Bombay Cinema's Islamicate Histories
Title | Bombay Cinema's Islamicate Histories PDF eBook |
Author | Ira Bhaskar |
Publisher | |
Pages | 428 |
Release | 2022-04 |
Genre | |
ISBN | 9781789383973 |
An engaging account of the history and influence of Muslim cultures on Bombay cinema. Following Marshal Hodgson, the term "Islamicate" is used to distinguish the cultural forms associated with Islam from the religion itself. The term is especially useful in South Asia where Muslim cultures have commingled with other local cultures over a millennium to form a rich vein of syncretic aesthetic expression. Comprised of fourteen essays written by major scholars, this collection presents an engaging account of the history and influence of cultural Islam on Bombay cinema. The book charts the roots of South Asian Muslim cultures and the precursors of Bombay cinema's Islamicate idioms in the Urdu Parsi Theatre; the courtesan cultures of Lucknow; the literary, musical, and performance traditions of north India; the traditions of miniature painting; and various modes of Perso-Arabic story-telling. Published at a time of acute crisis in the perception and understanding of Islam, this book demonstrates how Muslim and Hindu cultures in India are inextricably entwined.
Islamicate Cultures of Bombay Cinema
Title | Islamicate Cultures of Bombay Cinema PDF eBook |
Author | Ira Bhaskar |
Publisher | |
Pages | 346 |
Release | 2009 |
Genre | Arts, Indic |
ISBN | 9788189487539 |
This book explores the Islamicate cultures that richly inform Bombay cinema. These cultures are imagined forms of the past and therefore a contested site of histories and identities. Yet they also form a culturally potent and aesthetically fertile reservoir of images and idioms through which Muslim communities are represented and represent themselves. Islamicate influences inform the language, poetry, music, ideas, and even the characteristic emotional responses elicited by Bombay cinema in general; however, the authors argue that it is in the three genre forms of The Muslim Historical. The Muslim Courtesan Film and The Muslim Social that these cultures are concentrated and distilled into precise iconographic, performative and narrative idioms. Furthermore, the authors argue that it is through these three genres, and their critical re-working by New Wave filmmakers, that social and historical significance is attributed to Muslim cultures for Muslims and non-Muslims alike. Ira Bhaskar is Associate Professor of Cinema Studies at the School of Arts and Aesthetics, Jawaharlal Nehru University, New Delhi. Richard Allen is Professor and Chair of Cinema Studies at the Tisch School of the Arts, New York University.
Bombay Hustle
Title | Bombay Hustle PDF eBook |
Author | Debashree Mukherjee |
Publisher | Columbia University Press |
Pages | 288 |
Release | 2020-09-22 |
Genre | Performing Arts |
ISBN | 0231551673 |
From starry-eyed fans with dreams of fame to cotton entrepreneurs turned movie moguls, the Bombay film industry has historically energized a range of practices and practitioners, playing a crucial and compelling role in the life of modern India. Bombay Hustle presents an ambitious history of Indian cinema as a history of material practice, bringing new insights to studies of media, modernity, and the late colonial city. Drawing on original archival research and an innovative transdisciplinary approach, Debashree Mukherjee offers a panoramic portrait of the consolidation of the Bombay film industry during the talkie transition of the 1920s–1940s. In the decades leading up to independence in 1947, Bombay became synonymous with marketplace thrills, industrial strikes, and modernist experimentation. Its burgeoning film industry embodied Bombay’s spirit of “hustle,” gathering together and spewing out the many different energies and emotions that characterized the city. Bombay Hustle examines diverse sites of film production—finance, pre-production paperwork, casting, screenwriting, acting, stunts—to show how speculative excitement jostled against desires for scientific management in an industry premised on the struggle between contingency and control. Mukherjee develops the concept of a “cine-ecology” in order to examine the bodies, technologies, and environments that collectively shaped the production and circulation of cinematic meaning in this time. The book thus brings into view a range of marginalized film workers, their labor and experiences; forgotten film studios, their technical practices and aesthetic visions; and overlooked connections among media practices, geographical particularities, and historical exigencies.
Bombay Cinema
Title | Bombay Cinema PDF eBook |
Author | Ranjani Mazumdar |
Publisher | U of Minnesota Press |
Pages | 306 |
Release | 2007 |
Genre | Motion picture industry |
ISBN | 9781452913025 |
Handbook of Research on Social and Cultural Dynamics in Indian Cinema
Title | Handbook of Research on Social and Cultural Dynamics in Indian Cinema PDF eBook |
Author | Biswal, Santosh Kumar |
Publisher | IGI Global |
Pages | 401 |
Release | 2020-06-26 |
Genre | Social Science |
ISBN | 1799835138 |
Cinema in India is an entertainment medium that is interwoven into society and culture at large. It is clearly evident that continuous struggle and conflict at the personal as well as societal levels is depicted in cinema in India. It has become a reflection of society both in negative and positive ways. Hence, cinema has become an influential factor and one of the largest mass communication mediums in the nation. Social and Cultural Dynamics in Indian Cinema is an essential reference source that discusses cultural and societal issues including caste, gender, oppression, and social movements through cinema and particularly in specific language cinema and culture. Featuring research on topics such as Bollywood, film studies, and gender equality, this book is ideally designed for researchers, academicians, film studies students, and industry professionals seeking coverage on various aspects of regional cinema in India.
Routledge Handbook of Indian Cinemas
Title | Routledge Handbook of Indian Cinemas PDF eBook |
Author | K. Moti Gokulsing |
Publisher | Routledge |
Pages | 488 |
Release | 2013-04-17 |
Genre | Performing Arts |
ISBN | 1136772847 |
India is the largest film producing country in the world and its output has a global reach. After years of marginalisation by academics in the Western world, Indian cinemas have moved from the periphery to the centre of the world cinema in a comparatively short space of time. Bringing together contributions from leading scholars in the field, this Handbook looks at the complex reasons for this remarkable journey. Combining a historical and thematic approach, the Handbook discusses how Indian cinemas need to be understood in their historical unfolding as well as their complex relationships to social, economic, cultural, political, ideological, aesthetic, technical and institutional discourses. The thematic section provides an up-to-date critical narrative on diverse topics such as audience, censorship, film distribution, film industry, diaspora, sexuality, film music and nationalism. The Handbook provides a comprehensive and cutting edge survey of Indian cinemas, discussing Popular, Parallel/New Wave and Regional cinemas as well as the spectacular rise of Bollywood. It is an invaluable resource for students and academics of South Asian Studies, Film Studies and Cultural Studies.
A Brief History of the Present
Title | A Brief History of the Present PDF eBook |
Author | Hilal Ahmed |
Publisher | Penguin Random House India Private Limited |
Pages | 147 |
Release | 2024-07-22 |
Genre | Political Science |
ISBN | 9357082956 |
Present-day political discourse swings between two contrary positions on the issue of Muslims. Hindutva politics categorizes Muslims as a monolithic religious group to substantiate Hindu homogeneity. The liberals, on the other hand, claim to protect Muslims as a religious minority to defend Indian democracy (if not secularism!). In both cases, Muslim identity is envisioned as a one-dimensional phenomenon. A Brief History of the Present attempts to go beyond the obvious to rethink the role of minorities, specifically Muslims, in the ‘New India’ that has revealed itself since 2014. By diving deep into the complexities of Muslim identity and its role in everyday life while at the same time viewing the Muslim communities through a historical lens, the author attempts to provide a far more accurate picture of Indian Muslims than what is perceived currently. Through the author’s interpretation of a wide range of quantitative and qualitative sources and his long experience as an observer of the Indian political scenario for more than three decades, the book presents a deeply considered view of a burning question: the current status of Muslims in India.