Have you been booed before? Emma and Evan cannot wait to be booed. Find out if Emma and Evan get the opportunity to pack two bags of treats, creep down the streets, hide out of site, and boo two other families in their neighborhood. Bring this Halloween tradition to your neighborhood, classroom, or community. Be the first person to start the boo and don't forget to hang your ghost in the window to let others know when you have been booed. Booing: A Halloween Tradition is a charming story of suspense, cheer, friendship, tradition, and bonding. Your Boo Kit includes a mischievous hard cover copy of Booing: A Halloween Tradition, Wisp the ghost, and a suction cup to hang him from your front window.

Did you know Band-Aids were invented by accident?! And that they weren't mass-produced until the Boy Scouts gave their seal of approval? 1920s cotton buyer Earle Dickson worked for Johnson & Johnson and had a klutzy wife who often cut herself. The son of a doctor, Earle set out to create an easier way for her to bandage her injuries. Band-Aids were born, but Earle's bosses at the pharmaceutical giant weren't convinced, and it wasn't until the Boy Scouts of America tested Earle's prototype that this ubiquitous household staple was made available to the public. Soon Band-Aids were selling like hotcakes, and the rest is boo-boo history. "Appealingly designed and illustrated, an engaging, fun story" — Kirkus Reviews STARRED REVIEW

Read along with Disney! Doc always keeps track of her patients' boo-boos and ouchies in her Big Book of Boo-Boos—and now you can, too! This adorable book featuring word-for-word narration looks just like Doc's Big Book of Boo-Boos, and is jam-packed full of Doc McStuffins fun including an original story featuring Doc and the gang!

Dance and the Corporeal Uncanny takes the philosophy of the body into the field of dance, through the lens of subjectivity and via its critique. It draws on dance and performance as its dedicated field of practice to articulate a philosophy of agency and movement. It is organized around two conceptual paradigms - one phenomenological (via Merleau-Ponty), the other an interpretation of Nietzschean philosophy, mediated through the work of Deleuze. The book draws on dance studies, cultural critique, ethnography and postcolonial theory, seeking an interdisciplinary audience in philosophy, dance and cultural studies.

In contrast to traditional approaches of mainstream psycholinguists, the authors of Communicating with One Another approach spontaneous spoken discourse as a dynamic process, rich with structures, patterns, and rules other than conventional grammar and syntax. Daniel C. O’Connell and Sabine Kowal thoroughly critique mainstream psycholinguistics, proposing instead a shift in theoretical focus from experimentation to field observation, from monologue to dialogue, and from the written to the spoken. They invoke four theoretical principles: intersubjectivity, perspectivity, open-endedness, and verbal integrity. Their analyses of historical and original research raise significant questions about the relationship between spoken and written discourse, particularly with regard to transcription and punctuation. With emphasis on political discourse, media interviews, and dramatic performance, the authors review both familiar and unexplored characteristics of spontaneous spoken communication, including: (1) The speaker’s use of prosody. (2) The functions of interjections. (3) What fillers do for a living. (4) Turn-taking: Smooth and otherwise. (5) Laughter, applause, and booing: from individual listener to collective audience. (6) Pauses, silence, and the art of listening. The paradigm shift proposed in Communicating with One Another will interest and provoke readers concerned about communicative language use – including psycholinguists, sociolinguists, and anthropological linguists.

When the logical positivists espoused emotivism as a theory of moral discourse, they assumed that their general theories of meaning could be straightforwardly applied to the subject of metaethics. The philosophical research program of expressivism, emotivism's contemporary heir, has called this assumption into question. In this volume Mark Schroeder argues that the only plausible ways of developing expressivism or similar views require us to re-think what we may have thought that we knew about propositions, truth, and the nature of attitudes like belief and desire. Informed by detailed scrutiny of the structural problems about understanding complex thoughts, he develops a range of alternative expressivist frameworks in detail as illustrations of general lessons, and applies them not just to metaethics, but to epistemic expressions and even to truth itself. Expressing Our Attitudes pulls together over a decade of work by one of the leading figures in contemporary metaethics. Two new and seven previously published papers weave treatments of propositions, truth, and the attitudes together with detailed development of competing alternative expressivist frameworks and discussion of their relative advantages. A substantial new introduction both offers new arguments of its own, and provides a map to reading these essays as a unified argument. Along with its sister volume, Explaining the Reasons We Share, this volume advances the theme that metaethical inquiry is continuous with other areas of philosophy.

A boy is nervous about a presentation he has to give at school.