Let the music take you into another dimension as Blue Opera Rock introduces Jarod, a sensitive man of the arts. As Jarod is flying home to Barcelona, he hears some music and reflects back on his life, including life in London in the raucous 1980s. Although Jarod loves music and literature, he is also sensitive to social problems. He opposes exploitation of any kind and dreams of a future free from all forms of tyranny. Jarod envisions a world united for all people, no matter where they come from, as long as they are willing to build a socially just society. Driven by musical magic and narrated with stunning rock lyrics, Blue Opera Rock sings the praises of living a joyous life, while enjoying the fruits of peace and freedom, all to the beat of a world existing in perfect harmony. Political intrigue, philosophy, economics, history and social issues are set to a beat where rock music is truly the central character. Author Bob J. Zehmer was motivated to write this novel about rock and roll and its implications in social issues because democracies are frail and always at risk. He based many of the characters on acquaintances. Zehmer lives in Spain and Italy and has started on his next book. Publisher's website: http: //www.eloquentbooks.com/BlueOperaRock.htm

Routes, bribery, fight against crime, mafia-style organizations, connections with hard drugs, money laundering and even more disquieting world scenarios A trip among the illicit traffics and the main characters in an ongoing foul play. You will unlikely find such impressive information about hashish, drug-trafficking, economic backstage and interviews with traffickers and police officers, all rallied in only one book so clearly expressed and direct.

"There are no definitive histories," writes Elijah Wald, in this provocative reassessment of American popular music, "because the past keeps looking different as the present changes." Earlier musical styles sound different to us today because we hear them through the musical filter of other styles that came after them, all the way through funk and hip hop. As its blasphemous title suggests, How the Beatles Destroyed Rock 'n' Roll rejects the conventional pieties of mainstream jazz and rock history. Rather than concentrating on those traditionally favored styles, the book traces the evolution of popular music through developing tastes, trends and technologies--including the role of records, radio, jukeboxes and television --to give a fuller, more balanced account of the broad variety of music that captivated listeners over the course of the twentieth century. Wald revisits original sources--recordings, period articles, memoirs, and interviews--to highlight how music was actually heard and experienced over the years. And in a refreshing departure from more typical histories, he focuses on the world of working musicians and ordinary listeners rather than stars and specialists. He looks for example at the evolution of jazz as dance music, and rock 'n' roll through the eyes of the screaming, twisting teenage girls who made up the bulk of its early audience. Duke Ellington, Benny Goodman, Frank Sinatra, Elvis Presley, Chuck Berry, and the Beatles are all here, but Wald also discusses less familiar names like Paul Whiteman, Guy Lombardo, Mitch Miller, Jo Stafford, Frankie Avalon, and the Shirelles, who in some cases were far more popular than those bright stars we all know today, and who more accurately represent the mainstream of their times. Written with verve and style, How the Beatles Destroyed Rock 'n' Roll shakes up our staid notions of music history and helps us hear American popular music with new ears.

An appreciation of Rock-n-Roll, song by song, from its roots and its inspriations to its divergent recent trends. A work of rough genius; DeanOCOs attempt to make connections though time and across genres is laudable."

Now available in paperback and with over 10,000 entries, the Oxford Dictionary of Music (previously the Concise Oxford Dictionary of Music) offers broad coverage of a wide range of musical categories spanning many eras, including composers, librettists, singers, orchestras, important ballets and operas, and musical instruments and their history. The Oxford Dictionary of Music is the most up-to-date and accessible dictionaryof musical terms available and an essential point of reference for music students, teachers, lecturers, professional musicians, as well as music enthusiasts.