When Vinnie, a crazy-happy dog, gets lost while visiting a nature preserve with his family, he finds comfort in the company of Bogart, a big, lazy rhinoceros. Vinnie loves his new friend, but Bogart would rather just take a nap. A friendship soon blossoms-even if Vinnie's definition of "friendship" is very different from Bogart's-and when word of their unique situation spreads, Bogart and Vinnie are a worldwide sensation! But as soon as their fifteen seconds of fame ends, what's left is a bond even Bogart can't ignore. Pairing picture-book veteran, Henry Cole, with up-and-coming author, Audrey Vernick, this clever spoof of the unendingly popular interspecies animal-friendship story is full of heart and humor.

When Vinnie, a crazy-happy dog, gets lost while visiting a nature preserve with his family, he finds comfort in the company of Bogart, a big, lazy rhinoceros. Vinnie loves his new friend, but Bogart would rather just take a nap. A friendship soon blossoms-even if Vinnie's definition of "friendship" is very different from Bogart's-and when word of their unique situation spreads, Bogart and Vinnie are a worldwide sensation! But as soon as their fifteen seconds of fame ends, what's left is a bond even Bogart can't ignore. Pairing picture-book veteran, Henry Cole, with up-and-coming author, Audrey Vernick, this clever spoof of the unendingly popular interspecies animal-friendship story is full of heart and humor.

Mandi Wexler grew up in a dysfunctional household, suffering unspeakable abuse. As she grew older, she lost more and more pieces of her soul until at last she matured into a hollow, haunted shell of a human being. Now she is an abused automaton who bends to the will of vicious and evil men, shutting out the good in the world and resigning herself to a life of misery, giving up all hope of becoming the vibrant young woman she could have been. Michael Skyler grew up in a military family, becoming used to never setting down roots, never alone yet always lonely, but never lacking for love and care. When he meets Mandi, he finds himself deeply drawn to her, even though he is hard pressed to explain why. Mandi tries her best to drive Michael away, not wanting him to see the scars on her body and soul. But the more Michael pursues her, the more she finds herself falling for him. Yet winning Mandi's love is not going to be easy for Michael, even if he can help free her from her self-imposed enslavement, for deep within Mandi lurk personal demons more menacing than any man ever could be. Will Michael be driven away by Mandi's dark secret, or will his love finally help Mandi replace the missing pieces of her heart?

In this eerie book from the nonfiction An Unsolved Mystery from History picture book series, travel to an Indian orphanage where two new arrivals are so wild that some claim they were raised by wolves. In 1920 a missionary brought two young girls to an orphanage in India. The girls didn’t know how to talk, walk, or eat from a plate. Some people thought the girls had been abandoned by their parents. Some people said the girls were brought up by wolves in the wild. Still others thought that the missionary who ran the orphanage made up the story about the girls. No one knows for sure. Become a detective, study the clues, and see if you can help solve this chilling mystery from history!

#1 NEW YORK TIMES BESTSELLER • In the heart of Trenton, N.J., a killer is out to make sure someone gets his just desserts. Larry Virgil skipped out on his latest court date after he was arrested for hijacking an eighteen-wheeler full of premium bourbon. Fortunately for bounty hunter Stephanie Plum, Larry is just stupid enough to attempt almost the exact same crime again. Only this time he flees the scene, leaving behind a freezer truck loaded with Bogart ice cream and a dead body—frozen solid and covered in chocolate and chopped pecans. As fate would have it, Stephanie’s mentor and occasional employer, Ranger, needs her to go undercover at the Bogart factory to find out who’s putting their employees on ice and sabotaging the business. It’s going to be hard for Stephanie to keep her hands off all that ice cream, and even harder for her to keep her hands off Ranger. It’s also going to be hard to explain to Trenton’s hottest cop, Joe Morelli, why she is spending late nights with Ranger, late nights with Lula and Randy Briggs—who are naked and afraid—and late nights keeping tabs on Grandma Mazur and her new fella. Stephanie Plum has a lot on her plate, but for a girl who claims to have “virtually no marketable skills,” these are the kinds of sweet assignments she does best.

This project is made possible through support from the Terra Foundation for American Art. When Elizabeth Cady Stanton penned the Declaration of Sentiments for the first women’s rights convention, held in Seneca Falls, New York, in 1848, she unleashed a powerful force in American society. In A Sisterhood of Sculptors, Melissa Dabakis outlines the conditions under which a group of American women artists adopted this egalitarian view of society and negotiated the gendered terrain of artistic production at home and abroad. Between 1850 and 1876, a community of talented women sought creative refuge in Rome and developed successful professional careers as sculptors. Some of these women have become well known in art-historical circles: Harriet Hosmer, Edmonia Lewis, Anne Whitney, and Vinnie Ream. The reputations of others have remained, until now, buried in the historical record: Emma Stebbins, Margaret Foley, Sarah Fisher Ames, and Louisa Lander. At midcentury, they were among the first women artists to attain professional stature in the American art world while achieving international fame in Rome, London, and other cosmopolitan European cities. In their invention of modern womanhood, they served as models for a younger generation of women who adopted artistic careers in unprecedented numbers in the years following the Civil War. At its core, A Sisterhood of Sculptors is concerned with the gendered nature of creativity and expatriation. Taking guidance from feminist theory, cultural geography, and expatriate and postcolonial studies, Dabakis provides a detailed investigation of the historical phenomenon of women’s artistic lives in Rome in the mid-nineteenth century. As an interdisciplinary examination of femininity and creativity, it provides models for viewing and interpreting nineteenth-century sculpture and for analyzing the gendered status of the artistic profession.

ABDUCTION and REVENGE is the story of Sylvia, a young woman, who after a very hard work week is looking forward to attending a party being held at her best friend's condo in Boston. While at the party, she meets her friend's brother Bob, and allows him to drive her home. Bob drops Sylvia at her doorstep. She's not seen again. Vinnie DeAngelis, a Private Detective is called in by Sylvia's mother, to locate her. Vinnie is assisted by Carlo, an Italian Police Officer, who is also Sylvia's uncle. They find that a case they had worked on together in the past, comes back to haunt them. They realize that no one can be trusted, not even the police. Vinnie and Carlo work this case from the gritty streets of Boston and scenic Revere to a tranquil rural forested area of New Hampshire, finding lies, deceit and dead bodies along the way.