Poor Alex. She thought she would have some fun, take a chance, maybe fool around a little. Instead she’s lying dead in her own blood, cut open like a slaughtered animal. But the worst is still to come. Her tender young flesh will soon be used in an unspeakable act, an unholy ritual that few sane people could even believe. Alex was not the first, nor will she be the last. Not as long as Vanessa is alive—and she plans to be alive forever. Vanessa’s unnatural life has become a search for victims, virgins to satisfy her body’s need for eternal youth. But Vanessa doesn’t know that there are things in the world more powerful, more terrifying than even herself …

Today’s architecture has failed the body with its long heritage of purity of form and aesthetic of cleanliness. A resurgence of interest in flesh, especially in art, has led to a politics of abjection, completely changing traditional aesthetics, and is now giving light to an alternative discussion about the body in architecture. This book is dedicated to a future vision of the body in architecture, questioning the contemporary relationship between our Human Flesh and the changing Architectural Flesh. Through the analysis and design of a variety of buildings and projects, Flesh is proposed as a concept that extends the meaning of skin, one of architecture’s most fundamental metaphors. It seeks to challenge a common misunderstanding of skin as a flat and thin surface. In a time when a pervasive discourse about the impact of digital technologies risks turning the architectural skin ever more disembodied, this book argues for a thick embodied flesh by exploring architectural interfaces that are truly inhabitable. Different concepts of Flesh are investigated, not only concerning the architectural and aesthetic, but also the biological aspects. The latter is materialised in form of Synthetic Neoplasms, which are proposed as new semi-living entities, rather than more commonly derived from scaled-up analogies between biological systems and larger scale architectural constructs. These ’neoplasmatic’ creations are identified as partly designed object and partly living material, in which the line between the natural and the artificial is progressively blurred. Hybrid technologies and interdisciplinary work methodologies are thus required, and lead to a revision of our current architectural practice.

A CAPTIVATING STORY OF JOURNEY AND SACRIFICE Uled, the originator of the carnivorous Aern, the plantlike Vael, and the reptilian Zaur, has completed his plan to return from the dead, unleashing an army of undead creatures on the living world. Prince Rivvek has achieved peace between his people and the Aern, but at the cost of his capital city and the departure of a large portion of his military on a suicide mission to attempt the rescue of the Lost Command, a group of one thousand Armored Aern who carried their assault into the Never Dark as a gambit to help win the last Demon War. The goal is to gain the forgiveness of the Aern and to be accepted as something other than Oathbreakers by Rae’en, the leader of the Aern and daughter of Kholster. Kholster, who only recently became the god of death, must work together with other new deities to bring balance to the heavens and stop Uled. Can he prevent Uled's undead army from ravaging the world in time to save Rae'en and those he still loves in the mortal realm?

Chiaki Ogawa has never doubted who he is, although the rest of the world hasn’t been as kind. Bound by his mother’s dying wish, Chiaki tries to be a good daughter to his ailing father. But when the burden becomes too great, Chiaki sets out to remake himself in his own image and discovers more than just personal freedom in his transition—he finds understanding from the people who matter most. -- VIZ Media