It's 1962 in Jackson, Mississippi, and Skeeter has just graduated from Ole Miss. At a time and place where the ideal white woman is petite with carefully groomed straight hair and even more carefully groomed manners, Skeeter is tall and outspoken, with curly hair. Her mother wants Skeeter to wed; Skeeter wants to be a journalist. With the help of two of the town's black maids, Skeeter sets out to write a book telling the maids' stories from their point of view. But in Jackson, where a black boy is blinded for accidentally using a whites-only bathroom, and Civil Rights activist Medgar Evers is shot in his driveway in front of his children, this is a dangerous undertaking. Every Bookclub-in-a-Box discussion guide includes complete coverage of the themes and symbols, writing style and interesting background information on the novel and the author.

Original publication and copyright date: 2009.

Saturated in Southern ambiance and written in the vein of other literary bestsellers like Kathryn Stockett’s The Help and Tom Franklin’s Crooked Letter, Crooked Letter, Julie Cantrell’s New York Times bestselling Into the Free that will sweep you away long after the novel ends. In Depression-era Mississippi, Millie Reynolds longs to escape the madness that marks her world. With an abusive father and a “nothing mama,” she struggles to find a place where she really belongs. For answers, Millie turns to the Gypsies who caravan through town each spring. The travelers lead Millie to a key that unlocks generations of shocking family secrets. When tragedy strikes, the mysterious contents of the box give Millie the tools she needs to break her family’s longstanding cycle of madness and abuse. Through it all, Millie experiences the thrill of first love while fighting to trust the God she believes has abandoned her. With the power of forgiveness, can she finally make her way into the free? Millie is just a girl. But she’s the only one strong enough to break the family cycle. “Gritty, compelling, and beautifully told, Into the Free will take you into a coming-of-age story filled with heartrending hardship and luminous hope. Julie Cantrell is a writer to watch!” —Lisa Wingate, New York Times bestselling author of Before We Were Yours “Readers will fall in love with Millie Reynolds, girl with one eye on the heavens and the other on the savages that occupy our world . . . a searing tale of heartache, faith, forgiveness, and doubt set amid gypsies, angels, addicts, asylums, roughnecks, and rodeo hands.” —Neil White, author of In the Sanctuary of Outcasts “A lyrical, moving, haunting, wise, brutal, warmhearted, and ultimately freeing and inspiring coming-of-age tale told with poetic honesty. . . . Into the Free swept me up and swept me along.” —Jennifer Niven, bestselling author of The Ice Master New York Times bestseller Can be read as a stand-alone novel, although the story continues in When Mountains Move Book length: approximately 90,000 words Includes a reader’s guide, author interview, and discussion questions for book clubs

Timothy Carrier is an ordinary guy who enjoys a beer after work. But tonight is no ordinary night. Instead, Tim will face a terrifying decision: Help or run. For the jittery stranger sitting beside him at the bar has mistaken Tim for someone else—and passes him a manila envelope stuffed with cash and the photo of a pretty woman. “Ten thousand. The rest when she’s gone.” Now everything Tim thinks he knows—even about himself—will be challenged. For Tim Carrier is the one man who can save an innocent life and stop a killer as relentless as evil incarnate. But first he must discover resources within himself that will transform his idea of who he is and what it takes to be the good guy. BONUS: This edition contains an excerpt from Dean Koontz's The City.

Southern Cultures: The Help Special Issue Volume 20: Number 1 – Spring 2014 Table of Contents Front Porch, by Harry L. Watson "Lauded for her endless gifts and selfless generosity, Mammy is summoned from the kitchen to refute the critics of southern race relations; cruelly circumscribed and taken for granted, she silently confirms them all." The Divided Reception of The Help by Suzanne W. Jones The more one examines the reception of The Help, the less one is able to categorize the reception as divided between blacks and whites or academics and general readers or those who have worked as domestics and those who haven't. Black Women's Memories and The Help by Valerie Smith "Cultural products—literary texts, television series, films, music, theatre, etc.—that look back on the Movement tell us at least as much about how contemporary culture views its own racial politics as they do about the past they purport to represent, often conveying the fantasy that the United States has triumphed over and transcended its racial past." "A Stake in the Story": Kathryn Stockett's The Help, Ellen Douglas's Can't Quit You, Baby, and the Politics of Southern Storytelling by Susan V. Donaldson "Like The Help, Can't Quit You, Baby focuses on the layers of habit, antipathy, resentment, suspicion, attachment, and silence linking white employer and black employee, but in ways that are far more unsettling." "We Ain't Doin' Civil Rights": The Life and Times of a Genre, as Told in The Help by Allison Graham "Perhaps because the modern Civil Rights Movement and television news came of age together, the younger medium was destined to become an iconographic feature of the civil rights genre." Every Child Left Behind: Minny's Many Invisible Children in The Help by Kimberly Wallace-Sanders "The question arises: wouldn't the mammy characters be rendered more believable in their altruism if it extended beyond white children to all children?" Kathryn Stockett's Postmodern First Novel by Pearl McHaney "Pleasure and anger are dependent on one another for heightened authenticity. Discussing The Help with delight and outrage seems just the right action." Not Forgotten: Twenty-Five Years Out from Telling Memories Conversations Between Mary Yelling and Susan Tucker compiled and introduced by Susan Tucker "I am glad she used what the women told us and made something different from it. She made people listen. I know it is fiction, and I know not everyone liked it, but she made people not forget. What more can you want?" Mason-Dixon Lines Prayer for My Children poetry by Kate Daniels About the Contributors Southern Cultures is published quarterly (spring, summer, fall, winter) by the University of North Carolina Press. The journal is sponsored by the University of North Carolina at Chapel Hill's Center for the Study of the American South.

Start small for big results with this inspiring guide to lifelong wellness—from popular health blogger and author of Operation Beautiful. In Healthy Tipping Point, Caitlin Boyle shares the down-to-earth philosophy and authoritative advice that has made her websites so popular. Believing that reaching a tipping point means much more than tipping the scales, Boyle helps readers find their personal ideal balance in food, fitness, love, and life, in a breakthrough program organized around three shifts: • Get Real: Challenge negative-thought patterns to create space for success • Eat Clean: Ditch conventional “diet” advice and follow a simple eating plan tailored to keep energy high, while helping the environment—including forty-five delicious vegetarian recipes for foodies on the go • Embrace Strength: Commit to a high-powered fitness program designed to help one learn to love exercise and build a strong, lean body—with targeted guidance for novice runners, bikers, swimmers, and others Featuring twenty inspiring success stories and photos of people who have transformed their lives, the book proves that a healthy body is absolutely attainable. Healthy living and a healthy self-image go hand in hand. For anyone who struggles to get fit, Healthy Tipping Point provides the drive to thrive.

In Telling Memories Among Southern Women, Susan Tucker presents a revealing collection of oral-history narratives that explore the complex, sometimes enigmatic bond between black female domestic workers and their white employers from the turn of the twentieth century to the civil rights revolution of the 1960s. Based on interviews with forty-two women of both races from the Deep South, these narratives express the full range of human emotions and successfully convey the ties that united—and the tensions and conflicts that separated—these two mutually dependent groups of women.