Chronicles the life of art historian Sir Anthony Blunt, exploring his private and public personas and how he used his connections within English high society to work as a Soviet spy until he was exposed by Margaret Thatcher in 1979.

When a premier magazine runs a story about a high profile celebrity, there is only one photographer they call: Nigel Parry. His brilliant lens has captured the most powerful politicos, the most famous celebrities and the most beautiful people of our day. His in-your-face style and exacting precision yields portraits like no others. His newest project, Blunt, is a deluxe volume with 145 iconic images, each in Parry's own signature style - intimate, honest and wholly original.

This “outstanding” novel featuring a Boston detective searching for a judge’s missing son is a Shamus Award finalist and the first in a series (The New York Times). John Cuddy’s heart is buried in a cemetery overlooking Boston harbor. His wife, Beth, fought her cancer for nearly a year, and when she died Cuddy gave up his morning runs in favor of nightly benders. Two months after her death, he is forced out of his job as an insurance investigator for refusing to sign his name to a phony claim. Now he is filing for unemployment, cutting back on his drinking, and attempting to become a private eye. His first real case comes in the form of Valerie Jacobs, a junior high teacher who was friends with Beth. Her star pupil, the son of a Massachusetts judge, has vanished, and the local police have no leads. To make his name as a detective, Cuddy searches for a boy who’s too smart to be found, and whose father would prefer his son never return.

“A memoir with the fierce narrative force of an eastern Montana blizzard, rich in story and character, filled with the bone-chilling details of Blunt’s childhood. She writes without bitterness, with an abiding love of the land and the work and her family and friends that she finally left behind, at great sacrifice, to begin to write. This is a magnificent achievement, a book for the ages. I’ve never read anything that compares with it.” —James Crumley, author of The Last Good Kiss Born into a third generation of Montana homesteaders, Judy Blunt learned early how to “rope and ride and jockey a John Deere,” but also to “bake bread and can vegetables and reserve my opinion when the men were talking.” The lessons carried her through thirty-six-hour blizzards, devastating prairie fires and a period of extreme isolation that once threatened the life of her infant daughter. But though she strengthened her survival skills in what was—and is—essentially a man’s world, Blunt’s story is ultimately that of a woman who must redefine herself in order to stay in the place she loves. Breaking Clean is at once informed by the myths of the West and powerful enough to break them down. Against formidable odds, Blunt has found a voice original enough to be called classic.

At first glance, Borromini's architecture is a flight of Baroque fantasy, the product of limitless imagination. A closer look reveals an almost ruthlessly logical geometry underlying his creation. Blunt shows how the combination of revolutionary inventiveness and intellectual control gives Borromini's work its great appeal.