After being sold by her father to an eccentric Indian to settle a gambling debt, Harriet escapes her Pawnee captor and begins a trek to find her father, meeting a variety of strange characters and encoutering odd situations along the way.

This Alabama bad boy thought one dirty weekend with her would be enough.He was wrong.Falling in love is out of their control in this red-hot romance from New York Times, USA Today, and Wall Street Journal best-selling author Georgia Cates.A faceless name.That's all she was when I agreed to play a part in deceiving her.And then the unexpected happened.We met.I yearn for her skin against mine.I crave her scent on my body.I want to make her laugh and then moan.And I do? in secret.I promised my business partner I wouldn't touch his sister.But I broke that promise.Our little dirty weekends together are no longer enough.I want my bohemian girl in my bed every night.She wants a ring, marriage vows, and babies? all things that I can't give her.Our romance is explosive.Our love, epic.Our ending, miserable? unless I bend.If I don't bend, I'll break.***Previously titled Tap: Men of Lovibond.This is a stand-alone novel.Book 1 in a 3 book stand-alone series.No cliffhanger.HEA.

A puzzling note from a troubled woman draws an American expat author into the lawless precincts of Victorian London in this historical mystery. London, 1901. Denton, the notorious American writer, has returned to his adoptive home after several months in one of the less-delightful corners of the Continent. He’s greeted by the usual letters from fans craving more tales of adventure—and one peculiar note: “I believe that someone threatens to harm me, and I do not know quite what to do.” Though it is signed “Mary Thomason,” it was sent by someone else. And it is more than two months old. Much as he’d like to deny it, Denton is a Victorian gentlemen to the marrow. And he cannot deny a damsel in distress. His search for the mysterious Miss Thomason will take him deep into London’s “bohemian” quarters—as well as the darker corners of his own soul. “Other authors have set mysteries in the same period and place, but Cameron stands out by virtue of his fine plotting and distinctive characters.” —Publishers Weekly

The Bohemian Girl (1988), Frances Vernon's fourth novel, transports us to 1890s London to meet the young Diana Blentham, whom Vernon first introduced to readers - as a celebrated grande horizontale - in the opening pages of her 1982 debut Privileged Children. Diana fears that the lot of an intelligent woman is to simply be married and never again open a book. Her father wonders - not incorrectly - if Diana's brains may lead her 'to some grave lapse in good behaviour'. So it comes to pass one day when, riding on her bicycle in Battersea Park, she knocks over a handsome Irish painter... 'A pretty, witty little parable about Victorian values, and the hazards of being female and intelligent in a country as sexist and anti-intellectual as the United Kingdom... This romance has teeth... it bites the eternal issues of class, and sex, and freedom.' Philip Howard, The Times

A short story from the Classic Shorts collection: The Bohemian Girl by Willa Cather