This edition of Books IV to VII of Diophantus' Arithmetica, which are extant only in a recently discovered Arabic translation, is the outgrowth of a doctoral dissertation submitted to the Brown University Department of the History of Mathematics in May 1975. Early in 1973, my thesis adviser, Gerald Toomer, learned of the existence of this manuscript in A. Gulchln-i Macanl's just-published catalogue of the mathematical manuscripts in the Mashhad Shrine Library, and secured a photographic copy of it. In Sep tember 1973, he proposed that the study of it be the subject of my dissertation. Since limitations of time compelled us to decide on priorities, the first objective was to establish a critical text and to translate it. For this reason, the Arabic text and the English translation appear here virtually as they did in my thesis. Major changes, however, are found in the mathematical com mentary and, even more so, in the Arabic index. The discussion of Greek and Arabic interpolations is entirely new, as is the reconstruction of the history of the Arithmetica from Diophantine to Arabic times. It is with the deepest gratitude that I acknowledge my great debt to Gerald Toomer for his constant encouragement and invaluable assistance.

Herodotus, the great Greek historian, wrote this famous history of warfare between the Greeks and the Persians in a delightful style. Herodotus portrays the dispute as one between the forces of slavery on the one hand and freedom on the other. This work covers the rise of the Persian influence and a history of the Persian empire, a description and history of Egypt, and a long digression on the landscape and traditions of Scythia. Because of the comprehensiveness of this work, it was considered the founding work of history in Western literature. A must-have for history enthusiasts.

Beginning in childbirth and entered like a multiple dwelling in motion, Women and Men embraces and anatomizes the 1970s in New York - from experiments in the chaotic relations between the sexes to the flux of the city itself. Yet through an intricate overlay of scenes, voices, fact, and myth, this expanding fiction finds its way also across continents and into earlier and future times and indeed the Earth, to reveal connections between the most disparate lives and systems of feeling and power. At its breathing heart, it plots the fuguelike and fieldlike densities of late-twentieth-century life. McElroy rests a global vision on two people, apartment-house neighbors who never quite meet. Except, that is, in the population of others whose histories cross theirs believers and skeptics; lovers, friends, and hermits; children, parents, grandparents, avatars, and, apparently, angels. For Women and Men shows how the families through which we pass let one person's experience belong to that of many, so that we throw light on each other as if these kinships were refracted lives so real as to be reincarnate. A mirror of manners, the book is also a meditation on the languages, rich, ludicrous, exact, and also American, in which we try to grasp the world we're in. Along the kindred axes of separation and intimacy Women and Men extends the great line of twentieth-century innovative fiction.

Sebastiano Serlio was the most important architectural writer and theorist of the sixteenth century. The author of the first wide-ranging illustrated book on architecture, he produced a complete set of model designs as well as practical solutions for everyday design problems. This volume, the second in a two-volume series of Serlio's entire works, presents the previously unpublished sixth book, the seventh book, and, as well as The Extraordinary Book of Doors, his little-known Castrametation of the Romans, each of which demonstrates Serlio's sophisticated design theories. This is the first translation of Serlio's later works and the first time that the long lost sixth volume has been united with its companion works and restored to its intended position. The book also includes an introduction and notes by translators Vaughan Hart and Peter Hicks that demonstrate Serlio's significance within the history of architecture and the importance of these neglected texts to our understanding of Serlio's work.

Book VII in the "King of the Trees" series. Who creates the clouds and brings the rain? Ravaging the drought-stricken world of Lucambra, camouflaged dragons have trapped Prince Elwyn and the royal family inside their tower. Hope is dwindling when Elwyn unearths an ancient urn containing a cloud-riddle and a three-pronged staff, the keys to a long-lost treasure and clues to Lucambra’s plight. Fending off foggy foes bent on stealing the staff, Elwyn joins forces with a princess scarred by her dark past. Together, they set out to find the treasure and its rightful owner, Cumulon the Cloud King. In the end, they discover both peril and bliss beneath the Birthing Tree. The Birthing Tree portrays Gaelathane’s perfect love as He molds the lives of a prince and princess into one.