that never made it to Broadway--and all the major musicals from Chicago.