Bone carving is as old as civilisation itself. Even some of the oldest bone artifacts have decorative features that are clearly not necessary for their functional nature, showing that there have been complex cultural aspects to the carving of bone since earliest times. The first settlers of Aotearoa brought with them the skills of bone carving, both for items of personal adornment and for the manufacture of tools such as fish-hooks. These skills have been passed on, incorporating various cultural adaptations, to the present day. In Bone Carving, Stephen Myhre has drawn with great sensitivity on techniques and styles of carving from a wide range of Pacific cultures, but particularly Maori. The result is a superb practical handbook for anyone embarking upon this rapidly growing craft. The book provides what the author calls a 'skillbase' - a reliable set of practices and attitudes that can successfully produce bone carvings of great functional and aesthetic beauty. Bone Carvingdescribes and illustrates the materials, tools and techniques, explaining every stage from roughing out to final polishing and mounting, in a clear, strongly personalised style. The author stresses throughout the importance of good design and the development of patience as parts of the skillbase - and the need for integrity. The carver, he says, should respect the old traditions and be sensitive to the cultural significance of the forms being used. Bone Carvingis thus both a practical and a spiritual guide.

From 1989 to 1994 more than fifteen hundred bone and ivory objects were excavated from the northeast slope of Rome's Palatine Hill. These remains constitute the largest such find in the western Mediterranean and the first traces of the actual working of ivory in Rome itself. In this original work, art historian Archer St. Clair explores the significance of these finds in understanding both the development of artisanship in Rome and the broader Greco-Roman cultural and artistic tradition to which they belong. Dating primarily from the first through the fifth century C.E., the carved objects include ornamentation for furniture and boxes in the form of plaques and framing strips, jewelry, dolls, a wide variety of pins, as well as smaller numbers of handles, needles, and other implements. Also present at the site was extensive evidence of a bone and ivory workshop, including prepared blanks and waste fragments that provide valuable evidence for artisanal practices in both materials. This volume includes a representative catalog of 648 objects from Palatine East, extensively illustrated with photographs and detailed drawings. Four chapters of introductory material offer a comprehensive overview of the material properties of bone and ivory, the literary evidence, and wider context of their use in the ancient world, and the particular significance of the Palatine East site. While bone has often been treated simply as an inferior and less valuable alternative to ivory, St. Clair notes the close association in their use and elucidates a complex relationship between them. In doing so, she offers a detailed, contextual study of the uses, social perception, and distribution of the two materials, revealing a shared Mediterranean vocabulary of form and technique.

A comprehensive guide on carving animal skulls that will give you the confidence to get started and not screw up! Includes over 240 photos and case studies for different skull and bone carving methods. Skull Carving: A Complete Guide to Tools and Techniques for Carving Animal Skulls is the perfect resource for getting started carving animal skulls and improving your skills as you progress. Hunter lays out information in a basic and easy way to understand as well as diving deep into bone carving to better help the reader feel prepared to start carving! From tools to techniques, to skulls and staining, you will get practical guidance on creating amazing unique works of art. Are you ready to become a skull carver?!

Kura Koiwi is both a personal account of Brian Flintoff's career as a carver, but also an important exploration of Maori art and how it relates to carving.

Parts of crossed-leg chairs and richly decorated fragments of bone and ivory excavated at Kenchreai, the Eastern port of Corinth, include scenes of an emperor and a miniature ivory Corinthian arcade that decorated luxurious furniture produced in late Roman Egypt.

Hundreds of richly decorated ivory and bone fragments from furniture and parts from at least three crossed-leg chairs, survived under seawater in an apsidal room at Kenchreai, the Eastern port of ancient Corinth. These excavated remains include fragments of an incised bone panel with a scene of an emperor and attendants, a thiasos, bucolic and hunt scenes, seated philosophers, erotes, and a miniature ivory Corinthian order supporting a bone arcade decorated with erotes. Decorative moldings and large bone rings suggest that most of these belonged to a luxuriously decorated chest. Dating to the fourth century, these objects provide an important addition to our knowledge of the artistic production of late Roman Egypt and the working of ivory, bone, and wood.