Uncover fascinating, little-known histories of the five boroughs in The Bowery Boys’ official companion to their popular, award-winning podcast. It was 2007. Sitting at a kitchen table and speaking into an old karaoke microphone, Greg Young and Tom Meyers recorded their first podcast. They weren’t history professors or voice actors. They were just two guys living in the Bowery and possessing an unquenchable thirst for the fascinating stories from New York City’s past. Nearly 200 episodes later, The Bowery Boys podcast is a phenomenon, thrilling audiences each month with one amazing story after the next. Now, in their first-ever book, the duo gives you an exclusive personal tour through New York’s old cobblestone streets and gas-lit back alleyways. In their uniquely approachable style, the authors bring to life everything from makeshift forts of the early Dutch years to the opulent mansions of The Gilded Age. They weave tales that will reshape your view of famous sites like Times Square, Grand Central Terminal, and the High Line. Then they go even further to reveal notorious dens of vice, scandalous Jazz Age crime scenes, and park statues with strange pasts. Praise for The Bowery Boys “Among the best city-centric series.” —New York Times “Meyers and Young have become unofficial ambassadors of New York history.” —NPR “Breezy and informative, crowded with the finest grifters, knickerbockers, spiritualists, and city builders to stalk these streets since back when New Amsterdam was just some farms.” —Village Voice “Young and Meyers have an all-consuming curiosity to work out what happened in their city in years past, including the Newsboys Strike of 1899, the history of the Staten Island Ferry, and the real-life sites on which Martin Scorsese’s Vinyl is based.” —The Guardian

Amazon's Best Biographies and Memoirs of the Year List A moving celebration of what Bill Hayes calls "the evanescent, the eavesdropped, the unexpected" of life in New York City, and an intimate glimpse of his relationship with the late Oliver Sacks. "A beautifully written once-in-a-lifetime book, about love, about life, soul, and the wonderful loving genius Oliver Sacks, and New York, and laughter and all of creation."--Anne Lamott Bill Hayes came to New York City in 2009 with a one-way ticket and only the vaguest idea of how he would get by. But, at forty-eight years old, having spent decades in San Francisco, he craved change. Grieving over the death of his partner, he quickly discovered the profound consolations of the city's incessant rhythms, the sight of the Empire State Building against the night sky, and New Yorkers themselves, kindred souls that Hayes, a lifelong insomniac, encountered on late-night strolls with his camera. And he unexpectedly fell in love again, with his friend and neighbor, the writer and neurologist Oliver Sacks, whose exuberance--"I don't so much fear death as I do wasting life," he tells Hayes early on--is captured in funny and touching vignettes throughout. What emerges is a portrait of Sacks at his most personal and endearing, from falling in love for the first time at age seventy-five to facing illness and death (Sacks died of cancer in August 2015). Insomniac City is both a meditation on grief and a celebration of life. Filled with Hayes's distinctive street photos of everyday New Yorkers, the book is a love song to the city and to all who have felt the particular magic and solace it offers.

In the decades before the Civil War, the miserable living conditions of New York City's lower east side nurtured the gangs of New York. This book tells the story of the Bowery Boys, one gang that emerged as part urban legend and part street fighters for the city's legions of young workers. Poverty and despair led to a gang culture that was easily politicized, especially under the leadership of Mike Walsh who led a distinct faction of the Bowery Boys that engaged in the violent, almost anarchic, politics of the city during the 1840s and 1850s. Amid the toppled ballot boxes and battles for supremacy on the streets, many New Yorkers feared Walsh's gang was at the frontline of a European-style revolution. A radical and immensely popular voice in antebellum New York, Walsh spoke in the unvarnished language of class conflict. Admired by Walt Whitman and feared by Tammany Hall, Walsh was an original, wildly unstable character who directed his aptly named Spartan Band against the economic and political elite of New York City and New England. As a labor organizer, state legislator, and even U.S. Congressman, the leader of the Bowery Boys fought for shorter working hours, the right to strike, free land for settlers on the American frontier, against child labor, and to restore dignity to the city's growing number of industrial workers.

In the decades before the Civil War, the miserable living conditions of New York City's lower east side nurtured the gangs of New York. This book tells the story of the Bowery Boys, one gang that emerged as part urban legend and part street fighters for the city's legions of young workers. Poverty and despair led to a gang culture that was easily politicized, especially under the leadership of Mike Walsh who led a distinct faction of the Bowery Boys that engaged in the violent, almost anarchic, politics of the city during the 1840s and 1850s. Amid the toppled ballot boxes and battles for supremacy on the streets, many New Yorkers feared Walsh's gang was at the frontline of a European-style revolution. A radical and immensely popular voice in antebellum New York, Walsh spoke in the unvarnished language of class conflict. Admired by Walt Whitman and feared by Tammany Hall, Walsh was an original, wildly unstable character who directed his aptly named Spartan Band against the economic and political elite of New York City and New England. As a labor organizer, state legislator, and even U.S. Congressman, the leader of the Bowery Boys fought for shorter working hours, the right to strike, free land for settlers on the American frontier, against child labor, and to restore dignity to the city's growing number of industrial workers.

Meet and become friends with many of the actors from the Dead End Kids, Little Tough Guys, East Side Kids and the Bowery Boys! Since he began collecting Movie Memorabilia on the Dead End Kids in 1964, author Richard Roat has had the great fortune to develop personal relationships with David Gorcey, Stanley Clements, Gabe Dell, Bernard Punsly, Huntz Hall, Billy Benedict, Frankie Thomas, Eddie Le Roy, Brandy Gorcey (daughter of Leo Gorcey), Gary Hall (son of Huntz Hall), and Leo Gorcey Jr. (son of Leo Gorcey). This book draws upon those acquaintances and his talking with Billy Halop, Bennie Bartlett, Johnny Duncan, Ward Wood, Dick Chandlee, Eugene Francis, Harris Berger, Charles Peck, Ronald Sinclair, and more! Lavished with many photos from the films from the author's personal collection, this is one book you'll need to have in your collection, tough guy!

Before Breakfast at Tiffany’s Audrey Hepburn was still a little-known actress with few film roles to speak of; after it – indeed, because of it - she was one of the world’s most famous fashion, style and screen icons. It was this film that matched her with Hubert de Givenchy’s “little black dress”. Meanwhile, Truman Capote’s original novel is itself a modern classic selling huge numbers every year, and its high-living author of perennial interest. Now, this little book tells the story of how it all happened: how Audrey got the role (for which at first she wasn’t considered, and which she at first didn’t want); how long it took to get the script right; how it made Blake Edwards’ name as a director after too many trashy films had failed to; and how Henry Mancini’s soundtrack with its memorable signature tune ‘Moon River’ completed the irresistible package. This is the story of how one shy, uncertain, inexperienced young actress was persuaded to take on a role she at first thought too hard-edged and amoral – and how it made Audrey Hepburn into gamine, elusive Holly Golightly in the little black dress - and a star for the rest of her life.