The authors of the standard approach to Bonaventure’s aesthetics established the broad themes that continue to inform the current interpretation of his philosophy, theology, and mysticism of beauty: his definition of beauty and its status as a transcendental of being, his description of the aesthetic experience, and the role of that experience in the soul’s ascent into God. Nevertheless, they also introduced a series of pointed questions that the current literature has not adequately resolved. In Bonaventure’s Aesthetics: The Delight of the Soul in Its Ascent into God, Thomas J. McKenna provides a comprehensive analysis of Bonaventure’s aesthetics, the first to appear since Balthasar’s Herrlichkeit, and argues for a resolution to these questions in the context of his principal aesthetic text, the Itinerarium mentis in Deum.

Examines the link between Bonaventure's aesthetics and anthropology in light of contemporary anxieties surrounding bodily diminishment.

*Presents a rigorous reexamination of von Balthasars interpretation of major ancient and medieval texts*

This three volume set is a comprehensive account of the development of European aesthetics from the time of the ancient Greeks to the 1700s. This second volume focuses on eastern and western aesthetics in the Middle Ages.

In the past twenty years or more, there has been a growing interest among philosophers and theologians alike in the transcendentals and especially in the beautiful. This seems fortuitous since so much of contemporary culture is fixated in many ways on beauty, on what might be called a superficial or man-made beauty, intent on outward appearance, with little or no concern for the human person’s interiority and distinctive nature. The Ancients and the Medievals, on the contrary, were sensitive not only to the beauty of nature and art but also to beauty as intelligible, that is, to the beauty of moral harmony and of metaphysical splendor. While the question of whether the beautiful is in fact a transcendental aspect of being continues to be a subject of dispute in contemporary scholarship, the relationship between the beautiful and the good has been accepted since ancient times and has been attended to in recent publications. None of these publications, however, offers a systematic treatment of this relationship by drawing from the wisdom of both ancient and medieval thought in such a way as to bring together the work of scholars in this tradition. Beauty and the Good intends therefore to make a singular contribution by presenting a richer alternative to the contemporary cult of beauty and appearance on the one hand, and to the concomitant decline of real beauty on the other hand. In addition to highlighting the centrality of beauty in the Aristotelian account of moral virtue, where virtue is kalon and virtuous actions are done for the sake of kalon—an account which is found echoed in the medieval notion of intrinsic goodness (bonum honestum), understood as intelligible or spiritual beauty—this volume will provide the metaphysical and theological grounding for beauty, as influenced in part by Plato and Neoplatonism, together with a much needed account of how we know and judge beauty, and how for the recognition of true good and real beauty we need to be properly disposed. The integration of philosophical and theological reflection on the nature and relationship of beauty and the good, on our perception and judgment of beauty and of the good as beautiful, and on the motivational role of beauty in human action has as its goal to produce a coherent volume of essays.

Kathryn B. Alexander argues that natural beauty is a source of religious insight into the need and way of salvation, and this project develops a theological aesthetics of nature and beauty with an aim toward cultivating a theological and ethical framework for redeemed life as participation in ecological community. With interdisciplinary verve, engaging systematic, philosophical, and art theory systems of aesthetics, the volume fosters the cultivation of the sense of beauty through creative, religious, and sacramental experience. All three types, in fact, are critically necessary, as the author argues, in eliciting hope for ecological redemption. This volume makes a vital contribution to the systematic and philosophical framework for ecological theology, aesthetics, and theological ethics.

This collection of essays by distinguished authors explores the present-day field of theological aesthetics: from von Balthasar's contribution and parallel developments to correctives and alternatives to his approach. A tribute to von Balthasar's own project expands into a dialogue with ancient and medieval traditions in search of revelatory aesthetics. The contributors outline challenges to his approach (including Protestant perspectives) and introduce new ways of viewing the field of theological aesthetics, which ultimately opens up to the idea of concrete cultural contexts and practical human needs determining the use of the arts and aesthetic sensibilities in theology.