A comprehensive biography of the legendary creator of The Wild Bunch, Straw Dogs and The Getaway, taking an aptly no-holds-barred look at his life, his vision and his influence on modern cinema. Famed and reviled in equal measure for his no-frills approach to violent realism, Peckinpah refused to compromise his ideas for his producers, with the result that his films were decried for their apparent amoralism as much as lauded for their groundbreaking style and savage intensity. A complete look at the life and work of a modern seer.

Fifteen-year-old Ben Buck and his family spent four years clearing the wilderness to build a new home in Pennsylvania. They fought the Indians and the British, and they made sacrifices most people wouldn't have been strong enough to make, all so they could be independent and free. Now someone's trying to take everything away from them—their land, their home, even Ben's best friend, Joe. But the Bucks won't give up without a fight, and Ben knows his family will have to win a war to stay free. But what he doesn't know is that wars sometimes last a very long time. And even if you win in the end, you can lose almost everything along the way.

A band of fabled mercenaries tour a wild fantasy landscape, battling monsters in arenas in front of thousands of adoring fans. But, a secret and dangerous gig ushers them to the frozen north, and the band is never one to waste a shot at glory. Live fast, die young. Tam Hashford is tired of working at her local pub, slinging drinks for world-famous mercenaries and listening to the bards sing of adventure and glory in the world beyond her sleepy hometown. When the biggest mercenary band of all, led by the infamous Bloody Rose, rolls into town, Tam jumps at the chance to sign on as their bard. It's adventure she wants -- and adventure she gets as the crew embark on a quest that will end in one of two ways: glory or death. It's time to take a walk on the wyld side. "Humorous twists and pulse-ratcheting action abound in Bloody Rose, but its Eames' knack for heart-wrenching poignancy that makes his warm, wonderful fantasy so harmonious." -- NPR For more from Nicholas Eames, check out: Kings of the Wyld

True tales of celebrity hijinks are served up with an equal measure of Hollywood history, movie-star mayhem, and a frothy mix of forty cocktail recipes. Humphrey Bogart got himself arrested for protecting his drinking buddies, who happened to be a pair of stuffed pandas. Ava Gardner would water-ski to the set of Night of the Iguana holding a towline in one hand and a cocktail in the other. Barely legal Natalie Wood would let Dennis Hopper seduce her if he provided a bathtub full of champagne. Bing Crosby’s ill-mannered antics earned him the nickname “Binge Crosby.” And sweet Mary Pickford stashed liquor in hydrogen peroxide bottles during Prohibition. From the frontier days of silent film up to the wild auteur period of the 1970s, Mark Bailey has pillaged the vaults of Hollywood history and lore to dig up the true—and often surprising—stories of seventy of our most beloved actors, directors, and screenwriters at their most soused. Bite-size biographies are followed by ribald anecdotes and memorable quotes. If a star had a favorite cocktail, the recipe is included. Films with the most outrageous booze-soaked stories, like Apocalypse Now, From Here to Eternity, and The Misfits, are featured, along with the legendary watering holes of the day (and the recipes for their signature drinks). Edward Hemingway’s portraits complete this spirited look at America’s most iconic silver-screen legends. “This book is like being at the best dinner party in the world. And I thought I was the first person to put a bar in my closet. I was clearly born during the wrong era.” —Chelsea Handler

The work of Sam Peckinpah represents a high point in American cinema. This text is the first theoretical and critical attempt to place Peckinpah within the 2,000-year-old tradition of western tragedy. The tradition, enfolding the Greeks, Shakespeare and modern tragedians, is represented in Peckinpah's art in numerous ways, and the fact that he worked in the mode throughout his career distinguishes him from most American film directors. Films covered include Ride the High Country, Noon Wine, The Wild Bunch, Pat Garrett and Billy the Kid, and Bring Me the Head of Alfredo Garcia.

With the publication in English in 1930 of Civilization and its Discontents and its thesis that instinct – and, ultimately: nature – had been and must be forever subordinated in order that civilization might thrive and endure, Freud contributed what some contemporaries saw to the central debate of his era – a debate which had long preoccupied both official American pundits and the American populace at large. At the beginning of the new Millennium, evidence abounds that an American debate still rages over the meaning of “nature,” the rightful weight of instinct, and the status of civilization. The Millennium itself has appeared in popular and official discourses as an appropriate marker of an age in which nature is close to the edge of radical extinction and has also become more and more unreliable as a paradigm for representation and debate. At the same time, the contemporary tailoring of nature to postmodern needs and expectations inevitably reveals the conceptual difficulty of any possible, simple opposition between nature and culture as if they were clearly distinguishable domains. If nature, then, can clearly be seen as a discursive concept, it may also be a timeless concept insofar that it has been shaped, created, and used at all times. Every epoch, age and era had “its own nature,” with myth, history and ideology as its dominant shaping forces. From the Frontier to Cyberia, nature has been suffering the “agony of the real,” resurfacing in discursive strategies and demonstrating a powerful impact on American society, culture and self-definition. The essays in this collection “speak critically of the natural” and examine the American debate in the many guises it has assumed over the last century within the context of major critical approaches, psychoanalytical concepts, and postmodern theorizing.

Treasure State stars Gary Cooper and Myrna Loy found unparalleled success during the Golden Age of Hollywood. For more than a century, Montana has supplied a rich vein of entertainment and personality--from daredevils to dancers and even mimes. Born in Miles City in 1895, comedian Gilbert "Pee Wee" Holmes played sidekick to such stars as Tom Mix. One-time Butte resident Julian Eltinge went on to become America's first famous female impersonator. There was Taylor Gordon, whose golden voice propelled the son of a slave from White Sulphur Springs to Harlem Renaissance fame. From the little-known Robyn Adair to the ever-popular Michelle Williams, author Brian D'Ambrosio marks Big Sky Country's long-standing connections with America's performing arts.