The popularity of The Bongo Book in addition to the high demand for resources on bongos prompted this second and more advanced book on bongo drumming. This follow-up reveals that the passion for the bongos is as great now as it was in the 1960's. Now, two more generations are discovering the joy of bongodrumming. What was lacking in the three decades were resources, a network and teaching material to guide students and hobbyists in the exploration of thisfascinating instrument. The advent of the Internet with its web sites, newsgroups, and faster communication along with the flame and revival of bongo mania. Bongo Drumming is simply another step in the educational development of thebongos and an attempt to increase the awareness of this seemingly simple, yet immensely complex instrument. Includes access to extensive online audio

A complete study, including illustrations, on all the Latin rhythms.

The first book ever published on how to play the conga and bongo drum in jazz. This text is an essential tool for band teachers and drummers playing LatinPercussion in jazz with special emphasis on swing. Includes chapters on history,description, tuning, position/posture, notation, strokes, rhythms, etc. Completewith photos, interviews, music transcriptions and video links. This much-needed text fills a niche in the application of the conga and bongo drum in jazz. Special features include archival photos, a rare interview with legendary jazz guitaristKenny Burrell, online companion video with Candido and Bobby Sanabria and the most comprehensive discography ever complied on the use of conga and bongo drums in jazz with over 100 listings and commentary including Candido, Ray Barretto, Armando Peraza, Willie Bobo, Luis Miranda, Patato Valdez, Willie Rodriguez, Tata Guines and many more

This book--which won the 2000 DRUM Magazine Readers' Poll for "Best Instructional Book"--is a complete, step-by-step course on conga drumming. It's the book we looked for but couldn't find when we were first learning to drum. We did everything we could to make it user-friendly, so even non-musicians could understand it. The book teaches families of drum parts for several authentic Afro-Caribbean rhythms, including rumba, bomba, calypso, conga, and bembe. The instruction is clear and step-by-step, and the writing creates the intimate feel of private lessons. The charts are big and easy to read. Life-like illustrations clearly demonstrate proper technique for each stroke. Please note: audio files of the CD that comes with the print version of this book are not included in this ebook version (but are available separately).

Afro-Cuban Rhythms: Gig Savers Complete Edition combines both of Trevor Salloum's popular previous editions. The material is designed for the intermediate to advanced percussionist who has some basic understanding of percussion notation. Part one is a collection of traditional rhythms ideal for a percussion ensemble or for the individual who wants to learn the authentic parts of each rhythm. The material is presented in a concise and user-friendly style. Part one includes information on Clave, Tumbao for one and two drums, Yambú, Guaguancó (Havana), Guaguancó (Matanzas), Rumba columbia, Conga (Havana), Conga (Matanzas) and Conga (Santiago). Part two is structured just like part one, but covers a different set of rhythms: Bembe, Makuta, Yuka, Palo, Arará, Abakuá (Havana), Abakuá (Matanzas), Gagá, Vudú and Iyesa. All rhythms presented in this edition are easily adapted to conga drums and Afro-Cuban hand percussion.

You don't need a drumset to lay down a groove. All you need is one drum. It can be a djembe, a conga, or anything else where you can fit both your hands on the drumhead. Whether your goal is to play in a band, jam in the park, play in a church group, or just drum along with your favorite CDs, this book will show you how, step by step. Please note: audio files of the CD that comes with the print version of this book are not included in this ebook version (but are available separately).