‘The bookiest book about books you’ll ever read – I loved it’ Lucy Mangan ‘Truly delightful...I couldn’t have had more fun’ Benjamin Dreyer ‘Very funny, erudite and profound. A delight!’ Nina Stibbe This is the outside story of books. From blurbs to titles, quotes to (checks jacket) cute animal designs – via author feuds, writing tricks, classic literature, bonkbusters, plot spoilers and publishing secrets – discover why it’s good to judge a book by its cover. Maybe even this one…

What makes Larry a monster, and why doesn't he know that he's a monster? This title discusses philosophical answers to these questions. It also discusses the ethical and existential issues, such as whether Larry is a bad apple or perhaps worth emulating.

Under the Cover follows the life trajectory of a single work of fiction from its initial inspiration to its reception by reviewers and readers. The subject is Jarrettsville, a historical novel by Cornelia Nixon, which was published in 2009 and based on an actual murder committed by an ancestor of Nixon's in the postbellum South. Clayton Childress takes you behind the scenes to examine how Jarrettsville was shepherded across three interdependent fields—authoring, publishing, and reading—and how it was transformed by its journey. Along the way, he covers all aspects of the life of a book, including the author's creative process, the role of the literary agent, how editors decide which books to acquire, how publishers build lists and distinguish themselves from other publishers, how they sell a book to stores and publicize it, and how authors choose their next projects. Childress looks at how books get selected for the front tables in bookstores, why reviewers and readers can draw such different meanings from the same novel, and how book groups across the country make sense of a novel and what it means to them. Drawing on original survey data, in-depth interviews, and groundbreaking ethnographic fieldwork, Under the Cover reveals how decisions are made, inequalities are reproduced, and novels are built to travel in the creation, production, and consumption of culture.

Just the Funny Parts is a juicy and scathingly funny insider look at how pop culture gets made. For more than thirty years, writer, producer and director Nell Scovell worked behind the scenes of iconic TV shows, including The Simpsons, Late Night with David Letterman, Murphy Brown,NCIS,The Muppets, and Sabrina, the Teenage Witch, which she created and executive produced. In 2009, Scovell gave up her behind-the-scenes status when the David Letterman sex scandal broke. Only the second woman ever to write for his show, Scovell used the moment to publicly call out the lack of gender diversity in late-night TV writers’ rooms. “One of the boys” came out hard for “all of the girls.” Her criticisms fueled a cultural debate. Two years later, Scovell was collaborating with Sheryl Sandberg on speeches and later on Lean In, which resulted in a worldwide movement. Now Scovell is opening up with this fun, honest, and often shocking account. Scovell knows what it’s like to put words in the mouths of President Barack Obama, Mark Harmon, Candice Bergen, Bob Newhart, Conan O’Brien, Alyssa Milano, and Kermit the Frog, among many others. Through her eyes, you’ll sit in the Simpson writers’ room… stand on the Oscar red carpet… pin a tail on Miss Piggy…bond with Star Trek’s Leonard Nimoy… and experience a Stephen King-like encounter with Stephen King. Just the Funny Parts is a fast-paced account of a nerdy girl from New England who fought her way to the top of the highly-competitive, male-dominated entertainment field. The book delivers invaluable insights into the creative process and tricks for navigating a difficult workplace. It's part memoir, part how-to, and part survival story. Or, as Scovell puts it, “It’s like Unbroken, but funnier and with slightly less torture.”

Seth Greenland's timely new novel is set in the high California desert between the trailer parks and amphetamine labs of Desert Hot Springs and the classic mid-century architecture of Palm Springs. In this sun-blasted territory, with its equally arid social culture, a fiercely contested congressional election is in progress. The wily incumbent, Randall Duke, is unburdened by ethical considerations. His opponent, Mary Swain, a sexy, well-financed newcomer, does not have a firm grip on American history or elemental economics.

Writer Lisa Kusel, while living comfortably in her California home, feels an unsettling lack of personal contentment. When she sees a job posting for a new international school in Bali, she convinces her schoolteacher husband Victor to apply. Six weeks after his interview, Lisa, Victor, and their six-year-old daughter, Loy, move halfway around the world to paradise. But instead of luxuriating in ocean breezes, renewed passion, and first-rate schooling, what Lisa and her family find are burning corpses, biting ants, and a millionaire founder who cares more about selling bamboo furniture than educating young minds. Not to mention Lisa's fear that one morning she might see the Dengue Fever rash on her young daughter. Rash is an unfiltered, sharply-written memoir about a woman who goes looking for happiness on the Island of the Gods, and nearly destroys her marriage in the process. For anyone who has ever dreamed of starting over in an exotic locale, this is a poignant reminder that no matter where you go, there you are.

They say everything is fun and games until someone gets hurt. Well, someone did--and now the game has changed... Emily Bennett works as a therapist in Pennsylvania, helping children overcome their troubled pasts--even as she struggles to forget her own. Once upon a time, Emily was part of a middle school clique called the Harpies--six popular girls who bullied the new girl to her breaking point. The Harpies took a blood oath: never tell a soul what they did to Grace Farmer. Now, fourteen years later, it seems karma has caught up to them when one member of that vicious circle commits suicide. But when a second Harpy is discovered dead shortly after, also from apparent suicide, the deaths start to look suspicious. And when Emily starts seeing a woman who looks a lot like Grace Farmer lurking in the shadows, she's forced to wonder: Is Grace back for revenge? Or is Emily's guilt driving her mad? Sticks and stones may break your bones, but the Harpies are about to find out just how much words can hurt you.