"Body of Clay, Soul of Fire" will delight art lovers, potters, and collectors, as well as everyone who is interested in Japanese and Benedictine traditions. Richard Bresnahan is a preeminent American potter and an ambassador for the natural environment. Reared on a farm in North Dakota, he graduated from Saint John's University in Collegeville, Minnesota, and apprenticed as a potter in Japan. Returning to Saint John's, where he is an artist in residence, he built a massive wood-burning kiln, which, with its innovative flame flues and water channels, dwarfs all other North American kilns. By digging his own clay, using local seeds and hulls as glazing materials, and firing with deadfall, Bresnahan also practices a brand of environmentalism worthy of his Benedictine surroundings.

Metaphor and Thought, first published in 1979, reflects the surge of interest in and research into the nature and function of metaphor in language and thought. In this revised and expanded second edition, the editor has invited the contributors to update their original essays to reflect any changes in their thinking. Reorganised to accommodate the shifts in central theoretical issues, the volume also includes six new chapters that present important and influential fresh ideas about metaphor that have appeared in such fields as the philosophy of language and the philosophy of science, linguistics, cognitive and clinical psychology, education and artificial intelligence.

"Anam Cara is a rare synthesis of philosophy, poetry, and spirituality. This work will have a powerful and life-transforming experience for those who read it." —Deepak Chopra John O'Donohue, poet, philosopher, and scholar, guides you through the spiritual landscape of the Irish imagination. In Anam Cara, Gaelic for "soul friend," the ancient teachings, stories, and blessings of Celtic wisdom provide such profound insights on the universal themes of friendship, solitude, love, and death as: Light is generous The human heart is never completely born Love as ancient recognition The body is the angel of the soul Solitude is luminous Beauty likes neglected places The passionate heart never ages To be natural is to be holy Silence is the sister of the divine Death as an invitation to freedom

To avert a potential underworld mutiny of horrific proportions, these fifty insurrectionists were relocated through a portal from the pit of hell to the dark Eldritch Forest of another world, parallel to our own. Upon their banishment, the condemned were transformed into half-man and half-serpent creatures. Thirteen years ago, William Clay-then a mere child-disappeared from a nearby forest, never to be seen again. Only recently, his younger brother, Dan, acquired information on the forest fables from a questionable source. After analyzing fact and legend, Dan suspects that his brother may have fallen through the portal into the parallel world and is being held captive by the fifty fiends. Join Dan and three friends as they embark on an out-of-this-world journey where they are hunted by savage beasts along the footpath to a demonic castle. Smith's pages within are your passport to A World Away, where the unimaginable becomes reality, the unnatural becomes the norm, and the uninvited become fitting prey.

At least since the time of Paul (see Acts 18), Christians have wrestled with the power and danger of religious imagery in the visual arts. It was not until the middle of the twentieth century that there emerged in Western Christianity an integrated, academic study of theology and the arts. Here, one of the pioneers of that movement, H. Wilson Yates, along with fourteen theologians, examine how visual culture reflects or addresses pressing contemporary religious questions. The aim throughout is to engage the reader in theological reflection, mediated and enhanced by the arts. This beautifully illustrated book includes more than fifty images in full color.

This book brings together a variety of approaches, interpretations, expressions, and technical prowess. It is the first and a long time coming effort to bring the practice of naked raku into a single reference manual by which the reader can observe, attempt, experiment, and practice with confidence