It began with the best of intentions. Worried about the effects of alcohol on American families, mothers and civic leaders started a movement to outlaw drinking in public places. Over time, their protests, petitions, and activism paid off—when a Constitional Amendment banning the sale and consumption of alcohol was ratified, it was hailed as the end of public drunkenness, alcoholism, and a host of other social ills related to booze. Instead, it began a decade of lawlessness, when children smuggled (and drank) illegal alcohol, the most upright citizens casually broke the law, and a host of notorious gangsters entered the public eye. Filled with period art and photographs, anecdotes, and portraits of unique characters from the era, this fascinating book looks at the rise and fall of the disastrous social experiment known as Prohibition. Bootleg is a 2011 Kirkus Best Teen Books of the Year title. One of School Library Journal's Best Nonfiction Books of 2011. YALSA Excellence in Nonfiction Finalist in 2012.

An absorbing account of the record industry's worst nightmare. In the summer of 1969, Great White Wonder, a collection of unreleased Bob Dylan recordings appeared in Los Angeles. It was the first rock bootleg and it spawned an entire industry dedicated to making unofficial recordings available to true fans. Bootleg! tells the whole fascinating saga, from its underground infancy through the CD 'protection gap' era, when its legal status threatened the major labels' monopoly, to the explosion of trading via Napster and Gnutella on MP-3 files. Clinton Heylin provides a highly readable account of the busts, the defeats and victories in court; the personalities – many interviewed for the first time for this book. This classic history has now been updated and revised to include today's digital era and the emergence of a whole new bootleg culture.

The Good for You Party is improving the health of the nation. Fruit and vegetables are compulsory and chocolates are banned. When best friends Smudger and Huntly discover an overlooked stock of cocoa and sugar, their secret chocolate-making business takes off fast. Can they stay ahead of the law?

From Machiavellian city officials to big-time mobsters, corrupt beat cops, and overzealous G-men, Boardwalk Empire is replete with philosophically compelling characters who find themselves in philosophically interesting situations. This book is directed at thoughtful fans of the show. Here, readers discover parallels between the events in Boardwalk Empire and contemporary political events. Twenty philosophers address issues in political philosophy, ethics, aesthetics, feminism, and metaphysics. Is Nucky Thomson a Machiavellian prince or a Nietzschean superman? Is Jimmy's resentment towards Nucky justified, given that Jimmy would never have come into existence had his parents not met? What can be said about the ethics of lying in the seedy world of bootlegging? Agent Van Alden’s unique religious attitudes bring a warped sense of morality to the Boardwalk universe. One chapter brings to light the moral character of Van Alden’s God. Other chapters explores the roles that storytelling, deception, and gender play in the show.

Daisy Jones & the Six meets Nick Hornby in this uplit debut novel about a young musician who auditions for a band and is suddenly catapulted into the wild world of rock and roll stardom, where nothing is quite what it seems. Sometimes you have to hit rock bottom on your way to the top. It’s 1974. The music world is rocking with bellbottoms, platform shoes, and lots and lots of drugs. This year’s sensation is an American band called Downtown Exit and their latest album has just gone gold. For high school dropout Levi Jaxon, things aren’t so great. After bouncing around foster homes for years, he’s living in his best friend’s basement. His dream is to someday be a rock star, but he has a problem—his own band has just broken up. In an uncanny stroke of luck, Levi lands an audition for Downtown Exit, who are now recording their second album at Abbey Road Studios. He arrives in London and aces his audition, only to learn he’s not really in the band. No, Levi’s job is to sit in the wings and cover for the band’s real guitarist when he inevitably starts tripping on stage. Levi sticks with it, hoping to step into the role he’s always dreamed of. But he must first navigate egos, jealousies, and deceptions. Frankie, the band’s front man, has it out for him. And Levi has fallen for Ariadne, the band’s photographer. All of them have their secrets, Levi included. And as the band tours through Europe and struggles to finish their new album, Levi comes face to face with unanswered questions from his past and the impossible price that fame demands. Utterly magical and transporting, Bootleg Stardust is a one-of-a-kind joyride about the power of music to bring people together—and break them apart—and the courage it takes to find your own voice.

In an age of digital technology and renewed anxiety about media piracy, Inherent Vice revisits the recent analog past with an eye-opening exploration of the aesthetic and legal innovations of home video. Analog videotape was introduced to consumers as a blank format, essentially as a bootleg technology, for recording television without permission. The studios initially resisted VCRs and began legal action to oppose their marketing. In turn, U.S. courts controversially reinterpreted copyright law to protect users’ right to record, while content owners eventually developed ways to exploit the video market. Lucas Hilderbrand shows how videotape and fair use offer essential lessons relevant to contemporary progressive media policy. Videotape not only radically changed how audiences accessed the content they wanted and loved but also altered how they watched it. Hilderbrand develops an aesthetic theory of analog video, an “aesthetics of access” most boldly embodied by bootleg videos. He contends that the medium specificity of videotape becomes most apparent through repeated duplication, wear, and technical failure; video’s visible and audible degeneration signals its uses for legal transgressions and illicit pleasures. Bringing formal and cultural analysis into dialogue with industrial history and case law, Hilderbrand examines four decades of often overlooked histories of video recording, including the first network news archive, the underground circulation of Superstar: The Karen Carpenter Story, a feminist tape-sharing network, and the phenomenally popular website YouTube. This book reveals the creative uses of videotape that have made essential content more accessible and expanded our understanding of copyright law. It is a politically provocative, unabashedly nostalgic ode to analog.

Heylin's secret history of the covert culture of "bootlegging" digs into many previously uncovered areas of this complex and completely underground music industry. "(An) unholy mix of consumerism, conspiracy, fetishism and felony" (David Dalton) that "methodically punctures each and every record industry argument against bootlegging, while acknowledging that bootleggers themselves are often without the purest motives". (Los Angeles Reader). Illustrations.