Before Usain Bolt or Tyson Gay, Bob Beamon or Carl Lewis, Jesse Owens was perhaps the greatest and most famous athlete in track and field history. Jesse Owens was born on a farm to a large family with many siblings. His grandparents had been slaves, and his sharecropper parents were poor. But against all odds, Jesse went on to become one of the greatest athletes in history. He learned to run with such grace that people said he was a "floating wonder." After setting multiple world records as a college athlete, including three in less than an hour—"the greatest 45 minutes in sport"—Owens competed in the 1936 Olympics in Berlin. Adolf Hitler intended for the games to display Aryan superiority, but Jesse disrupted that plan. He became the first American track-and-field athlete to receive four Olympic gold medals and established his legacy as a hero in the face of prejudice. This child friendly entry in David A. Adler's well-known series contains an accessible mix of biography, facts, and history supported with lifelike illustrations. Back matter includes an author's note and a timeline. For almost thirty years, David Adler’s Picture Book Biography series has profiled famous people who changed the world. Colorful, kid-friendly illustrations combine with Adler’s “expert mixtures of facts and personality” (Booklist) to introduce young readers to history through compelling biographies of presidents, heroes, inventors, explorers, and adventurers. These books are ideal for first and second graders interested in history or who need reliable sources for school book reports.

Jesse Cooper was an honor-roll student who loved to windsurf and write poetry. He also had severe cerebral palsy and was quadriplegic, unable to speak, and wracked by seizures. He died suddenly at age seventeen. His mother, Marianne Leone, chronicles her transformation by the remarkable life and untimely death of her child. An unforgettable memoir of joy, grief, and triumph, this book unlocks the secret of unconditional love and speaks to all families who strive to do right by their children.--[book jacket].

The story of a young man's illness and confrontation with death as seen through the eyes of his father. It also tells a story of parents and children, of doctors and patients, and of high-technology medicine. The book weaves together the significant events of Jesse's life as it moves back and forth between his hospitalization for a liver transplant, his earlier life, and the author's present-day experience of grief.

From Jesse Andrews, author of the New York Times bestselling Me and Earl and the Dying Girl and screenwriter of the Sundance award–winning motion picture of the same name, comes a groundbreaking young adult novel about music, love, friendship, and freedom as three young musicians follow a quest to escape the law long enough to play the amazing show they hope (but also doubt) they have in them. For Wes and his best friend, Corey, jazz camp turns out to be lame. It’s pretty much all dudes talking in Jazz Voice. But then they jam with Ash, a charismatic girl with an unusual sound, and the three just click. It’s three and a half hours of pure musical magic, and Ash makes a decision: They need to hit the road. Because the road, not summer camp, is where bands get good. Before Wes and Corey know it, they’re in Ash’s SUV heading south, and The Haters Summer of Hate Tour has begun. In his second novel, Andrews again brings his brilliant and distinctive voice to YA, in the perfect book for music lovers, fans of The Commitments (author Roddy Doyle raves "The Haters is terrific. It is shocking and funny, unsettling and charming."), and High Fidelity, or anyone who has ever loved—and hated—a song or a band. This witty, funny coming-of-age novel is contemporary fiction at its best.

We all know what frak, popularized by television's cult hit Battlestar Galactica, really means. But what about feck? Or ferkin? Or foul--as in FUBAR, or "Fouled Up Beyond All Recognition"? In a thoroughly updated edition of The F-Word, Jesse Sheidlower offers a rich, revealing look at the f-bomb and its illimitable uses. Since the fifteenth century, no other word has been adapted, interpreted, euphemized, censored, and shouted with as much ardor or force; imagine Dick Cheney telling Democratic Senator Patrick Leahy to "go damn himself" on the Senate floor--it doesn't have quite the same impact as what was really said. Sheidlower cites this and other notorious examples throughout history, from the satiric sixteenth-century poetry of James Cranstoun to the bawdy parodies of Lord Rochester in the seventeenth century, to more recent uses by Ernest Hemingway, Jack Kerouac, Ann Sexton, Norman Mailer, Liz Phair, Anthony Bourdain, Junot Diaz, Jenna Jameson, Amy Winehouse, Jon Stewart, and Bono (whose use of the word at the Grammys nearly got him fined by the FCC). Collectively, these references and the more than one hundred new entries they illustrate double the size of The F-Word since its previous edition. Thousands of added quotations come from newly available electronic databases and the resources of the OED, expanding the range of quotations to cover British, Canadian, Australian, New Zealand, Irish, and South African uses in addition to American ones. Thus we learn why a fugly must hone his or her sense of humor, why Canadian Prime Minister Pierre Trudeau muttered "fuddle duddle" in the Commons, and why Fanny Adams is so sweet. A fascinating introductory essay explores the word's history, reputation, and changing popularity over time. and a new Foreword by comedian, actor, and author Lewis Black offers readers a smart and entertaining take on the book and its subject matter. Oxford dictionaries have won renown for their expansive, historical approach to words and their etymologies. The F-Word offers all that and more in an entertaining and informative look at a word that, while now largely accepted as an integral part of the English language, still confounds, provokes, and scandalizes.

Jesse Cooper was an honor-roll student who loved to windsurf and write poetry. He also had severe cerebral palsy and was quadriplegic, unable to speak, and wracked by seizures. He died suddenly at age seventeen. In fiercely honest, surprisingly funny, and sometimes heartbreaking prose, Jesse’s mother, Marianne Leone, chronicles her transformation by the remarkable life and untimely death of her child. An unforgettable memoir of joy, grief, and triumph, Knowing Jesse unlocks the secret of unconditional love and speaks to all families who strive to do right by their children.

This biography of America’s first African American naval aviator is a “compelling portrait of a quiet hero [and] the racial climate between 1926 and 1959” (Booklist). “In the late 1940s, when every aspiring black pilot had heard of the army’s Tuskegee program, Jesse Leroy Brown set his sights on becoming a navy aviator. An outstanding student and top athlete, the 17-year-old’s ambition was met with a combination of incredulity and resistance. Yet, at a time when Jim Crow laws were rampant, Brown managed to break the color barrier to become the first black U.S. Navy pilot. Taylor puts his considerable narrative skills to good use in tracing Brown’s path from his youth in poverty-stricken Palmer’s Crossing, Miss., to his eventual induction into the heady and dangerous world of carrier aviation. Taylor based much of his research on interviews with those who knew Brown and on personal letters from more than a half-century ago [and] doesn't skimp on the indignities Brown suffered. . . . An engaging and intimate glimpse of a young pioneer who desperately wanted to earn his aviator’s wings.” —Publishers Weekly “More than a biography, this is a thrilling story of naval aviation and combat.” —School Library Journal