James E. Falen's verse translation consists of 'Boris Godunov', 'A Scene from Faust', the four 'Little Tragedies' and 'Rusalka'. The text features an introduction on Russia's most cosmopolitan playwright.

The award-winning translators bring us the complete plays of the most acclaimed Russian writer of the Romantic era. Known as the father of Russian literature, Alexander Pushkin was celebrated for his dramas as well as his poetry and stories. His most famous play is Boris Godunov (later adapted into a popular opera by Mussorgsky), a tale of ambition and murder centered on the sixteenth-century Tsar who preceded the Romanovs. Pushkin was inspired by the example of Shakespeare to create this panoramic drama, with its richly varied cast of characters and artful blend of comic and tragic scenes. Pushkin’s shorter forays into verse drama include The Water Nymph, A Scene from Faust, and the four brief plays known as the Little Tragedies: The Miserly Knight, set in medieval France; Mozart and Salieri, which inspired the popular film Amadeus; The Stone Guest, a tale of Don Juan in Madrid; and A Feast in a Time of Plague, in which a group of revelers defy quarantine in plague-ridden London. These new translations of the complete plays, from the award-winning translators Richard Pevear and Larissa Volokhonsky, freshly reveal the range of Pushkin’s enduring artistry.

The first English-language collection of a contemporary Russian master of the short story, recenly profiled in The New Yorker Maxim Osipov, who lives and practices medicine in a town ninety miles outside Moscow, is one of Russia’s best contemporary writers. In the tradition of Anton Chekhov and William Carlos Williams, he draws on his experiences in medicine to write stories of great subtlety and striking insight. Osipov’s fiction presents a nuanced, collage-like portrait of life in provincial Russia—its tragedies, frustrations, and moments of humble beauty and inspiration. The twelve stories in this volume depict doctors, actors, screenwriters, teachers, entrepreneurs, local political bosses, and common criminals whose paths intersect in unpredictable yet entirely natural ways: in sickrooms, classrooms, administrative offices and on trains and in planes. Their encounters lead to disasters, major and minor epiphanies, and—on occasion—the promise of redemption.

Brian Hamnett examines key historical novels by Scott, Balzac, Manzoni, Dickens, Eliot, Flaubert, Fontane, Galdós, and Tolstoy, revealing the contradictions inherent in this form of fiction and exploring the challenges writers encountered in attempting to represent a reality that linked past and present.

This book is a brief history of the end of the world as seen through the eyes of theatre. Since its inception, theatre has staged the fall of empires, floods, doomsdays, shipwrecks, earthquakes, plagues, environmental degradations, warfare, nuclear annihilation, and the catastrophic effects of climate change. Using a wide range of plays alongside contemporary thinkers, this study helps guide and galvanize the reader in grappling with the climate crisis. Kulick divides this litany of theatrical cataclysms into four distinct historical phases: the Ancients, including Euripides and Bhasa, the legendary Sanskrit dramatist; the Age of Belief, with the anonymous authors of the medieval mystery cycles, Shakespeare, and Pushkin; the Moderns, with Ibsen, Chekhov, Brecht, Beckett, and Bond; and, finally, the way the world might end now, encompassing Caryl Churchill, Tony Kushner, and Anne Washburn. In tandem with the insights gleaned from these playwrights, the book draws upon the work of contemporary scientists, ecologists, and ethicists to further tease out the philosophical implications of such plays and their relevance to our own troubled times. In the end, Kulick shows how each of these ages and their respective authors have something essential to say, not only about humanity's potential end, but, more importantly, about the possibility for our collective continuance.

This volume explores the influence of the Socratic legacy on philosophy and literature in the Russian, East European, and Soviet contexts, including the work of Skovoroda, Radishchev, Herzen, Dostoevsky, Rozanov, Bely, Narbut, Bulgakov, and many others.