When a young woman decides to impersonate her recently-deceased best friend to claim an inheritance, it sets her on a path to danger. A classic mystery by the famous western author.

Fog and rain, with the spluttering arclights shining like moons out of the drizzle and a mist; the rattle of wheels on cobbles, soughing of fog-horns down on San Francisco Bay; the far-off din of a cable car gong, and always the dismal patter of rain along the gutter. A girl stopped at the entrance of a cheap boarding house, where a single electric bulb partly illuminated the faded sign. Her faded old raincoat glistened in the light, and her cheap felt hat leaked drops of water as she glanced up at the sign. It was not because she was unfamiliar with that sign. Nan Whitlock had passed under it several times a day for a number of months, because it was her home. That is, it was the only home she had, and just now she was wondering how much longer she could call it home. After a short period of reflection she went inside, passed the dining-room door and started up the stairs. Beneath the raincoat was a small parcel, and she quickly slipped it farther out of sight as a step sounded on the stairs above her. It was Mrs. Emmett, the landlady, a short, chubby sort of woman, but with features prematurely hardened from forcing payments. Just now she narrowed her eyes and glanced upon Nan Whitlock as she partly blocked the stairs. “I was just at your room, Miss Whitlock,” she said. “Unless you and Miss Allan pay for that room before breakfast to-morrow, I’ve a new inhabitant for the same.” “Was—was Miss Allan there?” faltered Nan. “She was not. I’m tired of promises, and I just heard that Miss Allan’s show closes to-morrow night.” “Yes, I know that,” said Nan meekly. “Oh, ye do? And I suppose I was to be left holding the sack, as they say, eh? Well, I’m not. I’ve had her trunk put in storage to-day, and she’ll not get it until the rent is all paid.” “Oh, I’m sorry about that, Mrs. Emmett.” “She’ll be sorry, too, I’m thinking. Oh, I don’t mean to be cross about it, but business is business. If I have to, I’ll attach your wages, my dear. With a fly-by-night like Madge Allan, all I can do is take her trunk. You tell her, will ye? And, of course, that means both of ye get out, unless the money is paid. Her with her fine clothes and fur coats, and a taxi at the door almost every night! And she can’t pay twenty dollars rent! Well, you two think it over, my dear. Unless I miss my guess, I’ll have a vacancy after breakfast.” She stepped aside and walked grandly down the stairs, while Nan hurried on to her room, where she lighted the gas jets, threw off her wet coat and sat down rather heavily. Nan was not pretty, but she had an oval face, wistful gray eyes, and a wealth of wavy auburn hair. Twenty-two her last birthday, and out of a job again.

Black Cat Weekly #87 features more modern and classic mysteries, fantasies, and science fiction tales. Included this time are: Mysteries / Suspense / Adventure: “The Weary Are At Rest,” by Veronica Leigh [Michael Bracken Presents short story] “The Case of the Anonymous Note,” by Hal Charles [Solve-It-Yourself Mystery] “In a Bavarian Forest,” by Warren Moore [Michael Bracken Presents short story] “The Kaluki Kings of Queens,” by Cathi Stoler [short story] Bluffer’s Luck, by W.C. Tuttler Science Fiction & Fantasy: “Glyphs,” by Phyllis Ann Karr and Clifton Alfred Hoyt [short story] “Gentlemen: Please Note,” by Randall Garrett [short story] “Two Worlds For One,” by George O. Smith [short story] “No War Tomorrow,” by Wallace West [short novel] The Grandfathers’ War, by Murray Leinster [short novel]

In this fifth volume of the Yesterday's Faces series, Robert Sampson has selected a host of series characters who adventured throughout the world in the 1903-1930 pulps. Sparkling brightly among these characters are Terence O'Rourke, Captain Blood, and the ferocious Hurricane Williams. More characters include Peter the Brazen, in China, Sanders of the River, in Africa--and much, much more.

This was the first bibliography and guide to the American mass market paperback book, and it remains one of the most definitive. The major index is by author, and lists: author, title, publisher, book number, year of publication, and cover price. The title index lists titles and authors only. The publisher index provides a history of that imprint, with addresses, number ranges, and general physical description of the books issued. This is the place that all study of the American paperback must begin.

Provides an introduction to American pulp fiction during the twentieth century with brief author biographies and lists of their works.