The brilliant Brownies are celebrating World Book Day. Join them as they set about planning a charity book swap.

While Ben Cartwright crosses paths with San Francisco's waterfront king of crime during a visit there and must fight for his life, Ben's sons are driven from their ranch.

From the author of If You Give a Mouse a Cookie: “Children will delight in seeing themselves in one of the endearing, fuzzy-looking Jellybean characters.” —School Library Journal The Jellybeans are back—this time in the library stacks to discover the varied and wonderful world of reading. When the Jellybeans go to the library to do research for book reports on the things they enjoy, Bitsy, who loves books more than anyone, is excited to bring her friends to her favorite place. Emily, who loves to dance, finds a book on ballet, Nicole, who loves sports, finds a book on soccer, and Anna, who loves art, finds a book on famous painters. But what about Bitsy? Can she find the perfect book, too? And how will she get over her nervousness about reading her report in front of the whole class? This energetic story by the #1 New York Times-bestselling author promotes a love of reading by showing there’s a perfect book for everyone. Just as jellybeans are all different flavors but go great together, the girls again use their different strengths and talents to work as a team—and make their school Book Bonanza a success!

Originally published in France and long sought in English translation, Jean-Paul Gabilliet's Of Comics and Men: A Cultural History of American Comic Books documents the rise and development of the American comic book industry from the 1930s to the present. The book intertwines aesthetic issues and critical biographies with the concerns of production, distribution, and audience reception, making it one of the few interdisciplinary studies of the art form. A thorough introduction by translators and comics scholars Bart Beaty and Nick Nguyen brings the book up to date with explorations of the latest innovations, particularly the graphic novel. The book is organized into three sections: a concise history of the evolution of the comic book form in America; an overview of the distribution and consumption of American comic books, detailing specific controversies such as the creation of the Comics Code in the mid-1950s; and the problematic legitimization of the form that has occurred recently within the academy and in popular discourse. Viewing comic books from a variety of theoretical lenses, Gabilliet shows how seemingly disparate issues—creation, production, and reception—are in fact connected in ways that are not necessarily true of other art forms. Analyzing examples from a variety of genres, this book provides a thorough landmark overview of American comic books that sheds new light on this versatile art form.

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