Farley Mowat's outrageous memoir begins with his unlikely conception in a canoe and continues to his boyhood fascination with creatures of the natural world and on to his youthful rambles and adventures. To his immense pleasure and his parents' dismay, he adopted various beasts (whom he affectionately calls "The Others") as roommates. In this boyhood memoir, he recounts the exploits of this second family, who have been the subjects of many of his beloved books for young readers. This is the tale of a mischievous, immensely gifted young naturalist, recounted with the wisdom, humor and grown-up perspective of a very talented writer.

Situations make people or break people but whatever the case the factors that determine how this goes for an individual depends on how much one knows about him or herself, how much one has developed, and how well he or she can apply what they know about themselves to turn that situation into an opportunity which in return helps them overcome and succeed in life. Born Naked But Not Empty is a journey to self-discovery, in this book the author Paulo M.C Numbi emphasizes that even though we are born naked, no one is born empty. Everyone is unique and has something in them that the world awaits to see, hear and experience. But due to many people not knowing who they are many have become failures in life and only those that have taken the time to explore, discover, develop and execute succeed. Born Naked But Not Empty exposes people who have made up their minds to become successful in knowing who they are to theories that are simple to understand, easy to apply and loud enough to be remembered. The great theories and tips shared have been carefully orchestrated and outlined to help the reader discover the great abilities and wealth that lies inside of them.

Explains how births are celebrated in different religions around the world.

Game Cat has been collecting his very best work for 20 plus years And present what i consider to be the finest collection of heat felt poems.

'A memoir of great power and emotional honesty. To read this book is to be in awe of Spraggan's strength in writing it.' Elizabeth Day By the age of twenty, Lucy Spraggan had already experienced more extraordinary things than many do across a lifetime. Growing up in a creative household, surrounded by artists, alcohol and raucous parties, by her late teens she had played pubs, clubs and festivals, fallen in love with an older woman on a US road trip, experimented with drink and drugs, and been in and out of police custody. When her X Factor audition went viral in 2012, Lucy became the bookies' favourite to win the show. She was the first contestant ever to write and perform her own original songs, refusing to be pigeonholed by stylists and producers. Viewers fell for her unmanufactured, anti-pop princess stance, and the tabloids loved her. Then, suddenly, mid-way through the live shows, Lucy dropped out. The public were told Lucy was unwell. Now, for the first time, Lucy is ready to tell her story, in her own words. Process is a book about the vicious impact of trauma across a lifetime; it is about Lucy's successes and mistakes, her journey towards sobriety, calm and something like peace. Most of all, Process is an extraordinary story about a gifted artist and an expose of the toxic underbelly of noughties celebrity culture and reality TV.

Raphael Lyne addresses a crucial Shakespearean question: why do characters in the grip of emotional crises deliver such extraordinarily beautiful and ambitious speeches? How do they manage to be so inventive when they are perplexed? Their dense, complex, articulate speeches at intensely dramatic moments are often seen as psychological - they uncover and investigate inwardness, character and motivation - and as rhetorical - they involve heightened language, deploying recognisable techniques. Focusing on A Midsummer Night's Dream, Othello, Cymbeline and the Sonnets, Lyne explores both the psychological and rhetorical elements of Shakespeare's language. In the light of cognitive linguistics and cognitive literary theory he shows how Renaissance rhetoric could be considered a kind of cognitive science, an attempt to map out the patterns of thinking. His study reveals how Shakespeare's metaphors and similes work to think, interpret and resolve, and how their struggle to do so results in extraordinary poetry.